Ben Crandall, an alien-obsessed kid, dreams one night of a circuit board. Drawing out the circuit, he and his friends Wolfgang and Darren set it up, and discover they have been given the ... See full summary »
An alien phenomenon of unprecedented size and power is approaching Earth, destroying everything in its path. The only starship in range is the USS Enterprise--still in drydock after a major overhaul. As Captain Willard Decker readies his ship and his crew to face this menace, Admiral James T. Kirk arrives with orders to take command of the Enterprise and intercept the intruder. But it has been three years since Kirk last commanded the Enterprise on its historic five year mission... is he up to the task of saving the Earth? Written by
Gregory A. Sheets <firstname.lastname@example.org>
This movie was the basis for McDonald's first movie based Happy Meal. See more »
AS we look through the window of the Floating Office Complex from the outside, there is no Travel Pod docked in the dock (next to the window). Moments later, after Admiral Kirk beams aboard, he and Scotty enter a Travel Pod docked at that dock. See more »
"Star Trek: The Motion Picture - The Director's Edition"
"Star Trek: The Motion Picture" is by far the most important of the series and in my opinion also the best. This Director's Cut has improved and tightened the 1979 theatrical release to create a truer version of the director's original vision. In most cases Director's Cuts ruin the original Motion Picture they set out to improve, yet this film is the exception. What Robert Wise did here was very necessary and it has been accomplished with great reverence for the original material. This is now the authoritative version of "Star Trek: The Motion Picture" and justly so.
What I admire about this first incarnation to the big screen is the faith that Robert Wise obviously has for his audience. Scenes are purposely slow which allows the atmosphere of the film to wash over the viewer like a warm bath rather than being bombarded by action and explosions as in the second of the Motion Picture series.
There are obvious references to Stanley Kubrick's 2001:A Space Odyssey (1967), which I admire because to want to aspire to those heights and nearly succeed can only be regarded with respect.
I have to say that the production design by Harold Michelson has never been bettered. The scope of his sets gives real life and location to the interior of the Star Ship Enterprise. The gathering of the whole crew in the lounge for example or Kirk emotionally trapped in his quarters by the dark glass sliding doors. The bridge of the Enterprise has never looked, sounded or functioned better. (It would have been nice to hear the old sliding door sounds!)
A criticism would have to be levelled at the costume design, which I found uninspired, dreary and slightly camp. Decker's skin-tight body suit reveals more than modesty should allow! I suppose underwear is obsolete in the 23rd century? Kirk's sleeveless white shirt is quite off- putting, as I couldn't stop staring a William Shatner's extremely hairy arms. Yet these are my only criticisms. I really enjoy this film and have done so since its release. This version finally completes an unfinished work and improves upon it to such a degree that Trekkies will have to reevaluate yet again which is the best of the Motion Picture series. As for me apart from the original series this is Star Trek's finest hour!
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