In New York, Dr. Norman Boyle assumes the research about Dr. Freudstein of his colleague Dr. Petersen, who committed suicide after killing his mistress. Norman heads to Boston with his wife... See full summary »
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
A musician witnesses the murder of a famous psychic, and then teams up with a feisty reporter to find the killer while evading attempts on their lives by the unseen killer bent on keeping a dark secret buried.
When a terrorist's body, infected with a stolen chemical, is recovered by the US military, the corpse is cremated, unintentionally releasing the virus/bacteria into the atmosphere over a ... See full summary »
A zombie is found aboard a boat off the New York coast which belongs to do a famous scientist. Peter West, a journalist, travels to the Antilles with Ann, the daughter of the scientist. On the way, they meet with with Brian, a ethnologist, and Susan. When they arrive at Matul Island, they find Dr. Menard, and discover a terrifying disease which is turning the islanders into horrifying zombies which devour human flesh and seem indestructible.... Written by
Si Elliott <email@example.com>
According to Ian McCulloch on the DVD commentary, the harbor patrol cops were actually off-duty policemen. The advantage was that no costumes were required as they brought their own uniforms. See more »
When Dr. Menard is driving and discussing the zombie plague with the visitors, the "clean" part of the jeep's windshield (i.e. the path of the windshield wipers) appears to be cut out of the glass (probably to provide a better view of the actors and prevent the camera being reflected on the glass). See more »
The boat can leave now. Tell the crew.
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This was my first ever video nasty, originally viewed in the mid 80's, and for that reason it shall always have a special place in my heart. The first thing that struck me was that the budget must have been relatively high. Fulci was never a great one for narrative coherence (this is probably his most conventional film) and typically for the Italian films of the time this must have been pitched as a sequence of set-pieces (the shark battle, the fiery finale, and of course, the infamous eyeball scene). Unfortunately for the most part these are fairly flatly directed and fall short of their potential for tension. The earlier expository scenes are especially protracted, and throughout Fulci has a tendency to leave shots hanging well past their sell-by date. That said, the film is not completely artless, and whereas it lacks suspense, it does have a degree of atmosphere about it. After the political correctness of the 80's and the 'post-Modernist' knowingness of the 90's, Zombie Flesheaters, with its excessive gore and its leering nudity, its risible dubbed dialog and its a complete lack of humour, with its simplistic plotting and comic-book characterisation, is probably most interesting if viewed from the perspective that firstly, that there was ever a market for this sort of thing and secondly, that people thought that films like this needed suppressing. Yes it's true, they don't make them like this anymore!
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