Deals with the intolerably hard life of a family of four, the only inhabitants of a very small Japanese island in the Setonaikai archipelago. Several times a day they row over to the ... See full summary »
A man penetrates by night in a nurse dormitory planning to kill them all. While he accomplishes to his self imposed task thoughts and obsessions come to his mind revealing his love deficits... See full synopsis »
A care-giver at a small retirement home takes one of her patients for a drive to the country, but the two wind up stranded in a forest where they embark on an exhausting and enlightening two-day journey.
Fortunately this film isn't just another repetition of the Japanese highschool drama genre - even though all characters are students and a reference to bullying is not missing. Instead, we ... See full summary »
Sauve Qui Peut loosely translates as "every man for himself" and as such I guess is Godard's acknowledgment that 1968's dream of a new society is gone and everyone has to get on with the daily grind. The three protagonists try and save themselves in different ways, Natalie Baye through getting back to nature, Huppert through selling herself and the director Paul Godard through his work. Everyone however is ground down by the social relations they must operate within.
As ever Godard leverages as much of his library as he can into the film, with huge chunks of Duras, Bukowski and sundry other writers cut & pasted in. And he plays the usual games with sound and image, juxtaposing them sometimes to beautiful effect, sometimes dissonant, quite often very funny.
A lot of people find Godard's later work somewhat depressing and it's true it mostly lacks the fizz of his early 60's stuff, however there are compensations; he seems to be putting more of his heart as well as his head into the work in later years. There is more than enough here to draw you in and keep you watching for several viewings.
14 of 16 people found this review helpful.
Was this review helpful to you?