The Clock family are four-inch-tall people who live anonymously in another family's residence, borrowing simple items to make their home. Life changes for the Clocks when their daughter, Arrietty, is discovered.
When an unconfident young woman is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking castle.
Reknowned international thief Lupin III (known as "Wolf" in the English dub) comes to the small European duchy of Cagliostro to investigate some excellently-forged money and stumbles across a national conspiracy going back some hundreds of years. Lupin and his friends must rescue the beautiful Clarice from the hands of the evil Count Cagliostro and solve the mystery of a hidden treasure dating back to the 15th century. Written by
Christopher E. Meadows <firstname.lastname@example.org>
The film was initially a flop in Japan as it set a lighter, more cartoonish tone than normally seen in the manga; however, it achieved classic status through reruns and re-releases. In contrast, in the U.S.A. it achieved incredible popularity, where the film's DVD had more sales than Lupin the 3rd (1977) DVD. See more »
In the scene where Lupin saves Lady Clarisse from the shooters you can tell that the license plate ID changes continuously on all cars. See more »
We got five billion in various denominations! It's a shower of bills, look out!
[a pile falls on Lupin]
There's a lot of them, isn't there? More! Bury me with them!
[Jigen buries Lupin with the bills as ordered, but sees Lupin look downcast]
What's wrong, Lupin?
These are fakes. Good ones, but fakes.
These? It can't be! We stole these from the vault of the national casino!
[...] See more »
The opening credits are a montage of Lupin and Jigen on their way to Cagliostro. See more »
I have two Japanese animated feature films from 1979, this one and one of the sequels to Space Battleship Yamato. Compared to the animation in Yamato (which is flat and often motionless), Lupin is Snow White. There is so much movement (more than some of Miyazaki's later films), and there are some truly incredible "set" pieces (Lupin scaling a sheer castle wall, for instance). One of the things that has always been noted about Japanese animation is that while it's not as fluid as Disney animation (12 frames per second as opposed to 24, not to mention the animation is generally before the voice track), it has incredible style and originality in its design and cinematography. Lupin is a perfect example of this, and it's no wonder the movie is still so well revered in Japan.
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