|
| Lindsay Adler | .... | visual effects coordinator: Foundation Imaging (2001 director's edition) |
| Larry Albright | .... | effects props and miniatures |
| Richard Alexander | .... | mechanical designer: Apogee, Inc. (as Dick Alexander) |
| Michael Backauskas | .... | special editorial |
| Don Baker | .... | photographic effects camera |
| Charles L. Barbee | .... | photographic effects camera: Apogee, Inc. (as Chuck Barbee) |
| Philip Barberio | .... | photographic effects camera (as Phil Barberio) |
| David Bartholomew | .... | photographic effects editorial: Apogee, Inc. |
| Deborah Baxter | .... | photographic effects assistant: Apogee, Inc. |
| David Beasley | .... | effects props and miniatures: Apogee, Inc. |
| Lisze Bechtold | .... | animation and graphics |
| Mat Beck | .... | electronic designer: Apogee, Inc. |
| Mona Thal Benefiel | .... | assistant: Mr. Trumbull |
| Thane Berti | .... | photographic effects photography |
| Bruce Bishop | .... | effects props and miniatures |
| Cosmas Paul Bolger Jr. | .... | photographic effects photography: Apogee, Inc. (as Cosmos Bolger) |
| Rob Bonchune | .... | digital modeler: Foundation Imaging (2001 director's edition) (as Robert Bonchune) |
| Al Broussard | .... | effects props and miniatures |
| Steve Burg | .... | visual effects art director: Foundation Imaging (2001 director's edition) (as Stephen Burg) |
| Deena Burkett | .... | animation and graphics |
| Brent Burpee | .... | systems engineer: Foundation Imaging (2001 director's edition) |
| Glenn Campbell | .... | photographic effects photography |
| Kathryn Campbell | .... | special editorial (as M. Kathryn Campbell) |
| Mark Cane | .... | photographic effects grip: Apogee, Inc. |
| Merllyn Ching | .... | animation and graphics |
| Elrene Cowan | .... | animation and graphics |
| Don Cox | .... | photographic effects camera |
| Chris Crump | .... | effects props and miniatures |
| Kris Dean | .... | special electronics |
| Angela Diamos | .... | animation and graphics: Apogee, Inc. |
| Cy Didjurgis | .... | animation and graphics |
| Daren Dochterman | .... | visual effects supervisor (2001 director's edition) (as Daren R. Dochterman) |
| Mike Donahue | .... | systems engineer: Foundation Imaging (2001 director's edition) (as Michael Donahue) |
| Dennis Dorney | .... | photographic effects photography: Apogee, Inc. |
| Roger Dorney | .... | optical photography supervisor: Apogee, Inc. |
| Jim Dow | .... | miniatures |
| Doug Drexler | .... | digital modeler: Foundation Imaging (2001 director's edition) |
| Janet Dykstra | .... | photographic effects assistant: Apogee, Inc. |
| John Dykstra | .... | photographic effects supervisor: Apogee, Inc. |
| John Dykstra | .... | special photographic effects supervisor |
| Douglas Eby | .... | photographic effects camera |
| Leslie Ekker | .... | animation and graphics |
| John Ellis | .... | photographic effects camera |
| Robert Elswit | .... | photographic effects photography: Apogee, Inc. (as Robert Elswitt) |
| Charles Embrey | .... | photographic effects gaffer: Apogee, Inc. (as Chuck Embrey) |
| Jonathan Erland | .... | effects props and miniatures: Apogee, Inc. (as Jon Erland) |
| Lee Ettleman | .... | effects props and miniatures |
| Scott Farrar | .... | photographic effects photography |
| Michael L. Fink | .... | effects props and miniatures (as Mike Fink) |
| Stephen Fog | .... | special electronics |
| P.J. Foley | .... | animator: Foundation Imaging (2001 director's edition) |
| Bob Friedstand | .... | photographic effects photography (as Robert Friedstand) |
| Joe Garlington | .... | effects props and miniatures: Apogee, Inc. |
| Ernest Garza | .... | visual consultant |
| Bo Gehring | .... | computer motion control system for miniatures |
| Bruno George | .... | photographic effects camera: Apogee, Inc. |
| Christopher George | .... | photographic effects photography |
| Pete Gerard | .... | effects props and miniatures: Apogee, Inc. |
| Rick Gilligan | .... | effects props and miniatures: Apogee, Inc. |
| John H. Gilman | .... | special electronics (as John Gilman) |
| Rocco Gioffre | .... | additional matte paintings |
| Leora Glass | .... | photographic effects assistant |
| David Gold | .... | photographic effects gaffer |
| Joyce Goldberg | .... | assistant: Mr. Yuricich |
| Philip Golden | .... | photographic effects assistant: Apogee, Inc. |
| Phil Gonzales | .... | photographic effects photography: Apogee, Inc. |
| Jim Goodnight | .... | special electronics |
| Abbot Grafton | .... | optical and mechanical consultant |
| Kristopher Gregg | .... | effects props and miniatures (as Kris Gregg) |
| Alan Gundelfinger | .... | optical consultant |
| Rick Guttierez | .... | effects props and miniatures |
| David R. Hardberger | .... | photographic effects camera (as David Hardberger) |
| Alan Harding | .... | photographic effects camera |
| Linda Harris | .... | animation and graphics |
| Allen Hastings | .... | plate photography: Foundation Imaging (2001 director's edition) |
| Richie Helmer | .... | effects props and miniatures: Apogee, Inc. |
| Jack Hinkle | .... | photographic effects editorial |
| Sherry Hitch | .... | digital compositing and cleanup: Foundation Imaging (2001 director's edition) (as Sherry L. Hitch) |
| Richard E. Hollander | .... | electronic and mechanical design (as Richard Hollander) |
| Robert Hollister | .... | photographic effects photography |
| Thomas Hollister | .... | photographic effects photography (as Tom Hollister) |
| Fred Iguchi | .... | special electronics |
| John James | .... | photographic effects project manager |
| Don Jarel | .... | photographic effects camera |
| Gregory Jein | .... | miniatures (as Greg Jein) |
| Phil Joanou | .... | special visual consultant: Apogee, Inc. |
| Paul D. Johnson | .... | electronic designer: Apogee, Inc. (as Paul Johnson) |
| Ann Johnston | .... | assistant: Mr. Shepherd (as Ann M. Johnston) |
| Proctor Jones | .... | photographic effects assistant: Apogee, Inc. |
| Michael Joyce | .... | effects props and miniatures: Apogee, Inc. |
| Nicola Kaftan | .... | animation and graphics |
| Denny Kelly | .... | photographic effects editorial: Apogee, Inc. |
| Deborah Kendall | .... | effects props and miniatures: Apogee, Inc. |
| John Kimball | .... | animation and graphics |
| Greg Kimble | .... | photographic effects photography: Apogee, Inc. |
| Steve Klein | .... | photographic effects editorial: Apogee, Inc. |
| Mark Kline | .... | photographic effects grip: Apogee, Inc. |
| Tom Koester | .... | animation and graphics (as Thomas Koester) |
| Don Kurtz | .... | effects props and miniatures: Apogee, Inc. |
| Milt Laiken | .... | optical consultant |
| Lin Law | .... | photographic effects camera |
| Michael Lawler | .... | photographic effects camera: Apogee, Inc. |
| Deidre Le Blanc | .... | animation and graphics |
| Adam 'Mojo' Lebowitz | .... | visual effects supervisor: Foundation Imaging (2001 director's edition) |
| Robin Dean Leyden | .... | special electronics (as Robin Leyden) |
| Brian Longbotham | .... | production kinetic lighting effects: engine room and Voyager 6 complex |
| Stephen Mark | .... | photographic effects editorial: Apogee, Inc. (as Steve Mark) |
| Guy Marsden | .... | visual consultant |
| Clayton R. Marsh | .... | photographic effects camera (as Clay Marsh) |
| Pat McClung | .... | effects props and miniatures: Apogee, Inc. |
| David McCue | .... | photographic effects camera |
| Grant McCune | .... | miniatures supervisor: Apogee, Inc. |
| Russell McElhatton | .... | photographic effects photography (as Russ McElhatton) |
| Mimi McKinney | .... | assistant: Mr. Dykstra |
| Michael McMillen | .... | effects props and miniatures (as Mike McMillen) |
| Gregory L. McMurry | .... | special electronics (as Greg McMurray) |
| Michael Douglas Middleton | .... | special visual consultant: Apogee, Inc. (as Mike Middleton) |
| Bill Millar | .... | photographic effects project manager |
| Alvah J. Miller | .... | electronic designer: Apogee, Inc. |
| John Millerburg | .... | animation and graphics: Apogee, Inc. |
| Virgil Mirano | .... | visual consultant |
| Harry Moreau | .... | animation effects: Apogee, Inc. |
| Linda Moreau | .... | animation and graphics |
| Conne Morgan | .... | animation and graphics |
| Max Morgan | .... | photographic effects camera |
| David R. Morton | .... | digital matte paintings (2001 director's edition) (as David Morton) |
| Josh Morton | .... | special electronics |
| Mike Myers | .... | special electronics |
| Erik Nash | .... | special visual consultant: Apogee, Inc. |
| Gerald Nash | .... | optical and mechanical consultant |
| Ron Nathan | .... | photographic effects photography: Apogee, Inc. |
| Sam Nicholson | .... | production kinetic lighting effects: engine room and Voyager 6 complex |
| Paul Olsen | .... | animation and graphics |
| Tom Pahk | .... | effects props and miniatures |
| Mike Peed | .... | photographic effects photography |
| Trevor Peirce | .... | animator: Foundation Imaging (2001 director's edition) (as Trevor Pierce) |
| Jose Perez | .... | digital modeler: Foundation Imaging (2001 director's edition) |
| Greg Pierce | .... | animation and graphics |
| John Piner | .... | photographic effects projectionist |
| George Polkinghorne | .... | mechanical designer |
| Jerry Pooler | .... | photographic effects camera: Apogee, Inc. |
| Stephen W. Pugh | .... | visual effects unit production manager: Foundation Imaging (2001 director's edition) (as Steve Pugh) |
| Bob Quinn | .... | animator: Foundation Imaging (2001 director's edition) |
| John Ramsay Jr. | .... | effects props and miniatures: Apogee, Inc. (as John Ramsay) |
| Lex Rawlins | .... | photographic effects photography |
| Gary Rhodaback | .... | effects props and miniatures: Apogee, Inc. |
| Christopher S. Ross | .... | effects props and miniatures (as Chris Ross) |
| Steve Sass | .... | electronic designer: Apogee, Inc. |
| Dennis Schultz | .... | effects props and miniatures: Apogee, Inc. |
| David Scott | .... | effects props and miniatures: Apogee, Inc. |
| Jonathan Seay | .... | photographic effects photography |
| Dieter Seifert | .... | mechanical designer |
| Robert Shepherd | .... | photographic effects project manager: Apogee, Inc. |
| Robert Short | .... | effects props and miniatures |
| William Shourt | .... | mechanical designer: Apogee, Inc. (as Bill Shourt) |
| Denise Shurtleff | .... | photographic effects assistant: Apogee, Inc. (as Tutt Shurtleff) |
| Russ Simpson | .... | miniatures |
| Dick Singleton | .... | effects props and miniatures: Apogee, Inc. |
| Steve Slocomb | .... | photographic effects photography (as Steve Slocum) |
| Richard Smiley | .... | effects props and miniatures: Apogee, Inc. |
| Douglas Smith | .... | photographic effects camera: Apogee, Inc. (as Doug Smith) |
| Nora Jeanne Smith | .... | special editorial |
| David Smithson | .... | digital file handling: Foundation Imaging (2001 director's edition) |
| David Sosalla | .... | effects props and miniatures: Apogee, Inc. |
| Robert Spurlock | .... | effects props and miniatures |
| Scott Squires | .... | photographic effects camera |
| Mark Stetson | .... | effects props and miniatures |
| David K. Stewart | .... | photographic effects director of photography (as Dave Stewart) |
| Lee Stringer | .... | animator: Foundation Imaging (2001 special edition) |
| John E. Sullivan | .... | photographic effects camera: Apogee, Inc. (as John Sullivan) |
| Robert Swarthe | .... | special animation effects |
| Michael Sweeney | .... | photographic effects photography: Apogee, Inc. |
| Richard Taylor | .... | designer: Robert Abel & Associates |
| John Teska | .... | animator: Foundation Imaging (2001 director's edition) |
| Robert C. Thomas | .... | photographic effects photography (as Bob Thomas) |
| Rick Thompson | .... | effects props and miniatures |
| Ron Thornton | .... | visual effects producer: Foundation Imaging (2001 director's edition) |
| Don Trumbull | .... | mechanical designer: Apogee, Inc. |
| Douglas Trumbull | .... | special photographic effects director |
| Paul Turner | .... | effects props and miniatures |
| Susan Turner | .... | effects props and miniatures: Apogee, Inc. |
| Patrick Van Auken | .... | photographic effects grip (as Pat Van Auken) |
| Timothy Warner | .... | photographic effects assistant |
| Don Webber | .... | effects props and miniatures: Apogee, Inc. |
| Brett Webster | .... | photographic effects assistant |
| Gary Weeks | .... | effects props and miniatures: Apogee, Inc. |
| Evans Wetmore | .... | electronic and mechanical design |
| Don Wheeler | .... | effects props and miniatures |
| Greg Wilzbach | .... | animation and graphics |
| Vicky Witt | .... | photographic effects editorial (as Vicki Witt) |
| Diana Wooten | .... | photographic effects photography: Apogee, Inc. (as Diane E. Wooten) |
| Hoyt Yeatman | .... | photographic effects camera |
| Alison Yerxa | .... | animation and graphics |
| Matthew Yuricich | .... | matte paintings |
| Richard Yuricich | .... | photographic effects director of photography |
| Richard Yuricich | .... | special photographic effects producer |
| Darryl Anka | .... | model maker (uncredited) |
| Philo Barnhart | .... | effects animation assistant (uncredited) |
| Jeffrey Baxter | .... | visual effects (2001 director's edition) (uncredited) |
| Chris Buchinsky | .... | animator (uncredited) |
| Glenn Erickson | .... | visual effects editorial staff (uncredited) |
| Mark Freund | .... | optical cameraman (uncredited) |
| Sari Gennis | .... | effects animator (uncredited) |
| Bill George | .... | model maker (uncredited) |
| Dave Gregory | .... | special optical effects lineup & plotting: Pacific Title (uncredited) |
| Ron Gress | .... | model painter (uncredited) |
| William Guest | .... | effects props and miniatures (uncredited) |
| David V. Lester | .... | optical effects unit manager (uncredited) |
| Dennis Michelson | .... | console display animation (uncredited) |
| John C. Moulds | .... | optical cameraman (uncredited) |
| Paul Olsen | .... | model painter (uncredited) |
| Kathleen Quaife-Hodge | .... | animation intern (uncredited) |
| Michael Rivero | .... | effects camera (uncredited) |
| Barry Seybert | .... | visual effects (uncredited) |
| John Sore | .... | visual effects animator/modeler (2001 director's edition) (uncredited) |
| Zuzana Swansea | .... | model maker (uncredited) |
| George Trimmer | .... | model maker (uncredited) |
| Marv Ystrom | .... | optical effects (uncredited) |
| |
"Star Trek: The Motion Picture - The Director's Edition"
"Star Trek: The Motion Picture" is by far the most important of the series and in my opinion also the best. This Director's Cut has improved and tightened the 1979 theatrical release to create a truer version of the director's original vision. In most cases Director's Cuts ruin the original Motion Picture they set out to improve, yet this film is the exception. What Robert Wise did here was very necessary and it has been accomplished with great reverence for the original material. This is now the authoritative version of "Star Trek: The Motion Picture" and justly so.
What I admire about this first incarnation to the big screen is the faith that Robert Wise obviously has for his audience. Scenes are purposely slow which allows the atmosphere of the film to wash over the viewer like a warm bath rather than being bombarded by action and explosions as in the second of the Motion Picture series.
There are obvious references to Stanley Kubrick's 2001:A Space Odyssey (1967), which I admire because to want to aspire to those heights and nearly succeed can only be regarded with respect.
I have to say that the production design by Harold Michelson has never been bettered. The scope of his sets gives real life and location to the interior of the Star Ship Enterprise. The gathering of the whole crew in the lounge for example or Kirk emotionally trapped in his quarters by the dark glass sliding doors. The bridge of the Enterprise has never looked, sounded or functioned better. (It would have been nice to hear the old sliding door sounds!)
A criticism would have to be levelled at the costume design, which I found uninspired, dreary and slightly camp. Decker's skin-tight body suit reveals more than modesty should allow! I suppose underwear is obsolete in the 23rd century? Kirk's sleeveless white shirt is quite off- putting, as I couldn't stop staring a William Shatner's extremely hairy arms. Yet these are my only criticisms. I really enjoy this film and have done so since its release. This version finally completes an unfinished work and improves upon it to such a degree that Trekkies will have to reevaluate yet again which is the best of the Motion Picture series. As for me apart from the original series this is Star Trek's finest hour!