The mother of a feudal lord's only heir is kidnapped away from her husband by the lord. The husband and his samurai father must decide whether to accept the unjust decision, or risk death to get her back.
Everything returns to normal after Chernobyl. That is, everything but art. Most of the great works are lost, and it is up to people like William Shakespear Junior the Fifth to restore the ... See full summary »
In this film, 'Her' refers to both Paris, the character of Juliette Janson and the actress playing her, Marina Vlady. The film is a kind of dramatised documentary, illustrating and ... See full summary »
Charlotte is young and modern, not a hair out of place, superficial, cool; she reads fashion magazines - does she have the perfect bust? She lives in a Paris suburb with her son and her ... See full summary »
A symphony in three movements. Things such as a Mediterranean cruise, numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday... Our Europe.... See full summary »
Set around a remote Buddhist monastery, it features Masao, a young son of a rich merchant who doesn't want to follow his father into business or go to college, preferring to study under a ... See full summary »
The foremost image in this film, which I find difficult to erase from my memory, is that of the 2 prostitutes, 1 john and 1 lackey set up. How original. It made me think of "Vivre sa vie" and then "2 or 3 things I know about her". Granted these are the only Godard films I've seen, but the sex trade theme is definitely prevalent.
In the earlier films, of course, it's toned down but one of the things they all have in common is the coldness of the transaction and the purely business way that they are carried out. It almost seems as though they have not been directed by a man, but a woman.
All in all, I find Jean Luc, one of the more honest and clear thinking directors of not only our generation, but any generation. Can't wait to see more.
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