The Wanderers
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2016 | 2015 | 2014 | 2012 | 2011 | 2010 | 2009 | 2007

4 items from 2016


Gangs Get Ready To Rumble In Trailer For Philip Kaufman’s Newly Restored ‘The Wanderers’

26 August 2016 10:58 AM, PDT | The Playlist | See recent The Playlist news »

In 1979, “The Warriors” wasn’t the only movie to open depicting the rough-and-tumble lives of gang members on the streets of New York. While not quite establishing the same level of cult fervor, Philip Kaufman‘s “The Wanderers” had its own share of colorful characters in a slightly more comedic take on the gritty clashes between varying […]

The post Gangs Get Ready To Rumble In Trailer For Philip Kaufman’s Newly Restored ‘The Wanderers’ appeared first on The Playlist. »

- Kevin Jagernauth

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James Franco’s Movie Column: How Richard Linklater Inspired My Work

5 August 2016 8:39 AM, PDT | Indiewire | See recent Indiewire news »

James + Semaj is a column where James Franco talks to his reverse self, Semaj, about new films. Rather than a conventional review, it is place where James and Semaj can muse about ideas that the films provoke. James loves going to the movies and talking about them. But a one-sided take on a movie, in print, might be misconstrued as a review. As someone in the industry it could be detrimental to James’s career if he were to review his peers, because unlike the book industry—where writers review other writer’s books—the film industry is highly collaborative, and a bad review of a peer could create problems. So, assume that James (and Semaj) love all these films. What they’re interested in talking about is all the ways the films inspire them, and make them think. James is me, and Semaj is the other side of me. »

- James Franco

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James Franco’s Movie Column: Civil War Meets Mumblecore in ‘Men Go To Battle’

7 July 2016 6:15 AM, PDT | Indiewire | See recent Indiewire news »

James + Semaj is a column where James Franco talks to his reverse self, Semaj, about new films. Rather than a conventional review, it is place where James and Semaj can muse about ideas that the films provoke. James loves going to the movies and talking about them. But a one-sided take on a movie, in print, might be misconstrued as a review. As someone in the industry it could be detrimental to James’s career if he were to review his peers, because unlike the book industry—where writers review other writer’s books—the film industry is highly collaborative, and a bad review of a peer could create problems. So, assume that James (and Semaj) love all these films. What they’re interested in talking about is all the ways the films inspire them, and make them think. James is me, and Semaj is the other side of me. »

- James Franco

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Cinematographer Michael Chapman Honored at Camerimage Film Festival

6 July 2016 3:50 AM, PDT | Variety - Film News | See recent Variety - Film News news »

Oscar-nominated cinematographer Michael Chapman, a frequent collaborator with helmer Martin Scorsese, will be the recipient of the Camerimage Film Festival’s Lifetime Achievement award in November.

Chapman, whose credits include “Taxi Driver,” “Raging Bull” and “The Lost Boys,” boasts a career that spans more than four decades. Born in Boston in 1935, he enjoyed one of the most important partnerships of his career with Scorsese and his opening title shot of “Raging Bull,” an image of a lonely boxer fighting himself in slow motion shrouded in something resembling fog, became a signature shot for both the director and cinematographer.

Throughout the 1970s he worked with Philip Kaufman on “Invasion of the Body Snatchers” and “The Wanderers” and served as Bill Butler’s camera operator on Steven Spielberg’s “Jaws.”

Chapman also paired with Scorsese on documentaries “The Last Waltz” and “American Boy: A Profile of Steven Prince,” before making his »

- Diana Lodderhose

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2016 | 2015 | 2014 | 2012 | 2011 | 2010 | 2009 | 2007

4 items from 2016


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