Ben Crandall, an alien-obsessed kid, dreams one night of a circuit board. Drawing out the circuit, he and his friends Wolfgang and Darren set it up, and discover they have been given the ... See full summary »
An alien phenomenon of unprecedented size and power is approaching Earth, destroying everything in its path. The only starship in range is the USS Enterprise--still in drydock after a major overhaul. As Captain Willard Decker readies his ship and his crew to face this menace, Admiral James T. Kirk arrives with orders to take command of the Enterprise and intercept the intruder. But it has been three years since Kirk last commanded the Enterprise on its historic five year mission... is he up to the task of saving the Earth? Written by
Gregory A. Sheets <email@example.com>
The hardest part for the crew was the scene where the Enterprise descends into V'ger's layers of clouds. Because the special effects would only be edited in after filming, they were required to gaze in awe at blank screens for numerous takes. See more »
As Kirk exits the shuttle at Starfleet Headquarters, immediately before he first sees Commander Sonak, a male crew member with regular 20th-century clothes is very quickly visible near the back of the shuttle next to a blonde female extra before both are obscured by Sonak's entry doorway (the extra begins her own walk-through in the background once Kirk and Sonak begin speaking). See more »
Of all the Star Trek films, this is the most impersonal and epic - which necessarily isn't a bad thing. This film really isn't about the Star Trek crew, but about the vast visual effects laden V'Ger and how the Enterprise spends 2+ hours exploring it. The score by Jerry Goldsmith only accentuates this epic-ness - this is one of his best scores and brings a majestic quality to the Star Trek crew. Never really is this film funny (unlike 4) or action-packed (unlike II) but regardless will always have a place in my heart because it tries to be as epic as Star Trek can possibly be. Overall, a 7 out of 10 (mostly because of the state-of-the-art effects of its time in 1979 and a superb score by Jerry Goldsmith RIP).
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