Ben Crandall, an alien-obsessed kid, dreams one night of a circuit board. Drawing out the circuit, he and his friends Wolfgang and Darren set it up, and discover they have been given the ... See full summary »
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookiee and two droids to save the universe from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
An alien phenomenon of unprecedented size and power is approaching Earth, destroying everything in its path. The only starship in range is the USS Enterprise--still in drydock after a major overhaul. As Captain Willard Decker readies his ship and his crew to face this menace, Admiral James T. Kirk arrives with orders to take command of the Enterprise and intercept the intruder. But it has been three years since Kirk last commanded the Enterprise on its historic five year mission... is he up to the task of saving the Earth? Written by
Gregory A. Sheets <firstname.lastname@example.org>
In this movie, Mark Lenard plays a Klingon ship captain; this is the third alien species in the Star Trek franchise that the actor played - the first was the Romulan commander in Star Trek: Balance of Terror (1966), then Spock's father, Vulcan Ambassador Sarek in Star Trek: Journey to Babel (1967), a role which he would reprise several times between 1986 and 1991. See more »
Spock's sideburns are squared at the bottom when he is lying on the diagnostic bed. See more »
Of all the Star Trek films, this is the most impersonal and epic - which necessarily isn't a bad thing. This film really isn't about the Star Trek crew, but about the vast visual effects laden V'Ger and how the Enterprise spends 2+ hours exploring it. The score by Jerry Goldsmith only accentuates this epic-ness - this is one of his best scores and brings a majestic quality to the Star Trek crew. Never really is this film funny (unlike 4) or action-packed (unlike II) but regardless will always have a place in my heart because it tries to be as epic as Star Trek can possibly be. Overall, a 7 out of 10 (mostly because of the state-of-the-art effects of its time in 1979 and a superb score by Jerry Goldsmith RIP).
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