| Photos (See all 12 | slideshow) |
| Dennis Dugan | ... | Tom Trimble | |
| Jim Dale | ... | Sir Mordred | |
| Ron Moody | ... | Merlin | |
| Kenneth More | ... | King Arthur | |
| John Le Mesurier | ... | Sir Gawain (as John le Mesurier) | |
| Rodney Bewes | ... | Clarence | |
| Sheila White | ... | Alisande | |
| Robert Beatty | ... | Senator Milburn | |
| Cyril Shaps | ... | Dr. Zimmerman | |
| Kevin Brennan | ... | Winston | |
| Ewen Solon | ... | Watkins | |
| Pat Roach | ... | Oaf | |
| Reg Lye | ... | Prisoner |
Directed by | |||
| Russ Mayberry | |||
Writing credits | ||
| Don Tait | (screen story) | |
| Don Tait | (screenplay) | |
| Mark Twain | (novel "A Connecticut Yankee in King Arthur's Court") | |
Produced by | |||
| Hugh Attwooll | .... | associate producer | |
| Ron Miller | .... | producer | |
Original Music by | |||
| Ron Goodwin | |||
Cinematography by | |||
| Paul Beeson | (director of photography) | ||
Film Editing by | |||
| Peter Boita | |||
Casting by | |||
| Maude Spector | |||
Art Direction by | |||
| Albert Witherick | |||
Costume Design by | |||
| Phyllis Dalton | |||
Makeup Department | |||
| Roy Ashton | .... | makeup artist | |
| Ernest Gasser | .... | makeup artist (as Ernie Gasser) | |
| Joyce James | .... | hair stylist | |
| Betty Sherriff | .... | hair stylist | |
Production Management | |||
| Robin Douet | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Vincent Winter | .... | assistant director | |
| Terry Madden | .... | second second assistant director (uncredited) | |
Sound Department | |||
| Ken Barker | .... | sound recordist | |
| Peter Best | .... | sound editor | |
| Claude Hitchcock | .... | sound recordist | |
| Keith Batten | .... | boom operator (uncredited) | |
| John Hayward | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Ron Ballanger | .... | special effects (uncredited) | |
| Michael Collins | .... | special effects (uncredited) | |
Visual Effects by | |||
| Cliff Culley | .... | special photographic effects | |
Stunts | |||
| Vic Armstrong | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Ray Sturgess | .... | camera operator | |
| Malcolm Vinson | .... | camera operator | |
Editorial Department | |||
| Jack Gardner | .... | assembly editor | |
Music Department | |||
| Ron Goodwin | .... | conductor | |
Other crew | |||
| Georgiana Hamilton | .... | continuity (as Georgina Hamilton) | |
| Barrie Melrose | .... | location manager | |
| Don Tait | .... | assistant: producer | |
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| A Knight in Camelot | A Connecticut Yankee in King Arthur's Court | A Connecticut Yankee in King Arthur's Court | Camelot | Star Wars: Episode VI - Return of the Jedi |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section |
This is one of those films that starts with a bad title and only gets worse.
If I recall, I saw this at my friend Kirk's tenth birthday party and it was the first time I used the word 'dreck' in a sentence.
'Unidentified Flying Oddball' has all the appearance of having been written and filmed over a long weekend. Edited in someone's basement one night over a keg of beer.
One thing sticks in my memory like an oak splinter: the way Spaceman Tom never called King Arthur 'your majesty' or 'sire,' but instead just plain ol' good ol' 'King.' As in 'hey, King, get yer hands offa my girl, see.' If you like that sort of talk, and your brain development arrested in grade three, then the team behind 'Unidentified Flying Oddball' wants you.
The science was excellent, however. I know now that if I ever need to defend myself from a deathly laser beam, I need only wear the shiniest armour I can find ('Say, King, gimme yer armor! Now don't get all persnickety on me, see? I'll give it back all nice and proper-like, and polished up with good ol' American spit shine').
Disney produced this matted ass-hair sandwich in the days before they became the media Godzilla they are now. Their stock was leaning into the toilet in those days and, hey, so will you after seeing this film.
Incoherent plot, humourless gags, crummy special effects, poor sets. It's not a good kid's film. Not a good film, even though based on a Mark Twain story. But I may change my tune. Perhaps someday I'll see this movie the way I presume it was meant to be seen. On crack.