An outlaw smuggler and her alien companion are recruited by the Emperor of the Galaxy to rescue his son and destroy a secret weapon by the evil Count Zarth Arn.

Director:

(as Lewis Coates)

Writers:

(screenplay) (as Lewis Coates), (screenplay) | 1 more credit »
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Cast

Complete credited cast:
...
Akton
...
Stella Star
...
The Emperor
...
Prince Simon
...
Thor
...
Count Zarth Arn
Nadia Cassini ...
Queen of the Amazons
Judd Hamilton ...
Elle
Hamilton Camp ...
Elle (voice)
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Storyline

Outlaw smugglers Stella Star and Akton manage to pick up a castaway while running from the authorities, who turns out to be the only survivor from a secret mission to destroy a mysterious superweapon designed by the evil Count Zarth Arn. The smugglers are soon recruited by the Emperor of the Galaxy to complete the mission, as well as to rescue the Emperor's son, who has gone missing. Written by Jean-Marc Rocher <rocher@fiberbit.net>

Plot Summary | Plot Synopsis

Taglines:

From a vast and distant galaxy... A space adventure for all time! See more »


Certificate:

PG | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

9 March 1979 (USA)  »

Also Known As:

Star Crash  »

Filming Locations:

 »

Company Credits

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Technical Specs

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Ennio Morricone was first offered the opportunity to compose the film's score, which he turned down. See more »

Goofs

When going into hyperspace for the first time, Akton gives the probabilities of various catastrophes happening to the ship - 40% total disintegration, 30% molecular ignition, 20% gamma contamination - from which Stella concludes that they have a 10% chance of survival. It has been thought by some that this is an error: if these are independent events then the overall probability would be calculated by multiplying the probabilities of surviving each one, which would be 60% x 70% x 80%, giving 33.6%. However, there's no reason to suppose that the events are independent; in fact that would be a very unnatural interpretation of Akton's statement. It's more likely that he's stating the absolute probabilities that the ship will in fact be destroyed by each catastrophe - in which case each figure already presumes that the other two catastrophes don't occur, and the probabilities are independent. (And even if not, the error could be Stella's, not the filmmakers'.) See more »

Quotes

Count Zarth Arn: By sunset, I'll be the new emperor! And I will be the master of the whole universe!
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Connections

References The Golem (1920) See more »

Frequently Asked Questions

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User Reviews

 
Some Kind of a Masterpiece
25 April 2006 | by (New York, USA) – See all my reviews

Take Caroline Munro. Put her in a leather space bikini with matching boots, give her a ridiculous looking laser gun, have someone get some oil on her chest and we are talking entertainment. Now, add a plot that is reminiscent of Star Wars, right down to having android or helmeted characters who's faces we never see, inject some heroics and derring-do, paste on a very cinematic sounding musical score by James Bond alumnus John Barry and presto! you have a movie.

It all starts with Ms. Munro and that leather bikini though, make no mistake about it. This movie is a stupid, kitschy, clunky, dated, addle-brained and witless Star Wars ripoff that might be one of the best science fiction movies ever made. All that is required for anyone to appreciate it is a familiarity with science fiction, an appreciation for female breasts and a sense of humor. If you can't manage to scrape that up skip this one and maybe rent a documentary on Stalingrad. If you can, seek it out immediately. This is what those Alfonse Brescia movies were like, except it's story actually makes sense.

Some folks would refer to this as a "camp classic": NO. Camp is done as a parody or for laughs, like Monty Python having the Royal Scotts Guard do a Burt Bacharach production number. This is KITSCH, like Queen's "Bohemian Rhapsody", a Kit Kat clock and those salt shakers made to look like Tiki Torches. Or a ceramic plate featuring designs with corn cobs, meant to only be used when you eat corn on the cob. Kitsch can certainly have a sense of humor about itself but it has to be played straight, like "WKRP In Cincinatti" -- if you play it for laughs then you are making "Mork and Mindy".

I will leave it to others to describe the plot. STAR CRASH is about the whole idea of merging a Star Wars type adventure with genre film elements that border on exploitation, and thankfully they found a willing participant in Ms. Munro, who's presence is the real reason to bother seeking this out. The klutzy 80's science fiction design is also a marvel to behold & there isn't a dull moment to be had. I agree with the other comments who pointed out that this movie has fifteen times the imagination, soul and humanity of the three most recent Star Wars films put together. Some touches of inappropriately graphic violence and risqué content only add to the forbidden fruit factor that this movie has going for it: Without any redeeming social consciousness factors it is essentially an extended guilty pleasure piece, and what with the world coming to an end & all, heck I don't see anything wrong with that. We need more fun in the world and if nothing else, STAR CRASH is *FUN*.

Some of the special effects are actually quite impressive (especially if you can find the widescreen version shown on a French DVD release which does have the uncensored 93m. English print), or at least are evocative of the Ray Harryhousen adventures that this movie seems to be patterned after. I admire the film's reckless energy, it's devotion to wanting to see if they could make it taking priority over whether or not what they ended up with might look stupid. Try this on a double bill with Aldo Lada's equally outrageous THE HUMANOID with Richard "Jaws" Keil. You may laugh yourself into fits but you certainly won't be bored, and fetishists will have a field day taking screenshots of Ms. Monroe's various camera angles for their own private digital slide show to enjoy without the bother of even watching the film. Like a Spaghetti Western this is a collection of moments. The majority of them pay off and in the end STAR CRASH emerges as a superior example of Italian Spaghetti Sci Fi as well as a relic of a bygone era that will hopefully never be revisited.

9/10: Another movie that should be loaded onto a space probe and fired in the direction of a nearby solar cluster to show other possible worlds the best & worst of what humanity had to offer. And that our women are hotter than their women.


54 of 63 people found this review helpful.  Was this review helpful to you?

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