A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the ... See full summary »
Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 ... See full summary »
Lee H. Katzin
Buzz Rickson is a dare-devil World War II bomber pilot with a death wish. Failing at everything not involving flying, Rickson lives for the most dangerous missions. His crew lives with this... See full summary »
Shirley Anne Field
Engineer Jake Holman arrives aboard the gunboat U.S.S. San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and... See full summary »
Henry Thomas is out on parole in a small Texan town and, in the evenings, he is the lead singer in a band. He is being pressured by his foster mother to give up his singing and go back to ... See full summary »
A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the simple skills he knows are of no help in dealing with the ambitions of ranchers and corrupt officials as progress marches over him and the old west. Written by
Keith Loh <email@example.com>
According to director Arthur Penn, the real-life Tom Horn was the inspiration for the villainous Marlon Brando character in his "The Missouri Breaks" (1976). In interviews, Penn described his screenwriter, Thomas McGuane, as an expert on the life of Tom Horn, which may be why McGuane is also one of the screenwriters on this rather different version of Horn's adventures. See more »
In the opening sequence, the wording says, "In 1901 he drifted into Wyoming 'Territory'". Wyoming had been a state since 1890. See more »
Did you get the note telling you to not come around here?
I got your fucking note! I rolled it up in the back with tobacco and smoked it!
See more »
I often wonder how pre video audiences were able to take in the full effect and minor nuances of films as we can today. Watching a film again and again allows one to really study the work and pick up the director's deep intent for character and plot.
Watching Tom Horn a few times allows one to see that it really is a good movie. And after more than 20 years in motion pictures, McQueen finally just fits into his role, and does not "act" or play Steve McQueen.
The first scenes are excellent. McQueen establishes his character as a man who knows, and has seen most of, what the west is about. He knows who he is, and what he's accomplished, so he doesn't need to brag. The way he virtually walks into a fight in the bar with the pompous British fighter and his manager is superb. "Well, if he ain't won the fight yet, then he ain't the champ yet" is delivered with believable aplomb. When he says the guy's mother would have to stand on his shoulders just to kiss Geronimo's ass it is priceless. Especially good is his question "OK, if I win this fight, then does that make ME champion of the world?" He knows he is going to get his butt kicked but does all this for principle's sake. His running out the door and yelling oh s***, then throwing the plate of food at the fighter is one of the better acting sequences done anywhere.
His work as the stock detective is classic McQueen without his earlier years of mugging and panning. Good stuff.
The open spaces of this film, and Horn's subsequent incarceration gave me a feeling of freedom and claustrophobia. It worked well
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