|Index||3 reviews in total|
An ill-gotten treasure brings out the worst in almost everyone in this complicated tale of swirling alliances, ulterior motives and betrayal. Lots of action -- inventive weaponry and some interesting matches. Just about every star from the Venoms-era Shaw Bros. studio appears in this picture somewhere, so it's alright to watch it a couple of times to make sure you've got it all.
*** This review may contain spoilers ***
A wide array of thugs and criminals are out to get an extremely
valuable jade heirloom. As the kung fu master crooks converge on a
meeting place, a deadly gambling game of death is played with the prize
being the much coveted jade piece. Meanwhile, a famous blacksmith who
no longer makes weapons of death is approached by numerous villains to
design special weaponry for various characters. He is ultimately forced
out of voluntary retirement to help solve the crime involving the
stolen jade heirloom, the much sought after item that over a dozen
villains are going to gamble their lives over.
Director Chang Cheh goes for a different approach here. This is more akin to a bloodier version of a Chu Yuan Romantic Swordsman movie with all the subterfuge going on in the film. There are constant double crosses between most of the characters. Virtually everyone is a villain of some kind. This was probably Chang's first movie to feature characters utilizing a gallery of secret weapons, thus beginning his violent comic book kung fu movies. This is essentially a Venoms film even though it was shot just before the original FIVE VENOMS (1978), it was released afterwards.
Kuo Chui is fairly restrained here as the blacksmith. Many characters push him to make weapons for them but after a double cross (which you see in a flashback) involving a specially made sword, he has sworn off making weapons of any kind. The final fight with Chui and the REAL villain of the piece is a bravura piece of choreography which showcases many different weapons at once as well as multiple attackers against one.
Lo Mang is playing against type here as a knife throwing specialist. In most all of his movies he always fights barehanded. Here, he always uses his special throwing knives, some of which have a secret use. The wig he sports for this film gives him the appearance of a Mongolian. His character is not really a bad guy, but he does try and force the blacksmith to make him some additional knives after his are stolen by one of the thieves in the story.
Fu Sheng is also on hand to lend support to this effort also playing a knife thrower who is out to kill Lo Mang's character. Both wish to see who is the best in knife throwing skills. Fu never cracks a smile in this film nor plays around at all. He's serious from beginning to end. An unusual turn from him which he would revisit in the same years AVENGING EAGLE.
And of course, Lu Feng is here portraying a sneaky villain who may or may not have seen the err of his ways over the course of the film. He ends up with a special metal hand that fires darts and also acts as a magnet after he loses a hand early in the film. This metallic appendage would soon become a pair in CRIPPLED AVENGERS released after FIVE VENOMS.
This was another extremely rare movie in that although there was a somewhat widescreen version in English floating around, the picture quality was one of the worst. Also, the first four minutes of the film (including the credits) were missing. Seeing it now in restored quality, the film is much better. Still a little slow here and there, but a far better experience. Even when the action stops for the bad guys to plot their nefarious deeds, there is much to look at. Not one of Chang's best, but it has enough good qualities and fight scenes to recommend it for both fans of the Venoms and kung fu cinema in general.
*** This review may contain spoilers ***
Swordsmith Qiu (Philip Kwok) had a fairly foolproof system: whenever he made a blade for a client, he would trade the blade for some new Martial Arts Technique that he didn't know. Everything was going fine until a doublecrossing client skewered him. Now, living incognito, he works as a humble blacksmith; making blades is, for him, a thing of the past. When Mo (Lo Meng), whose seven daggers have been stolen, approaches the former swordsmith with instructions to forge him a new set, Qiu declines. Gamblers from far and near are arriving in town to compete in a "game of death," whose grand prize is a piece of valuable jade. The game itself, once underway, gets very violent very quickly. LIFE GAMBLE resembles a Western in more ways than one: the opening sequence, with its echoes of Cowboy movies past; the "quick draw" encounters between knife and dagger-wielding gamblers; and the climactic game itself. Chang Cheh was, in my estimation, a Master Storyteller. Alfred Hitchcock mined the Suspense Thriller, John Carpenetr the Fantasy Film, John Ford the Western, and Chang Cheh the Martial Arts Movie. Hopefully, Chang Cheh will one day be accorded the respect he deserves in this country. (Note: Through an interlibrary loan, I've managed to get my hands on a copy of THE ULTIMATE GUIDE TO MARTIAL ARTS MOVIES OF THE 1970s, by Dr. Craig D. Reid. It's available from Black Belt Books/Ohara Publications, Inc., and it's without a doubt the Greatest martial arts movie book I've ever seen! It covers what I consider The Golden Age of Martial Arts Movies- the 1970s- and does so with amazing insight. If you really love Martial Arts Movies, Reid's book is an absolute must-have!)
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