Salem's Lot (1979) (TV)

Director:

Tobe Hooper

Writers:

Stephen King (novel)
Paul Monash (screenplay)

Release Date:

17 November 1979 (USA)

Genre:

Horror | Thriller | Drama | Mystery

Tagline:

The ultimate in terror!

Plot:

Vampires are invading a small New England town. It's up to a novelist and a young horror fan to save it.

Plot Keywords:

Vampire | Writer | Haunted House | Supernatural | Truck

Awards:

Nominated for 3 Primetime Emmys. Another 1 nomination

Cast

David Soul	...	Ben Mears
James Mason	...	Richard K. Straker
Lance Kerwin	...	Mark Petrie
Bonnie Bedelia	...	Susan Norton
Lew Ayres	...	Jason Berk
Julie Cobb	...	Bonnie Sawyer
Elisha Cook Jr.	...	Gordon 'Weasel' Phillips (as Elisha Cook)
George Dzundza	...	Cully Sawyer
Ed Flanders	...	Dr. Bill Norton
Clarissa Kaye-Mason	...	Majorie Glick (as Clarissa Kaye)
Geoffrey Lewis	...	Mike Ryerson
Barney McFadden	...	Ned Tebbets
Kenneth McMillan	...	Constable Parkins Gillespie
Fred Willard	...	Larry Crockett
Marie Windsor	...	Eva Miller

Also Known As:

Blood Thirst
Salem's Lot: The Miniseries
Salem's Lot: The Movie (USA) (cable TV title (cut version))

Runtime:

112 min | Argentina:115 min | Germany:103 min | UK:107 min (theatrical version) | USA:184 min (uncut version) | USA:183 min (DVD version)

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.33 : 1

Sound Mix:

Mono

Certification:

Finland:K-16 | Iceland:16 | France:-12 (theatrical) | Argentina:13 | Australia:M | Norway:15 | Sweden:15 | UK:15 (video rating) (1995) (mini-series version) | UK:18 (original rating) (theatrical version) | USA:PG | West Germany:16 | Singapore:PG

Filming Locations:

Eureka, California, USA

Company:

Warner Bros. Television

Trivia:

The Jeep that Ben drives in the film is a Jeep Wrangler CJ-5 model.

Goofs:

Boom mic visible: As Cully and Larry enter the living room, a crew member and a boom mic are reflected in the mirror.

Quotes:

Straker: The master wants you. Throw away your cross, face the master. Your faith against his faith... Could you do that? Is your faith enough?... Then do it... Throw away the cross. Face the master. Faith against faith.

Movie Connections:

Referenced in Asylum of Terror (1998) (V)

Excellent

This movie is an odd cross between "Peyton Place" and "Nosferatu"...and it works! Set in the small, isolated and somewhat inbred community of Jerusalems Lot (called Salems Lot by the locals) this film is more about small town dirty secrets which are really not secret at all. Everyone knows everyone else's business, gossip is a way of life and the town's mistrust of outsiders is both expected and justified when two men show up in town and a little boy goes missing. This is a story about a small town that just happens to have a vampire in it.

James Mason is elegance personified as the "Renfield" character who sticks out like a sore thumb in this tight-knit community and makes himself the object of suspicion when he moves into the local haunted house and opens up an antique shop. His European accent, expensive suits and somewhat prissy manners make him a hot item of gossip. So too does the arrival of Ben Mears also cause local tongues to start wagging. Mears was born and raised in Salems Lot, having moved away as a small child. He returns as a semi-successful author and a recent widower, haunted by childhood memories of the Marsten House - the local haunted house in which James Mason now resides. Yet another outsider is Mark, a new teen in town with a morbid collection of horror movie paraphernalia. These three characters are drawn together by force as more people go missing and the small town residents, with their narrow vision, cannot accept what is really happening. It is up to the outsiders - the author who knows, the teenager who believes and the human who is a monster - to solve the mystery.

When the vampire finally appears, it is a frightening, exhilarating experience. Reggie Nalder as Barlow, the ancient Master whom James Mason serves, is a disgusting parasite, a physical homage to Nosferatu with his rat-like teeth, his long bony fingers and his hypnotic eyes. He is the frosting on the cake for this excellent film. By the time he makes his appearance, it is almost unnecessary. The paranoia has already decimated the town, and the fear of the unknown is the greatest monster of all. But though he may be unnecessary, he is not unwelcome. He is a wonderful vampire, a truly hideous beast, a fine salute to what a vampire should be - ugly, vile and obscene.

This is one of my all time favorite vampire films, right up there with Nosferatu and Subspecies. To hell with whining, pretentious vampire Pretty Boys - this is the real stuff, and it doesn't get much better than this.