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Storyline
This is the hard and shocking story of life in a British Borstal for young offenders. Luckily the regime has changed since this film was made. The brutal regime made no attempt to reform or improve the inmates and actively encouraged a power struggle between the 'tough' new inmate and the 'old hands'. The film was originally made as a BBC play but it was banned before ever being shown. So 'Alan Clarke' and 'Roy Minton' got it re-made as a film. This is a tough and brutal film and should not be viewed lightly. Written by
Steve Crook <steve@brainstorm.co.uk>
Plot Summary
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Plot Synopsis
Taglines:
The film they tried to ban! A brutal story of today.
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Did You Know?
Goofs
when Carlin enters the 'games' room for the first time he passes three lags playing snooker. the score board on the wall behind them changes between one score and another and then back and then back again.
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Quotes
Archer:
You know when I was in the Scrubs, sweating it out in that filthy cell, I had this matchbox. And it said on this matchbox that it takes 60 muscles to frown but only 13 to smile, so why waste energy? You see, I'm doing me time in a matchbox.
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Connections
Referenced in
Ban the Sadist Videos! (2005)
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Soundtracks
"Robertson's Marmalade Jingle"
(uncredited)
Music by
John Kongos See more »
I've now seen this movie several times, although admittedly watching it can hardly be classed as a 'pleasure'. Alan Clarke made this feature after his TV play from two years earlier was banned, and perhaps had more freedom here to explore the issues.
Carlin (an early, showy appearance from Ray Winstone) is sent to Borstal where he quickly establishes himself as a tough boy with a regime of strength. Typical Winstone performance in many ways. In the prison with him are his shadow Richards (played by Phil Daniels); cynical, bare-footed Archer (Mick Ford, these days more often seen the other side of the law in such dramas as 'Silent Witness'); black inmate Angel (Davidson Knight); and quiet Davis, the boy who gets picked on for being a loner (a quite staggering performance from Julian Firth, who never really lived up to this early promise).
Scum is uncompromising - violent (there's a rape which leaves little to the imagination, a suicide, several fights); scathing in its condemnation of the 'system' (which thankfully is not like this now) - and yet finds time for character development and convincing plot. Without any music it is purely presented in documentary style, matter-of-fact 'this is how it is'.
Not a fun movie, but one which tries to make a point, and, if nothing else, has the power to shock and make you remember certain sections for a long time after viewing. Recommended.