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Stalker (1979) More at IMDbPro »


2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008

13 items from 2016


Venice 2016. Lineup

28 July 2016 7:13 AM, PDT | MUBI | See recent MUBI news »

The selection for the 2016 Venice Film Festival has been announced, with new films by Terrence Malick, Pablo Larraín, Lav Diaz, Wang Bing, Amat Escalante, Tom Ford, and more.COMPETITIONVoyage of TimeThe Bad Batch (Ana Lily Amirpour)Une vie i (Stéphane Brizé)La La Land (Damien Chazelle)The Light Between Oceans (Derek Cianfrance)El ciudadano ilustre (Mariano Cohn, Gastón Duprat)Spira Mirabilis (Massimo D'Anolfi, Martina Parenti)The Woman Who Left (Lav Diaz)La región salvaje (Amat Escalante)Nocturnal Animals (Tom Ford)Piuma (Roan Johnson)Paradise (Andrei Konchalovsky)Brimstone (Martin Koolhoven)Jackie (Pablo Larraín)Voyage of Time (Terrence Malick)El Cristo Ciego (Christopher Murray)Frantz (François Ozon)Questi Giorni (Giuseppe Piccioni)Arrival (Denis Villeneuve)Les beaux jours D'Aranjuez (Wim Wenders)Out Of COMPETITIONSafariOur War (Bruno Chiaravolloti, Claudio Jampaglia, Benedetta Argentieri)I Called Him Morgan (Kasper Collin)One More Time with Feeling (Andrew Dominik)The Bleeder (Philippe Falardeau)The Magnificent Seven (Antoine Fuqua »

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Venice 2016 Classics line-up unveiled

25 July 2016 4:58 AM, PDT | ScreenDaily | See recent ScreenDaily news »

Titles this year range from Kurosawa’s Seven Samurai to John Landis’s An American Werewolf In London.

The selection of restored titles screening at this year’s Venice Film Festival (Aug 31 - Sept 10) have been revealed.

Italian director Roberto Andò (The Confessions) will oversee the strand’s jury of cinema history students which will award two prizes: Best Restored Film and Best Documentary On Cinema (the line-up of the latter will be revealed at a later date).

Now in its fifth year, this year’s selection includes Kurosawa’s Seven Samurai, Woody Allen’s Manhattan, John Landis’s An American Werewolf In London, Andrei Tarkovsky’s Stalker, and George A Romero’s Dawn Of The Dead amongst a host of other restorations.

The full Venice Film Festival line-up will be revealed on Thursday (July 28).

Venice Classics 2016 line-up:

1848, Dino Risi (Italy, 1948, 11’, B/W)

restored by: Archivio Nazionale Cinema Impresa-csc-Cineteca Nazionale and Veneranda Fabbrica del Duomo di Milano »

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Venice Critics’ Week to open with Alice Lowe revenge-comedy

25 July 2016 4:46 AM, PDT | ScreenDaily | See recent ScreenDaily news »

The strand will be bookended by Alice Lowe’s Prevenge and Xander Robin’s Are We Not Cats [pictured].Scroll down for line-up

The Venice International Film Festival’s (Aug 31 - Sept 10) 2016 Critics’ Week line-up has been revealed.

The independent section of the festival – dedicated to features from debut directors – includes seven titles from five continents.

Opening the strand with be UK director Alice Lowe’s Prevenge (out of competition), which stars Lowe as a pregnant woman on a killing spree and will have its world premiere at the festival.

Lowe was co-writer and co-star of Ben Wheatley’s Sightseers. The film is a Western Edge Pictures/Gennaker production and was shot in Wales last year.

Closing will be Xander Robin’s Are We Not Cats, which was one of three genre titles to screen as a work-in-progress at the Cannes Marche this year as part of an inaugural partnership between genre market Frontières and the Cannes Film Festival »

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Go Behind-the-Scenes of Alex Garland’s ‘Stalker’-Inspired Sci-Fi Drama ‘Annihilation’

7 July 2016 5:26 AM, PDT | The Film Stage | See recent The Film Stage news »

Following up his Oscar-winning Ex Machina, Alex Garland is returning to sci-fi for his next film, an adaptation of Jeff VanderMeer‘s novel Annihilation. Starring Natalie Portman, Gina RodriguezTessa ThompsonJennifer Jason Leigh, and David Gyasi, the film features a group of women — an anthropologist, a surveyor, a psychologist, and a biologist  — who embark on a dangerous, secret expedition where the laws of nature don’t apply.

With filming now nearly wrapping up, today we have collection of images from the cast and cinematographer Rob Hardy (who shot Ex Machina) that show off what looks to be the perfect location for those that have read the book. He also states that the “only film to appear in the research library” for Annihilation is none other than Andrei Tarkovsky‘s sci-fi classic Stalker. Being that it’s also “a metaphysical journey into an area where the laws of nature do not apply, »

- Jordan Raup

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Stalker Remake in the Works at Wgn

28 June 2016 1:35 PM, PDT | QuietEarth.us | See recent QuietEarth news »

Wgn is bringing another adaptation of the 1972 short sci-fi novel "Roadside Picnic", written by Russian authors Arkady and Boris Strugatskys. You may remember that Andrei Tarkovsky adapted the work in the 70's in the post-apocalyptic film, Stalker.

Starring in the series is Matthew Goode (The Imitation Game, Match Point) who plays Redrick “Red” Shuhart in the story about what becomes of earth following a visit from extraterrestrial beings.

About the story:

Roadside Picnic is a work of fiction based [Continued ...] »

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Tarkovsky's "Stalker" Remade As A Series

27 June 2016 2:03 PM, PDT | Dark Horizons | See recent Dark Horizons news »

Following on from their success with "Salem," "Manhattan," "Outsiders" and "Underground," Wgn America is continuing its original scripted programming push with plans for an ambitious new series entitled "Roadside Picnic".

Alan Taylor ("Thor: The Dark World," "Game of Thrones") will direct and Jack Paglen ("Alien: Covenant") will pen the script for the series which is based on the novel of the same name by Russian writers Arkady and Boris Strugatsky. That book was previously adapted to the screen by Andrei Tarkovsky in 1979 into his legendary film "Stalker".

Deadline reports that "Watchmen" and "The Good Wife" alum Matthew Goode has signed on to star in the series with the pilot episode to be shot shortly. Goode play Red, a former 'Stalker' who enters the 'Zone,' an area that was once briefly inhabited by alien visitors - his mission is to scavenge technology.

Should it go to series, it »

- Garth Franklin

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Sculpting Time: The Films of Andrei Tarkovsky movie retrospective review: tragedy, trauma, and torment, Russian-style

20 May 2016 8:57 AM, PDT | www.flickfilosopher.com | See recent FlickFilosopher news »

A significant new retrospective of the legendary and hugely influential Russian filmmaker is a fresh opportunity to see some gorgeous films on a big screen. I’m “biast” (pro): nothing

I’m “biast” (con): nothing

(what is this about? see my critic’s minifesto)

Ingmar Bergman called him the greatest director. Lars Von Trier calls him “God.” The legendary Russian filmmaker Andrei Tarkovsky, who died in 1986 aged only 54, is one of the most influential in the history of the medium, a cinematic philosopher who was constantly at odds with the Soviet government, which saw subversiveness in his morosely dreamy films… as, indeed, there may well have been. Tarkovsky called his style of filmmaking “sculpting in time,” and the ambiguous moodiness of his work often encompassed a particular Russian-flavored tumultuousness on the small scale of a human life reflected against human history, full of tragedy, trauma, and torment. But »

- MaryAnn Johanson

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Andrei Tarkovsky: it's time to immerse yourself in the work of a true auteur

16 May 2016 1:00 AM, PDT | The Guardian - Film News | See recent The Guardian - Film News news »

The Russian director’s debut is the perfect place to start to gain an appreciation of a film-maker of extraordinary influence and cinematic vision

Ivan’s Childhood is a double gateway into filmic pastures of unimaginable richness. It is the most accessible introduction to the work of Russian film-maker Andrei Tarkovsky, whose sprawling 70s masterpieces Mirror and Stalker it prefigures in its audacious imagery and elliptical narrative technique. There’s his catalogue of images: moving water reflecting the sky, silver birch forests, cast-iron bells, religious icons, horses, apples, mud, war; the fluid, serpentine camera movements of impressive duration and sensuality; and the prodigally poetic method of storytelling, with unsignposted dream sequences and flashbacks. It stands among the greatest directorial debuts ever made.

Ivan is 12, parentless, alone in the war zone along the river Dnieper, drifting between partisan bands and regular Red Army units, offering himself as a scout. He is »

- John Patterson

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Watch: Celebrate the Greatest Cinematography of All-Time With New Video Essay

28 April 2016 12:40 PM, PDT | The Film Stage | See recent The Film Stage news »

If beauty is in the eye of the beholder, then there will never be a definitive list of the greatest cinematography, but for our money, one of the finest polls has been recently conducted on the matter. Our friend Scout Tafoya polled over 60 critics on Fandor, including some of us here, and the results can be found in a fantastic video essay below. Rather than the various wordless supercuts that crowd Vimeo, Tafoya wrestles with his thoughts on cinematography as we see the beautiful images overlaid from the top 12 choices.

“I’ve been thinking of the world cinematographically since high school,” Scout says. “Sometime around tenth grade I started looking out windows, at crowds of my peers, at the girls I had crushes on, and imagining the best way to film them. Lowlight, mini-dv or 35mm? Curious and washed out like the way Emmanuel Lubezki shot Y Tu Mamá También, »

- Jordan Raup

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DC Comics' Scalped, Graphic Novel Roadside Picnic Get Wgn Pilot Orders

7 March 2016 9:00 AM, PST | TVLine.com | See recent TVLine.com news »

Wgn America has formally ordered pilot adaptations of the graphic novels Scalped and Roadside Picnic.

RelatedUnderground Review: Thriller Aspect, Modern Riffs Drive Wgn’s Slave Drama

Based on the DC Comics series by Jason Aaron and illustrator R.M. Guera, Scalped presents a modern-day crime story set in the world of a Native American Indian reservation, exploring power, loyalty and spirituality in a community led by the ambitious Chief Lincoln Red Crow as he reckons with Dashiell Bad Horse, who has returned home after years away from the reservation.

Doug Jung (Banshee, Dark Blue) will pen the pilot, which has »

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The Survivalist review – a beautifully bleak end to civilisation

14 February 2016 1:00 AM, PST | The Guardian - Film News | See recent The Guardian - Film News news »

With stylistic nods towards arthouse and grindhouse, this dystopian drama makes for an impressive, unsettling debut

The Survivalist is a stripped-down exercise in cinematic exposition that suggests its creator is a major talent

Somewhere between the dystopian dreamscapes of Andrei Tarkovsky’s Stalker, the gothic western intrigue of Don Siegel’s The Beguiled, and the low-budget invention of Shane Carruth’s Primer lies this impressively unforgiving debut feature from Derry-born writer/director Stephen Fingleton. Set in a nonspecific future in which depleted mankind has reverted to a subsistence-level existence, this Bafta-nominated sci-fi anomaly is a bleak parable about the price of food, sex and shelter in a post-civilised world. Although the title seems at first to apply to Martin McCann’s unnamed loner who ekes out a solitary existence in a woodland shack, it could equally apply to any of the three central characters who form its dramatic core. Telling »

- Mark Kermode, Observer film critic

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Watch: Andrei Tarkovsky’s Influence on ‘The Revenant’ Explored in Split-Screen Video Essay

3 February 2016 11:26 AM, PST | The Film Stage | See recent The Film Stage news »

“I wouldn’t say that Westerns were a big influence on The Revenant at all, really,” Alejandro G. Iñárritu tells Film Comment. “I was looking more toward things like Dersu Uzala by Kurosawa, Tarkovsky’s Andrei Rublev—which is maybe my favorite film ever—Herzog’s Aguirre, the Wrath of God and Fitzcarraldo, even Apocalypse Now. These are movies that are epic, that have spectacle and are very grand statements, but are informed by the crazy fucking theatrical show that is the human condition. The beauty and harshness of nature impacts your state of mind in these movies. There’s a very intimate point of view from one single character in each. That’s the challenge. Anyone can film a beautiful landscape. Unless you have an emotionally grounded story in there, it’s all just fucking sorcery.”

While we’ve debated the merits of The Revenant‘s “emotionally grounded story, »

- Leonard Pearce

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In praise of filmmakers that go out on a limb

18 January 2016 8:12 AM, PST | Den of Geek | See recent Den of Geek news »

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Filmmakers go to incredible lengths to tell stories. Here‘s why movies like Apocalypse Now and The Revenant deserve our praise...

“We were in the jungle. We had too much money. We had too much equipment. And little by little, we went insane” - Francis Ford Coppola

You wouldn’t necessarily have wanted to be a member of the cast or crew on the set of Apocalypse Now, but you can’t argue with the results. Director Francis Ford Coppola intended to spend five months in the Philippines shooting his Vietnam war epic; instead, he was stuck there for a year, caught in a quagmire of illnesses (lead actor Martin Sheen suffered a heart attack), typhoons and a rapidly-expanding budget.

Apocalypse Now’s nightmarish shoot was captured for posterity in the documentary Heart Of Darkness, largely shot by Coppola’s daughter Eleanor and eventually released in 1991. What »

- ryanlambie

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2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008

13 items from 2016


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