| Malcolm McDowell | ... | H.G. Wells | |
| David Warner | ... | Stevenson | |
| Mary Steenburgen | ... | Amy | |
| Charles Cioffi | ... | Lt. Mitchell | |
| Kent Williams | ... | Assistant | |
| Andonia Katsaros | ... | Mrs. Turner | |
| Patti D'Arbanville | ... | Shirley | |
| James Garrett | ... | Edwards | |
| Keith McConnell | ... | Harding | |
| Leo Lewis | ... | Richardson | |
| Byron Webster | ... | McKay | |
| Karin de la Penha | ... | Jenny (as Karin Mary Shea) | |
| Geraldine Baron | ... | Carol | |
| Laurie Main | ... | Inspector Gregson | |
| Joseph Maher | ... | Adams | |
| Michael Evans | ... | Sergeant | |
| Ray Reinhardt | ... | Jeweler | |
| Robert Shaw | ... | Bank Officer (as Bob Shaw) | |
| Stu Klitsner | ... | Clergyman | |
| Nicholas Shields | ... | Diner at McDonalds | |
| Gene Hartline | ... | Cab Driver | |
| Clement von Franckenstein | ... | Bobby (as Clement St. George) | |
| Shirley Marchant | ... | Dolores | |
| Larry J. Blake | ... | Guard | |
| Antonie Becker | ... | Nurse | |
| Hilda Haynes | ... | 2nd Nurse | |
| Read Morgan | ... | Booking Cop | |
| Mike Gainey | ... | London Bobby | |
| Jim Haynie | ... | 1st Cop | |
| Wayne Storm | ... | 2nd Cop | |
| John Colton | ... | 3rd Cop | |
| Corey Feldman | ... | Boy at Museum | |
| James Cranna | ... | Man | |
| Earl Nichols | ... | 4th Cop | |
| Bill Bradley | ... | Pawnbroker | |
| Clete Roberts | ... | Newscaster | |
| Rita Conde | ... | Maid | |
| Gail Hyatt | ... | Woman Cop | |
| Shelley Hack | ... | Docent | |
| Dan Leegant | ... | Man on Street | |
| Regina V. Waldron | ... | Woman | |
| Liz Roberson | ... | Woman | |
| Anthony Gordon | ... | Man | |
| Lou Felder | ... | Man | |
| Doug Morrisson | ... | Man | |
| Glenn Carlson | ... | 5th Cop | |
| rest of cast listed alphabetically: | |||
| Neil Armstrong | ... | Himself, announcing moon landing (voice) (uncredited) (archive footage) | |
| Judith Burnett | ... | Ann (uncredited) | |
| Winston Churchill | ... | Himself, giving 'Finest Hour' speech (voice) (uncredited) (archive footage) | |
| Jimi Hendrix | ... | Himself - Performing (archive footage) (uncredited) | |
| John F. Kennedy | ... | Himself, giving inaugural speech (voice) (uncredited) (archive footage) | |
| Douglas MacArthur | ... | Himself, announcing 'I Shall Return' (voice) (uncredited) (archive footage) | |
| Edward R. Murrow | ... | Himself (voice) (uncredited) (archive footage) | |
| Franklin D. Roosevelt | ... | Himself, giving 1933 inaugural speech (voice) (uncredited) (archive footage) | |
Directed by | |||
| Nicholas Meyer | |||
Writing credits | ||
| Karl Alexander | (story) & | |
| Steve Hayes | (story) | |
| Nicholas Meyer | (screenplay) | |
Produced by | |||
| Herb Jaffe | .... | producer | |
| Steven-Charles Jaffe | .... | associate producer | |
Original Music by | |||
| Miklós Rózsa | (music by) (as Miklos Rozsa) | ||
Cinematography by | |||
| Paul Lohmann | (director of photography) | ||
Film Editing by | |||
| Donn Cambern | (edited by) | ||
Casting by | |||
| Dianne Crittenden | (casting) | ||
Production Design by | |||
| Edward C. Carfagno | |||
Set Decoration by | |||
| Barbara Krieger | |||
Makeup Department | |||
| Lynn F. Reynolds | .... | makeup artist (as Lynn Reynolds) | |
| Dione Taylor | .... | hair stylist | |
Production Management | |||
| Austen Jewell | .... | unit production manager | |
Art Department | |||
| Richard Evans | .... | assistant property master (as Richard K. Evans) | |
| Richard Reseigne | .... | construction coordinator (as Dick Reseigne) | |
| Bill Wainess | .... | property master | |
| Richard M. Kristy | .... | set dresser (uncredited) | |
Sound Department | |||
| Michael Colgan | .... | supervising sound editor | |
| Les Fresholtz | .... | re-recording mixer | |
| Martin Halperin | .... | audio montage | |
| Jerry Jost | .... | sound | |
| Joseph Kite | .... | boom operator (as Joe Kite) | |
| Michael Minkler | .... | re-recording mixer | |
| Arthur Piantadosi | .... | re-recording mixer | |
| Colin Waddy | .... | sound effects editor | |
| Jay Wertz | .... | sound effects editor | |
| Ken Dufva | .... | foley artist (uncredited) | |
| Jerry Jacobson | .... | adr editor (uncredited) | |
Special Effects by | |||
| Jim Blount | .... | special effects | |
| Larry L. Fuentes | .... | special effects (as Larry Fuentes) | |
| Kevin Pike | .... | special effects: custom props (uncredited) | |
Visual Effects by | |||
| Richard Taylor | .... | optical effects design (as Richard F. Taylor) | |
| Chad Taylor | .... | visual effects (uncredited) | |
Stunts | |||
| Everett Creach | .... | stunt coordinator | |
| Everett Creach | .... | stunts | |
| Jadie David | .... | stunts | |
| Larry Duran | .... | stunts | |
| Brad Eide | .... | stunts | |
Camera and Electrical Department | |||
| Ron Frantzvog | .... | second assistant cameraman | |
| J. Michael Marlett | .... | gaffer (as Mike Marlett) | |
| Guy Polzel | .... | key grip (as Guy Polzell) | |
| Glenn K. Shimada | .... | first assistant cameraman (as Glenn Shimada) | |
| Peter Sorel | .... | stills | |
| Timothy E. Wade | .... | camera operator (as Tim Wade) | |
| Jonathan West | .... | camera operator: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| Sal Anthony | .... | costumer: men's | |
| Yvonne Kubis | .... | costumer: women's | |
| Joan Joseff | .... | costume jeweller (uncredited) | |
Editorial Department | |||
| Laurey Condon | .... | assistant film editor | |
| William J. Meshover | .... | assistant film editor | |
| Steve Mirkovich | .... | assistant film editor (as Steven Mirkovich) | |
| Steve Johnson | .... | colorist (uncredited) | |
| Bruce Pearson | .... | color timer (uncredited) | |
Music Department | |||
| Donald Harris | .... | music editor | |
| Danny Gould | .... | composer: dance music (uncredited) | |
| Christopher Palmer | .... | orchestrator (uncredited) | |
| Dan Wallin | .... | score mixer (uncredited) | |
Transportation Department | |||
| Tim Hill | .... | transportation captain | |
Other crew | |||
| Lea Andrews | .... | production secretary | |
| John Bush | .... | location liaison | |
| Oga Danylo | .... | producer's secretary | |
| Sonny King | .... | computer effects | |
| Russ Maehl | .... | computer effects | |
| Kathy Orloff | .... | unit publicist | |
| Kathy Thomas | .... | script supervisor (as Kathy Thomas Swor) | |
| Dominic Santarone | .... | caterer (uncredited) | |
| Ruth Santarone | .... | caterer (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
"Time After Time" was one of those movies of which I didn't even knew it existed. It certainly is a movie that deserves more recognition for this movie truly was one of the most entertaining movies I have seen in a while.
The story its concept is already one factor why I liked this movie so much. In the late 19th century The scientist H.G. Wells (Malcolm McDowell) has build a time machine which his good friend John Leslie Stevenson aka Jack the Ripper (David Warner) uses when the police has just discovered his true identity. Ripper travels to the year 1979 and Wells, who feels responsible for his escape to the in his eyes future Utopian society of 1979, follows him to the future, in an attempt to catch him and bring him to justice and prevent him from making more victims in the future. I highly enjoyed this original story and concept and thought that it was perfectly executed by talented director Nicholas Meyer, who made his debut as a director with this movie. After this he made two more well known and widely appreciated Star Trek movies; "Star Trek: The Wrath of Khan" and "Star Trek VI: The Undiscovered Country" which by the fans are often regarded as the best in the series of Star Trek movies.
The movie has a fantastic and typical '70's atmosphere which I always adore in movies. It's also filled with some typical '70's tense chase sequences, which are brilliantly filmed and edited. The cinematography itself is also at times refreshingly original, especially the perfectly done opening sequence of the movie in which Jack The Ripper makes another victim.
But the movie isn't just tense and original, it also is highly entertaining and it features some good humor. Of course having an 19th century main character who for the first time takes a look in the future 1979 is already good for some laughs. Such as the time were he visits a McDonald's or comes up with the fake alias Sherlock Holmes when he gets in contact with the police. There are countless 'little' fun parts like this in the movie which makes this movie a pleasant and entertaining one to watch as well as a tense nail biting thriller.
Malcolm McDowell is extremely good and convincing as a 19th century gentleman and scientist H.G. Wells. Honestely he plays his best role since "A Clockwork Orange". David Warner is also perfectly cast as Jack The Ripper. He's a perfectly scary and mysterious gentleman. Warner is perhaps well known to everyone for playing Spicer Lovejoy in the 1997 movie "Titanic". The movie also features a at the time still very young Mary Steenburgen in one of her very first movie roles. She also was superb and the talent was already showing. One year later she even already won an Oscar for the movie "Melvin and Howard".
The movie further more features a highly good and underrated musical score by well known Hungarian composer Miklós Rózsa.
This movie is terribly underrated in terms of how well known it is. This movie deserves to be seen by everybody for this movie is an entertaining one as well as a tense thriller, with some excellent performances by the cast and good directing by Nicholas Meyer.
8/10
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