Uncompromising story of life in a Borstal prison, a British juvenile offender institution in the 70's

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Cast

Cast overview, first billed only:
...
...
...
Davis
John Blundell ...
...
John Fowler ...
Ray Burdis ...
Patrick Murray ...
Herbert Norville ...
George Winter ...
Alrick Riley ...
Angel
Peter Francis ...
Philip DaCosta ...
Jackson (as Philip Da Costa)
Perry Benson ...
Alan Igbon ...
Meakin
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Storyline

Uncompromising story of life in a Borstal prison, a British juvenile offender institution in the 70's

Plot Summary | Plot Synopsis

Taglines:

A fact of life. (double-bill release with Quadrophenia whose tagline is A way of life). See more »

Genres:

Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

28 September 1979 (UK)  »

Also Known As:

Escoria  »

Filming Locations:

 »

Box Office

Budget:

£250,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor) (uncredited)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The picture was labeled one of the "video nasties" during the UK Video Nasties controversy of the early 1980s. See more »

Goofs

When Carlin enters the 'games' room for the first time, he passes three lags playing snooker. The score board on the wall behind them changes between one score and another and then back and then back again. See more »

Quotes

Carlin: Right Banks, you bastard! I'm the daddy now, next time, I'll fucking kill ya!
See more »

Connections

References A Clockwork Orange (1971) See more »

Soundtracks

Dirty Last Night
(uncredited)
Music by John Dickson and Elfed Hayes
De Wolfe Music Ltd
See more »

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User Reviews

 
On consent and violence
27 October 2004 | by (Saffron Walden, UK) – See all my reviews

In Britain circa 1980, there was a lot of hope placed by the new Conservative government in the recipe of the "short sharp shock" as the ideal way to deal with young offenders. This faith, of course, reflected a dream that the problems of society can be addressed through the fair application of discipline (and the illusion that discipline can ever be applied fairly). In the real world, prisons don't work. However much non-prisoners may be afraid of them, once inside, most become institutionalised and accustomed to their environments; of course they act as schools for crime; and treating people like animals is hardly likely to turn them into civilised humans. Perhaps worst of all is the fact that all power rests on a mixture of violence and consent, and the power of the prison officers is thus crucially dependent on their forming an alliance with the nastiest, most violent of prisoners. Welcome to the world of 'Scum'!.

The late Alan Clarke had a reputation for making television dramas of searing intensity. This background is apparent in 'Scum', which is directed in a flat, no-nonsense style. But it rings with horrific truth in a way that other prison dramas (like 'The Shawshank Redemption') do not: there's no redemption here, only the brutality of a nightmare world where everything civil has been lost. One typical detail is the recreation the officers arrange for the prisoners: basically just an organised fight, to release their energy and aggression in controlled circumstances. Clarke also had a reputation for discovering talent, and a young Ray Winstone made his name here, playing a "Daddy" only slightly less nasty than his predecessor. The sense of reality means the rape scene is still powerful, even in an age where such material is routinely handled much more explicitly.

'Scum' is powerful stuff, and a voice on behalf of the young and powerless (who continue to commit suicide in Britain's jails at an alarming rate). It also makes one think about the very nature of power (the way of governor remains personally "civilised", while presiding over his brutal staff, is truly telling). Recommended.


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