Uncompromising story of life in a Borstal prison, a British juvenile offender institution in the 70's

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Cast

Cast overview, first billed only:
...
Mick Ford ...
...
Davis
John Blundell ...
...
John Judd ...
...
Peter Howell ...
Governor
John Grillo ...
Ray Burdis ...
Alan Igbon ...
Meakin
John Fowler ...
Bill Dean ...
Duke
...
Hunt
Nigel Humphreys ...
Taylor
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Storyline

Uncompromising story of life in a Borstal prison, a British juvenile offender institution in the 70's

Plot Summary | Plot Synopsis

Taglines:

A brutal story - the uncut, uncensored version See more »

Genres:

Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Release Date:

28 September 1979 (UK)  »

Also Known As:

Escoria  »

Filming Locations:

 »

Box Office

Budget:

£250,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The nick-name for the top-dog borstal prison inmate was "Daddy". See more »

Goofs

All Borstal inmates were subject to the same mandatory haircut of short back and sides, yet a vast array of hairstyles are shown throughout the film, including afros. See more »

Quotes

Archer: [Carlin offers Archer a sausage] No strings?
Carlin: Get it down you, sharpish.
See more »

Connections

Referenced in The Substitute (1996) See more »

Soundtracks

Badly Bruised - Slightly Stowed
(uncredited)
Written by Colin Tucker
De Wolfe Music Ltd
See more »

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User Reviews

Truly disturbing
3 October 1999 | by (Middlesbrough, England) – See all my reviews

Be warned that you should go into this film with your guard up. By the time the final scene has faded quietly out, you will probably be in a state of shock.

The film details life in a Borstal institution and the violence and racial hatred that runs rampant through both the prisoners and their wardens. There is nothing cheery here at all and that is precisely the point. Director Alan Clarke deliberately films with a documentary style and it is this realism that makes the film so shattering. Scenes of sexual and racial abuse are placed in front of the camera and no raw nerve is spared the touch of the film.

It should be shown to youngsters as a reason not to turn to crime.


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