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Just a Gigolo (1978)
"Schöner Gigolo, armer Gigolo" (original title)

5.7
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Ratings: 5.7/10 from 445 users  
Reviews: 8 user | 8 critic

After World War I, a war hero returns to Berlin to find that there's no place for him--he has no skills other than what he learned in the army, and can only find menial, low-paying jobs. He decides to become a gigolo to lonely rich women.

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Title: Just a Gigolo (1978)

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Cast

Cast overview, first billed only:
...
Paul Ambrosius von Przygodski
Sydne Rome ...
Cilly
...
Helga von Kaiserling
...
Captain Hermann Kraft
...
Pauls Mutti Frau von Przygodski
...
Prince
Erika Pluhar ...
Eva
Hilde Weissner ...
Aunt Hilda
Werner Pochath ...
Otto
...
Baroness von Semering
Rudolf Schündler ...
Oberst Gustav von Przygodski
Evelyn Künneke ...
Frau Aeckerle (as Evelyn Künnecke)
Friedhelm Lehmann ...
Major Alexander von Müller
Karin Hardt ...
Frau Uexkull
Rainer Hunold ...
Lothar
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Storyline

After World War I, a war hero returns to Berlin to find that there's no place for him--he has no skills other than what he learned in the army, and can only find menial, low-paying jobs. He decides to become a gigolo to lonely rich women.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

R | See all certifications »
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Details

Country:

Language:

|

Release Date:

16 November 1978 (West Germany)  »

Also Known As:

Just a Gigolo  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

The last on-screen appearance by Marlene Dietrich. German press reports claimed she was paid $250,000 for two days' work. See more »

Crazy Credits

"And featuring, with great pride, MARLENE DIETRICH" See more »

Connections

Featured in Marlene Dietrich: Shadow and Light (1996) See more »

Soundtracks

Just A Gigolo
Music by Leonello Casucci
Lyrics by Irving Caesar (German Lyrics by Julius Brammer)
Sung by Marlene Dietrich
See more »

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User Reviews

 
Offbeat, parallel-universe look at Weimar poised between romanticism and despair
25 September 1999 | by (Cleveland, Ohio) – See all my reviews

This is one of the most unusual films I have ever seen. It's an offbeat, sensitively filmed look at Weimar Germany in a sort of parallel-universe version. "Cabaret" it is not! If you ever get a chance to see it, I don't want to spoil the ending for you . . . but when you see it, you'll say to yourself, "Of course! Why didn't I foresee that coming?!?" David Bowie plays a sort of innocent ne'er-do-well discharged from the German army after World War I and drifting through existence; he can't find anything to do with himself except hire himself out as a "gigolo" for rich, proto-Eurotrash war widows in ballrooms where they "dance to forget". Bowie's father is a once-domineering tyrant who has been silenced by a stroke. Bowie tries to break the news to him that he has descended so far as to play the gigolo, a betrayal of his father's macho ideals, but Dad only sits in stony silence -- a disturbing scene. Bowie plays a poor lost soul. As Western civilization decays all around him, a sinister character stalks him and tries to gain control over him; this bloke is vaguely homosexual (only suggested), and one of his lines is a real groaner of a double-entendre: "We will have you in the end!" Marlene Dietrich is the center of romantic gravity in this story; she sadly, sweetly tells Bowie the raison d'etre of forlorn women dancing with gigolos in the ballrooms -- the only way to assuage loss and stave off despair. Then she performs the song "Just a Gigolo", bringing out all the heartbreak from its depths. The end of the film is dark and truly chilling. Go see it if you can!


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