The Russian poet Andrei Gorchakov, accompanied by guide and translator Eugenia, is traveling through Italy researching the life of an 18th-century Russian composer. In an ancient spa town, ... See full summary »
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
Near a gray and unnamed city is the Zone, an alien place guarded by barbed wire and soldiers. Over his wife's objections, a man rises in the early morning and leaves her with their disabled daughter to meet two men. He's a Stalker, one of a handful who have the mental gifts (and who risk imprisonment) to lead people into the Zone to the Room, a place where one's secret hopes come true. His clients are a burned out popular writer, cynical, and questioning his talent; and a quiet scientist more concerned about his knapsack than the journey. In the deserted Zone, the approach to the Room must be indirect. As they draw near, the rules seem to change and the stalker faces a crisis. Written by
The film was initially shot on Kodak 5247 stock. This film stock was newer to Soviet laboratories of the time and some of the original negatives were destroyed by a processing error at the laboratory. Part of the film was shot again with a new cinematographer, Aleksandr Knyazhinskiy. This contributed to the film's two-part narrative structure. See more »
Some have claimed that "Stalker" is not a science fiction film. I'd say it's more of a science fiction film than most of what Hollywood passes off as part of the genre, most of which are simply action films with a sci-fi bent. Stalker is science fiction in the vein of the genres greatest writers like Phillip K. Dick and Stanislaw Lem. It's pure science fiction, based on science, metaphysics and speculation, not some action fantasy or space opera that fits into the genre on the technicality that it takes place "in the future" or "a long, long time ago". The film is slow...very slow but it has to be to put you into the mindset of the film. After the opening 30 minutes the pacing actually draws you into the film in a more personal way more than any Cyborg-post-apocalyptic-hell crap Hollywood could spew out. This film is truly sci-fi, and truly great sci-fi.
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