Planet Earth is a devastated wasteland, and what's left of humanity has colonized the Moon in domed cities. Humanity's continued survival depends on an anti-radiation drug only available on... See full summary »
Planet Earth is a devastated wasteland, and what's left of humanity has colonized the Moon in domed cities. Humanity's continued survival depends on an anti-radiation drug only available on planet Delta Three, which has been taken over by Omus, a brilliant but mad mechanic who places no value on human life. Omus wants to come to the Moon to rule and intends to attack it by ramming robot-controlled spaceships into the domes. Dr. John Caball, his son Jason, Jason's friend, Kim, and a robot named Sparks embark on Caball's space battlecruiser on an unauthorized mission to Delta Three to stop Omus. Written by
Kevin McCorry <email@example.com>
If you were a kid in the seventies and loved Star Wars and the cheesy derivative clones it inspired, from 'Jason of Star Command' to 'Galactica', then this is for you. Of the bigger Star Wars-inspired space fantasies of the era, 'Shape of Things to Come' may have the most most in common with 1979-1981's 'Buck Rogers in the 25th Century' movie and TV series. Though Buck's budget had the advantage, the overall look is quite similar. The cheesy "futuristic" art design, materials and props that were available and may have looked 'far-out' to the 1980 eye are all in place. The lead actress has Erin Gray's 'Wilma Deering' hairdo, and, hey, there's Jack Palance, who played an evil villain in a Buck Rogers 2-parter, playing, well, a evil villain, in a, well, very similar costume. Having Barry Morse from the popular 70's British show 'Space:1999' also thrown in makes for good measure. There's the oh-so-imitated renegade robot, with his domed head and oddly 'Robby the Robot'-esquire body. He's the comic relief. Noting a theme? It's the era. Appreciation of this film is probably purely generational, because the movie is BAD. But it has immense charm. Watching this for the first time in 2009, at age 41, I felt as if I were watching a perfect spoof of the genre I am so nostalgic for.
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