Ben Crandall, an alien-obsessed kid, dreams one night of a circuit board. Drawing out the circuit, he and his friends Wolfgang and Darren set it up, and discover they have been given the ... See full summary »
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookiee and two droids to save the universe from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
An alien phenomenon of unprecedented size and power is approaching Earth, destroying everything in its path. The only starship in range is the USS Enterprise--still in drydock after a major overhaul. As Captain Willard Decker readies his ship and his crew to face this menace, Admiral James T. Kirk arrives with orders to take command of the Enterprise and intercept the intruder. But it has been three years since Kirk last commanded the Enterprise on its historic five year mission... is he up to the task of saving the Earth? Written by
Gregory A. Sheets <email@example.com>
Visual effects supervisor Douglas Trumbull claims that although the models built for the film were quite large, they were in fact not large enough to facilitate shooting many of the desired camera angles. The production had to commission a special periscope lens system from Panavision which allowed the shots to be accomplished. To achieve maximum depth-of-field, many of the shots also required very long exposure times of up to several minutes per frame. See more »
Spock's sideburns are squared at the bottom when he is lying on the diagnostic bed. See more »
It's amazing how many Trekkies I meet describe Star Trek the Motion Picture as "A good sci-fi film, but an awful Star Trek movie."....And that's when they're feeling generous!
This statement can't be farther from the truth. The story is well written and director Robert Wise makes the characters believable. The movie is not filled with the goofy jokes and ridiculous Shatner back-flip fight scenes that some Trekkies seem to enjoy. Instead, the battle with the mysterious alien entity reveals the dynamics and inner conflicts of the crew. Spock realizes that pure logic alone cannot answer all, but must be coupled with emotion in order to tap into our creative imagination and see the possibilities of our universe. Kirk is portrayed as a daring and brilliant captain, who learns that as a leader he needs to rely on the expertise of those around him. He is a more believable figure who is fallible and struggles to learn from his mistakes.
The Enterprise is not envisioned as an easy to fly wonder ship that requires no more than the main Trek cast to run, but as a complex machine that needs precise tuning of components balanced by a crew of hundreds. The scene where Spock and the engineering crew struggle with balancing the mathematical models needed to program the warp engines convey the real dangers of space flight.
Additionally, both the visual and audio effects add to the impact of this movie. For a film made in '79, before the advent of believable CGI, the special effects are superb. Believe it or not, I've noticed special effects scenes in Independence Day taken directly from Star Trek:TMP footage (scan the shots of the inside of the mother ship (ID4)when Will Smith is making his escape run).
All in all, the ingredients of good character development, believable conflict, and hard science make this movie the true precursor to Star Trek: The Next Generation. Unfortunately, Star Treks III, IV, and V avoid the hard work this movie required and depend on the silly antics of its maturing crew.
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