On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The Borg travel back in time intended on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
A massive alien spacecraft of enormous power destroys three powerful Klingon cruisers, entering Federation space. Admiral James T. Kirk is ordered to take command of the USS Enterprise for the first time since her historic five-year mission. The Epsilon IX space station alerts the Federation, but they are also destroyed by the alien spacecraft. The only starship in range is the Enterprise--after undergoing a major overhaul at Spacedock on Earth. Kirk rounds up the rest of his crew, and acquires some new members, and sets off to intercept the alien spacecraft. However, it has been there years since Kirk last commanded the Enterprise... is he up to the task of saving Earth? Written by
Colin Tinto <email@example.com>
For the Director's Cut, Robert Wise received permission, and a budget to complete the film as he had originally intended. Several visual effects scenes, that could not be finished in 1979, due to time and budget constraints, were redone, sometimes with the use of the original models. A completely original model of V'Ger as it appears when the surrounding clouds have dissipated (an elongated fuselage with six pointed projections in the middle) was created for the new shot where V'Ger approaches Earth. Its look was based on the cross-sectional reading of the ship that appears on-screen in the very next shot (looking like a six-pointed star). A computerized "model" of the Enterprise was created, using the original physical model as reference, to create new CGI shots. See more »
As the bridge crew is watching the orifice beginning to open from the view screen, a quick cut from behind the Enterprise shows the orifice still completely closed. Most evident from bright light emanating beyond the opening in the bridge scene. See more »
I recently watched this movie for the first time in ten or fifteen years. When I was younger I thought this one was even worse than Star Trek V, because as bad as "The Final Frontier" was, at least it had some action and colour.
The version I just saw wasn't the new Director's Edition, just the old video, but I was still completely surprised by just about everything -- partly because I hadn't seen it in so long, and partly because it's so totally different from all the following Trek movies. I even kinda liked the silly space pajamas everyone wears.
After this, the movie series turned to action-oriented stories, a more militaristic look and feel, and infinitely less challenging concepts. True, the pacing of "Star Trek: The Motion Picture" drags in parts, and the behavior of its stars is a little cold and stiff. But instead of treating us with space battles and phaser shootouts, it gives us long, loving shots of the newly revamped starship Enterprise, and instead of rather tawdry plots grounded in mundane reality, it takes us on a metaphysical voyage into an unknown, bizarre, and palpably huge alien device. The relationship of the three main characters has changed a little after several years apart, and they're each getting used to things all over again: Kirk has to deal with the unfamiliar new ship; Spock, after trying to purge his emotions, must confront his human half; and McCoy is "shanghaied" out of retirement for the trip. Decker and Ilia, the new characters, provide enough interest that they were virtually resurrected as Riker and Troi in Star Trek: The Next Generation.
The sense of scale is important. The cloud surrounding V'Ger is gigantic, and the ship at the heart of the cloud is a whole world to itself. The Enterprise must fly into the cloud and communicate with the ship, and it's the only time in any of the ten movies that the heroes actually confront something new and unknown. This was a staple of the original show, and some of the best episodes of the spin-off series. The subsequent films were content with setting their battles and chases in space, but "Star Trek I" actually wants to explore that space. The question at the centre of the film, posed by Spock, is "Is this all we are? Is there nothing more?" Kirk, Spock, and V'Ger are all searching for an answer to that question.
However, the thing that definitely drags the film down is the sound. The red alert blares every other minute, and mechanical computer voice-overs announce just about everything they possibly can. In the process of updating the ship, they've emphasized the computers and mechanics of the vessel in a way they never had before or since, and the effect is jarring and interesting at the same time. The Enterprise is much more of a physical ship traveling in space, and less of a device to facilitate storytelling.
The visual effects are amazing enough to warrant some digital cleaning, and the movie should be seen in widescreen, preferably on a large television.
It's too bad that this movie wasn't more of a success, because I would like to see more Star Trek in this style. After many years and many TV shows, I admit I've gotten a little tired of space battles.
UPDATE: I recently watched the Director's Edition DVD. The sound effects are fixed, and the film has been re-edited to tighten the pace ever so slightly. The changes made are not on the level of the Star Wars special editions, but they do make the movie more watchable. It's a little more coherent now, and I like it even more.
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