Directed by | |||
| William A. Levey | |||
Writing credits | ||
| Nick Castle | (screenplay) | |
| William A. Levey | (story) & | |
| Lorin Dreyfuss | (story) and | |
| Nick Castle | (story) | |
Produced by | |||
| Lorin Dreyfuss | .... | producer | |
| William A. Levey | .... | producer | |
| Peter E. Strauss | .... | executive producer | |
| Nancy Youngblood | .... | associate producer | |
Original Music by | |||
| Miles Goodman | |||
Cinematography by | |||
| Donald M. Morgan | (director of photography) | ||
Film Editing by | |||
| Gene Fowler Jr. | |||
| William D. Gordean | (as William Gordean) | ||
| John McSweeney Jr. | (as Jack McSweeney) | ||
Casting by | |||
| Janet Hirshenson | |||
Production Design by | |||
| Larry Wiemer | |||
Set Decoration by | |||
| George Gaines | |||
Makeup Department | |||
| Dorothea Long | .... | hairdresser | |
| Dee Manges | .... | makeup artist | |
| Francine Shermaine | .... | hairdresser | |
| Dodie Warren | .... | makeup artist | |
Production Management | |||
| Bob Manning | .... | unit production manager | |
Art Department | |||
| Roy 'Bucky' Moore | .... | property master | |
Sound Department | |||
| Wayne Artman | .... | sound re-recording mixer | |
| Tom Beckert | .... | sound re-recording mixer | |
| Michael Jiron | .... | sound re-recording mixer | |
| Ronald Long | .... | boom operator | |
| Dan O'Connell | .... | foley artist | |
| Al Overton Jr. | .... | sound mixer | |
Stunts | |||
| Steve Boyum | .... | stunts | |
| Billy Hank Hooker | .... | stunt coordinator (as Hank Hooker) | |
| Jack Verbois | .... | stunts | |
| Gigi Goyette | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Thomas Conley | .... | best boy grip (as Tom Conley) | |
| Blaise Dahlquist | .... | best boy | |
| Richard A. Mention III | .... | assistant camera (as Rick Mention) | |
| Daniel Pearl | .... | roller skating camera operator | |
| Chris Schwiebert | .... | camera operator | |
| Calvin Sterry | .... | key grip | |
| Bill Tenny | .... | gaffer | |
| Mel Traxel | .... | still photographer | |
| Clay H. Wilson | .... | dolly grip (as Clay Wilson) | |
Costume and Wardrobe Department | |||
| Betsy Heimann | .... | costume coordinator | |
| Robert Labansat | .... | costume coordinator (as Bob Labansat) | |
Editorial Department | |||
| Gene N. Fowler | .... | assistant editor | |
| Bina Grossblat | .... | assistant editor | |
| Roxanne Jones | .... | assistant editor | |
| Janice Parker | .... | assistant editor | |
Music Department | |||
| John Beal | .... | composer: additional music | |
| Brendan Cahill | .... | music supervisor | |
| Ken Johnson | .... | music editor | |
Transportation Department | |||
| Mike Doyle | .... | transportation captain | |
Other crew | |||
| Susan Alschuler | .... | unit publicist | |
| Robert Banas | .... | choreographer (as Bob Banas) | |
| Eudie Charnes | .... | production office coordinator | |
| Norman Gan | .... | production liaison | |
| Jody Rosenthal | .... | script supervisor | |
| Carol Seal | .... | production secretary | |
| Jim McCarthy | .... | payroll accountant (uncredited) | |
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| Roller Boogie | Thank God It's Friday | SubUrbia | Roll Bounce | The Legend of Jules Spitzerelli |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I never did understand why most audiences didn't go for XANADU. That movie had a huge cult following upon its theatrical release; while being considered a box office dud, it had the sort of presence that granted it an instant cult classic among musicals. I know tons and tons of people who love both the movie and the soundtrack dearly, and I've noticed that they are all the same personality I am--namely, folks who are starry-eyed by nature, have a strong sense of poetic beauty and grew up with before-Eisner Walt Disney movies.
Story has it that SKATETOWN, U.S.A. was deliberately pushed back a couple of years or so the moment word got out that XANADU was in the works, for apparently the makers of this flick didn't want to chance XANADU's destroying it. They needn't have worried. This thing didn't have a chance to begin with. SKATETOWN is far, far, FAR inferior to the wonderful and delightful XANADU. It doesn't begin to even hold a candle to XANADU, which lives up to its title.
And yet, SKATETOWN, U.S.A. is campy fun in its own way, a time capsule from the disco era that brings back memories despite obvious flaws in direction, choppy editing that insists on slashing the footage of some genuinely spectacular skating stunts before you can fully enjoy them, and a story that is nonexistant at best.
The music makes this movie, hands down. It has a wonderful theme song and original songs as well as a whole slew of disco staples that are now truly timeless classics. And of course all the skating is a blast. And gotta love that goofball D.J. with his sparkle afro!
There's one thing that seriously ruins my enjoyment of this film though. An annoying overweight worker at the snack bar who has a thing for hot dogs. This guy is just... seriously, he's disgusting! He's so gross and lacking in personal hygiene and basic cleanliness that... well, would *YOU* buy food from this guy? I swear, I lose all appetite (especially for hot dogs) upon seeing this guy in action. I'll be sitting there enjoying a wonderful skate dance set to gorgeous music, only to have the camera suddenly cut away to this jerk's gross antics. Edit him OUT entirely and this film would be much, much better and more carefree.
Oh, and you haven't lived until you hear this flick's answer to the question "You saved my life... Why?"