When a destructive space entity is spotted approaching Earth, Admiral Kirk resumes command of the Starship Enterprise in order to intercept, examine and hopefully stop it.
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An astronaut crew crash lands on a planet in the distant future where intelligent talking apes are the dominant species, and humans are the oppressed and enslaved.
Director:
Franklin J. Schaffner
Stars:
Charlton Heston,
Roddy McDowall,
Kim Hunter
Ben Crandall, an alien-obsessed kid, dreams one night of a circuit board. Drawing out the circuit, he and his friends Wolfgang and Darren set it up, and discover they have been given the ... See full summary »
Humanity finds a mysterious, obviously artificial, object buried beneath the Lunar surface and, with the intelligent computer H.A.L. 9000, sets off on a quest.
Director:
Stanley Kubrick
Stars:
Keir Dullea,
Gary Lockwood,
William Sylvester
Luke Skywalker, a spirited farm boy, joins rebel forces to save Princess Leia from the evil Darth Vader, and the galaxy from the Empire's planet-destroying Death Star.
After rescuing Han Solo from the palace of Jabba the Hutt, the Rebels attempt to destroy the Second Death Star, while Luke Skywalker tries to bring his father back to the Light Side of the Force.
An alien phenomenon of unprecedented size and power is approaching Earth, destroying everything in its path. The only starship in range is the USS Enterprise--still in drydock after a major overhaul. As Captain Willard Decker readies his ship and his crew to face this menace, Admiral James T. Kirk arrives with orders to take command of the Enterprise and intercept the intruder. But it has been three years since Kirk last commanded the Enterprise on its historic five year mission... is he up to the task of saving the Earth? Written by
Gregory A. Sheets <m-sheets2@onu.edu>
As the travel pod flies by to dock with Enterprise, it is shown passing in front of a light beam that was pointing at the Enterprise's warp drive section. When the travel pod passes in front of the beam, it is lighted. However, there should have been a shadow on the Enterprise when the transporter passed by. See more »
This DVD version has improved and restored and made Star Trek: TMP a pleasure to watch rather than a chore. You're less inclined to hit fast-forward in those lengthy scenes. This movie will resonate well with mature-age viewers because the story is not what you would expect from today's action packed cinema. I appreciated the movie more as I got older. Bob Wise explains on the DVD that production was extremely rushed and had no time to preview the film with an audience that would now after 20 years, tell him to tighten the opticals and emphasize characters. This is precisely what he has done in the DVD version and its magnificent.
Aesthetically, the DVD version shows you the best Star Trek: The Motion Picture can possibly look. Film is sharper; color is dead on however there is still a lot of film grain present unfortunately. My guess is they cleaned the original negative up as much as they could but it had deteriorated so much in storage, or was badly preserved. Certainly looks better than my bad pan/scanned VHS copy.
The DVD truly shines with its brand new sound mix. This isn't your standard stereo to 5.1 DVD conversions like they are doing for movies pre 5.1; they have gutted it up and added new stuff. The original release was so rushed that very little in terms of ambient sound and special effects audio elements were done on the sound mix amongst other production elements. For this DVD they went back to the original audiotapes and remixed them digitally.
Goldsmith's score sounded fantastic when it originally came out now sounds even better on the DVD version. It's tremendous, you will hear what your suppose to hear now with the added advantage of 5.1 surround sound. Goldsmith score truly has a chance to soar now by stretching into a clean high fidelity 5.1 environment rather than being squeezed onto a mono or stereo track. Bass kicks in often especially on big musical cues. You'll hear nifty panning and those surrounds and subwoofer will definitely get a workout. In instances they isolate different parts of the orchestra through different speakers, mainly the bass and percussion.
Most onstage dialog was re-recorded afterwards because of onstage noise due to mechanical devices etc; this is now common practice in the industry. The result is cleaner dialog that comes prominently out of your center speaker. The dialog audio is good, but on occasion it shows a mild muffled and tinny quality probably due to age of material or analog technology of the time, nevertheless I guarantee you, the average viewer will like it, I'm just being picky. In short the movie will sound almost as good as if the movie was made recently.
Not only having rebuilt the original audio they have put in more surround elements, like ambient bridge noises and computer voices. Not sure why they changed the `Intruder Alert' voice, I don't mind but I guess it was because they rushed the sound mix in the 70's and chose that voice as a last minute thing. There are other elements that have been changed, for the better I would say.
The DVD contents have been remastered with Wise's overseeing. There are too many subtleties to comment on so shall briefly discuss a few. Before opening credits you are treated to Goldsmiths V'ger/Love theme, a nice touch. Then you hear the bombastic Star Trek Theme. Newly done credits over moving starfield.
First main new special effect is the Vulcan landscape, tilting from sky to the surface. Then cuts to a new matte painting of the beautiful orange sky. Originally Spock shields his eyes and in the reversal, not only is there no sun there is little sky visible. The new matte painting now fits in nicely.
San Francisco sequence has been redone, 3 new matte paintings that better show the futurized city, Golden Gate Bridge and a bigger shuttlebay.
When they get into V'Ger they encounter a weapon heading towards them that is suppose to dissipate, in the original it simply disappears instantly, now we see a new visual that shows it dissipating just before it hits the ship.
Later we see a probe heading towards the ship on the viewscreen and then through some hokey editing it appears on the bridge. This has been replaced with an improved FX shot showing the approach of the entity on an exterior shot.
A new 'Wing Walk' sequence. Breathtaking new CGI's that show the away-team walk from the hull to the V'Ger stage, some using the original live action shots. New FXs for the most part are based on original storyboards. They didn't go overboard with the effects which is good, Bob tells us that they made FX that they could only do in the 1970's, unlike Star Wars whom George Lucas went overkill on new FX when he redid his in the 1990's.
There are trims, some rearrangements of shots for the better. E.g. Ilia/Deckers exchange of looks, Kirk's `Oh My God', his second `Viewer Off.' I suspect they had to edit within Jerry's score, or have to also edit Jerry's score to accommodate the new editing, if so they have done it very well, I couldn't notice. Some lengthy scenes remain in its entirety, e.g. flying up to the enterprise, I don't blame them for not trimming them, some are sentimental.
The 2 DVD's come with a plethora of information. Audio commentaries by the director, 2 special effect's guys, an actor and the composer guide you through the director's edition. Text commentary by Okuda gives even more scene specific info. Disc 2 gives you most of the trims, deleted scenes from the TV and Theatrical release not used in the DVD version and an outtake of an abandoned visual effect. Plus 3 documentaries about the abandoned TV series ST:Phase II, Directors edition DVD and the movie itself. Plus advertisements/trailers plus storyboards.
A MUST BUY FOR FANS! You'll Love It!
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This DVD version has improved and restored and made Star Trek: TMP a pleasure to watch rather than a chore. You're less inclined to hit fast-forward in those lengthy scenes. This movie will resonate well with mature-age viewers because the story is not what you would expect from today's action packed cinema. I appreciated the movie more as I got older. Bob Wise explains on the DVD that production was extremely rushed and had no time to preview the film with an audience that would now after 20 years, tell him to tighten the opticals and emphasize characters. This is precisely what he has done in the DVD version and its magnificent.
Aesthetically, the DVD version shows you the best Star Trek: The Motion Picture can possibly look. Film is sharper; color is dead on however there is still a lot of film grain present unfortunately. My guess is they cleaned the original negative up as much as they could but it had deteriorated so much in storage, or was badly preserved. Certainly looks better than my bad pan/scanned VHS copy.
The DVD truly shines with its brand new sound mix. This isn't your standard stereo to 5.1 DVD conversions like they are doing for movies pre 5.1; they have gutted it up and added new stuff. The original release was so rushed that very little in terms of ambient sound and special effects audio elements were done on the sound mix amongst other production elements. For this DVD they went back to the original audiotapes and remixed them digitally.
Goldsmith's score sounded fantastic when it originally came out now sounds even better on the DVD version. It's tremendous, you will hear what your suppose to hear now with the added advantage of 5.1 surround sound. Goldsmith score truly has a chance to soar now by stretching into a clean high fidelity 5.1 environment rather than being squeezed onto a mono or stereo track. Bass kicks in often especially on big musical cues. You'll hear nifty panning and those surrounds and subwoofer will definitely get a workout. In instances they isolate different parts of the orchestra through different speakers, mainly the bass and percussion.
Most onstage dialog was re-recorded afterwards because of onstage noise due to mechanical devices etc; this is now common practice in the industry. The result is cleaner dialog that comes prominently out of your center speaker. The dialog audio is good, but on occasion it shows a mild muffled and tinny quality probably due to age of material or analog technology of the time, nevertheless I guarantee you, the average viewer will like it, I'm just being picky. In short the movie will sound almost as good as if the movie was made recently.
Not only having rebuilt the original audio they have put in more surround elements, like ambient bridge noises and computer voices. Not sure why they changed the `Intruder Alert' voice, I don't mind but I guess it was because they rushed the sound mix in the 70's and chose that voice as a last minute thing. There are other elements that have been changed, for the better I would say.
The DVD contents have been remastered with Wise's overseeing. There are too many subtleties to comment on so shall briefly discuss a few. Before opening credits you are treated to Goldsmiths V'ger/Love theme, a nice touch. Then you hear the bombastic Star Trek Theme. Newly done credits over moving starfield.
First main new special effect is the Vulcan landscape, tilting from sky to the surface. Then cuts to a new matte painting of the beautiful orange sky. Originally Spock shields his eyes and in the reversal, not only is there no sun there is little sky visible. The new matte painting now fits in nicely.
San Francisco sequence has been redone, 3 new matte paintings that better show the futurized city, Golden Gate Bridge and a bigger shuttlebay.
When they get into V'Ger they encounter a weapon heading towards them that is suppose to dissipate, in the original it simply disappears instantly, now we see a new visual that shows it dissipating just before it hits the ship.
Later we see a probe heading towards the ship on the viewscreen and then through some hokey editing it appears on the bridge. This has been replaced with an improved FX shot showing the approach of the entity on an exterior shot.
A new 'Wing Walk' sequence. Breathtaking new CGI's that show the away-team walk from the hull to the V'Ger stage, some using the original live action shots. New FXs for the most part are based on original storyboards. They didn't go overboard with the effects which is good, Bob tells us that they made FX that they could only do in the 1970's, unlike Star Wars whom George Lucas went overkill on new FX when he redid his in the 1990's.
There are trims, some rearrangements of shots for the better. E.g. Ilia/Deckers exchange of looks, Kirk's `Oh My God', his second `Viewer Off.' I suspect they had to edit within Jerry's score, or have to also edit Jerry's score to accommodate the new editing, if so they have done it very well, I couldn't notice. Some lengthy scenes remain in its entirety, e.g. flying up to the enterprise, I don't blame them for not trimming them, some are sentimental.
The 2 DVD's come with a plethora of information. Audio commentaries by the director, 2 special effect's guys, an actor and the composer guide you through the director's edition. Text commentary by Okuda gives even more scene specific info. Disc 2 gives you most of the trims, deleted scenes from the TV and Theatrical release not used in the DVD version and an outtake of an abandoned visual effect. Plus 3 documentaries about the abandoned TV series ST:Phase II, Directors edition DVD and the movie itself. Plus advertisements/trailers plus storyboards.
A MUST BUY FOR FANS! You'll Love It!