On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The Borg travel back in time intended on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
A massive alien spacecraft of enormous power destroys three powerful Klingon cruisers, entering Federation space. Admiral James T. Kirk is ordered to take command of the USS Enterprise for the first time since her historic five-year mission. The Epsilon IX space station alerts the Federation, but they are also destroyed by the alien spacecraft. The only starship in range is the Enterprise--after undergoing a major overhaul at Spacedock on Earth. Kirk rounds up the rest of his crew, and acquires some new members, and sets off to intercept the alien spacecraft. However, it has been there years since Kirk last commanded the Enterprise... is he up to the task of saving Earth? Written by
Colin Tinto <email@example.com>
For the Director's Cut, Robert Wise received permission, and a budget to complete the film as he had originally intended. Several visual effects scenes, that could not be finished in 1979, due to time and budget constraints, were redone, sometimes with the use of the original models. A completely original model of V'Ger as it appears when the surrounding clouds have dissipated (an elongated fuselage with six pointed projections in the middle) was created for the new shot where V'Ger approaches Earth. Its look was based on the cross-sectional reading of the ship that appears on-screen in the very next shot (looking like a six-pointed star). A computerized "model" of the Enterprise was created, using the original physical model as reference, to create new CGI shots. See more »
Immediately before Spock walks out of the shuttle onto the Enterprise, there is an announcement which states; "Identity: Starfleet, inactive". Yet when on the Bridge, Spock tells Kirk that he has been monitoring their communications with Starfleet and is aware of their warp drive problems. Surely communications between the Enterprise and Starfleet would be secured, especially during a major mission, and no person who did not have a current active position in Starfleet should be able to listen in. See more »
This was an under-rated film in the first version, and it is improved a great deal with the changes that Robert Wise made just a few years before he passed away. There has been a backlash against this picture, mostly for two reasons; it was not Star Wars, and it was not what people expected of Star Trek.
If you put these expectations aside, and if you also have some attention span and willingness to relax into a picture this is a remarkable experience. I often here people use words like boring, too long etc. Well yes, if we are expecting a quick-hit, film that can be digested in 90 minutes like a TV show, this is not that type of film. If we apply these standards to Lawrence of Arabia, 2001, Blade Runner, Bridge on the River Kwai, or Citzen Kane (which Robert Wise edited, none of these films would have ever been made.
If you put Star Trek The Motion Picture in context of it's scale and the craftsman involved you start to appreciate it's quality and elegance. Robert Wise does not need qualification. He brings an elegance and texture to work and life in space that StarWars has not put to screen to this day.
Star Wars even now seems like nothing more than an impressive exercise in effects and sound. It is always reminding us that it is a movie. ST-TMP on other hand departed into an "immersive experience" developed by Robert Wise, with the amazing talents of Doug Trumbull and John Dykstra, and the enormous contibutions of Jerry Goldsmith. Likewise, the photography, the scale of the sets and the editing of the film all contribute to a immersive world that saturates the viewer into the film.
You gain a lot of knowledge and appreciation of this film and the experience that they achieved by watching the Director's Edition DVD and listening to Wise, Trumbull, Dykstra, Goldsmith and others discuss the production. This was a uniquely creative and enormous effort, and considering the technological limitations, the demands of the studio, and the many demands of the Star Trek Bible that qualified the creation of the movie. I am pleased to see that other reviewers here have come to appreicate this movie many years later. I encourage the skeptics to find the time to relax and watch it on the biggest screen you can find.
89 of 134 people found this review helpful.
Was this review helpful to you?