7.1/10
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Every Man for Himself (1980)

Sauve qui peut (la vie) (original title)
Not Rated | | Drama | 15 October 1980 (France)
An examination of sexual relationships, in which three protagonists interact in different combinations.

Director:

Writers:

(scenario), (scenario)
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1 win & 5 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Isabelle Rivière
...
Paul Godard
...
Denise Rimbaud
Roland Amstutz ...
Second client
Cécile Tanner ...
Cecile
Anna Baldaccini ...
Isabelle's sister
Roger Jendly ...
2nd Guy
Fred Personne ...
First client
Nicole Jacquet ...
Woman
Dore De Rosa ...
Elevator Attendant
Monique Barscha ...
Chanteur d'opéra
Michel Cassagne ...
Piaget
Paule Muret ...
Paul's ex-wife
Catherine Freiburghaus ...
Farm Girl
Bernard Cazassus ...
1st Guy

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Storyline

An examination of sexual relationships, in which three protagonists interact in different combinations.

Plot Summary | Plot Synopsis

Plot Keywords:

sex | female nudity | See All (2) »

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Language:

Release Date:

15 October 1980 (France)  »

Also Known As:

Every Man for Himself  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Jean-Luc Godard has dubbed this his "Second First Film". Coincidentally, this film was released exactly 20 years after the release of his first film, Breathless (1960). See more »

Connections

Featured in Jean-Luc Godard (1988) See more »

Soundtracks

Suicidio!
from opera "La Gioconda"
Written by Amilcare Ponchielli
See more »

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User Reviews

 
Jean Luc's interest in Prostitution
12 April 2006 | by (Ireland) – See all my reviews

The foremost image in this film, which I find difficult to erase from my memory, is that of the 2 prostitutes, 1 john and 1 lackey set up. How original. It made me think of "Vivre sa vie" and then "2 or 3 things I know about her". Granted these are the only Godard films I've seen, but the sex trade theme is definitely prevalent.

In the earlier films, of course, it's toned down but one of the things they all have in common is the coldness of the transaction and the purely business way that they are carried out. It almost seems as though they have not been directed by a man, but a woman.

All in all, I find Jean Luc, one of the more honest and clear thinking directors of not only our generation, but any generation. Can't wait to see more.


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