Two interwoven stories. The first is a biography of anarchist Sakae Osugi which follows his relationship with three women in the 1920s. The second centers around two 1960s' students researching Osugi's theories.
After World War II, some Tokyo prostitutes band together with a strict code: no pimps, attack any street walker who comes into our territory, defend the abandoned building we call home, and... See full summary »
In a palace of Paris. Two detectives are investigating a two-year-old murder. Emile and Francoise Chenal are putting pressure on Jim Fox Warner, a boxing manager, who owes them a huge ... See full summary »
Carmen is a member of a terrorist gang who falls in love with a young police officer guarding a bank that she and her cohorts try to rob. She leads him on while dragging the two of them ... See full summary »
Jean-Luc Godard's densely packed rumination on the need to create order and beauty in a world ruled by chaos is divided into four distinct but tangentially related stories, including the ... See full summary »
Haru, an aging scriptwriter, has isolated himself somewhere in the woods of Nagano to work on his first novel. As the last surviving member of his kin, he intends to chronicle the family he grew up in.
A man penetrates by night in a nurse dormitory planning to kill them all. While he accomplishes to his self imposed task thoughts and obsessions come to his mind revealing his love deficits... See full synopsis »
The movie is built around the very complex relationships between Yoshida, leaving Shimizu for Aihara (or at least he tries to), and his friend Ito, whose love for Yoshida seems to have ... See full summary »
An examination of sexual relationships, in which three protagonists interact in different combinations.
In addition to Godard's typical refusal to keep viewers oriented through expository dialogue and continuity editing, the film is experimental in its use of the technique that Godard called "decomposition," which he first employed for the 1979 French television mini-series "France/tour/detour/deux/enfants". In the technique, there is a periodic slowing down of the action to a frame by frame advancement. The "slow motion" segments are somewhat obnoxious and really detract from the enjoyment of the film.
Film critic Vincent Canby, writing in The New York Times, described the film effusively as "stunning," "beautiful," and "brilliant". I don't feel as strongly.
An interesting side note: the appearance of the nationality sticker on the back of a car. In the United States, these did not really become popular until the 1990s or later, and yet they seem to be found somewhat commonly in 1980s Europe.
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