| Photos (See all 57 | slideshow) | Videos (see all 15) |
| Sylvester Stallone | ... | Rocky Balboa | |
| Talia Shire | ... | Adrian | |
| Burt Young | ... | Paulie | |
| Carl Weathers | ... | Apollo Creed | |
| Burgess Meredith | ... | Mickey Goldmill | |
| Tony Burton | ... | Duke (Apollo's Trainer) | |
| Joe Spinell | ... | Tony Gazzo | |
| Leonard Gaines | ... | Agent | |
| Sylvia Meals | ... | Mary Anne Creed | |
| Frank McRae | ... | Meat Foreman | |
| Al Silvani | ... | Cutter | |
| John Pleshette | ... | Director | |
| Stu Nahan | ... | Announcer | |
| Bill Baldwin | ... | Commentator | |
| Jerry Ziesmer | ... | Salesman | |
| Paul Micale | ... | Father Carmine (as Paul J. Micale) | |
| Earl Montgomery | ... | Employment Manager | |
| Herb Nanas | ... | Employment Manager | |
| Stuart K. Robinson | ... | Johnny (as Stuart Robinson) | |
| Frank Stallone | ... | Singer | |
| Charles 'Honi' Coles | ... | Singer (as Charles Coles) | |
| Doug Flor | ... | Singer | |
| Robert Kondyra | ... | Singer | |
| James Zazzarino | ... | Singer | |
| Eddie 'El Annimal' Lopez | ... | Fighter (as Eddie Lopez) | |
| Taurean Blacque | ... | Lawyer | |
| James J. Casino | ... | Chink's Manager (as James Casino) | |
| Shaka Cumbuka | ... | Cornerman | |
| Samuel Davis | ... | Apollo's Bodyguard | |
| Roberto Durán | ... | Fighter (as Roberto Duran) | |
| Lou Fillipo | ... | Referee (as Lou Filippo) | |
| Ruth Ann Flynn | ... | Jewelry Sales Lady | |
| Linda Grey | ... | Agent | |
| Grainger Hines | ... | Emergency Room Aide | |
| Garrie Kelly | ... | White Hunter | |
| Ava Lazar | ... | White Hunter | |
| Joseph Letizia | ... | Car Salesman | |
| René Le Vant | ... | Young Lugger (as Rene Le Vant) | |
| Tawny Little | ... | Reporter | |
| Paul McCrane | ... | Young Patient | |
| Sonny Melendrez | ... | Reporter | |
| Tony Munafo | ... | Boxer | |
| Brent Musburger | ... | Himself | |
| Ed Ness | ... | Timekeeper | |
| Fred Pinkard | ... | Lawyer | |
| Jane Marla Robbins | ... | Gloria | |
| Hank Rolike | ... | Cornerman | |
| David L. Ross | ... | Reporter (as David Ross) | |
| Fran Ryan | ... | Adrian's Nurse | |
| Whitney Rydbeck | ... | Sound Man | |
| Shepherd Sanders | ... | Employment Manager (as Sheperd Sanders) | |
| Jeff Temkin | ... | Ring Announcer | |
| Allan Warnick | ... | Makeup Man | |
| Charles Winkler | ... | Camera Assistant | |
| James Zaza | ... | Emergency Room Reporter | |
| rest of cast listed alphabetically: | |||
| Rutanya Alda | ... | Doctor Cooper (uncredited) | |
| Ted Braverman | ... | Extra (uncredited) | |
| Tom Lawrence | ... | Ringside Color Announcer (uncredited) | |
| Taaffe O'Connell | ... | Ring Girl (uncredited) | |
| Velvet Rhodes | ... | Reporter (uncredited) | |
| Hank Robinson | ... | White-Haired Reporter (uncredited) | |
| Brenda Siemer Scheider | ... | Ring Girl #2 (uncredited) | |
| Butkus Stallone | ... | Dog (uncredited) | |
| Seargeoh Stallone | ... | Robert 'Rocky' Balboa Jr. (uncredited) | |
Directed by | |||
| Sylvester Stallone | |||
Writing credits | ||
| Sylvester Stallone | (written by) | |
Produced by | |||
| Robert Chartoff | .... | producer | |
| Arthur Chobanian | .... | associate producer | |
| Irwin Winkler | .... | producer | |
Original Music by | |||
| Bill Conti | |||
Cinematography by | |||
| Bill Butler | |||
Film Editing by | |||
| Stanford C. Allen | |||
| Janice Hampton | |||
Casting by | |||
| Michael McLean | |||
Art Direction by | |||
| Richard Berger | |||
Set Decoration by | |||
| Ed Baer | |||
Makeup Department | |||
| Philip Goldblat | .... | makeup artist (as Phil Goldblatt) | |
| Jean Burt Reilly | .... | hair stylist | |
| Michael Westmore | .... | makeup designer | |
Second Unit Director or Assistant Director | |||
| Elie Cohn | .... | second assistant director | |
| Ira H. Gallen | .... | second assistant director (as Ira Gallen) | |
| Robert Odom | .... | dga trainee | |
| Jerry Ziesmer | .... | first assistant director | |
Art Department | |||
| Kevin Chambers | .... | swing gang | |
| Bill Dietz | .... | property master | |
| Floyd Farrington | .... | assistant property master | |
| Bill Gay | .... | lead man (as William Gay) | |
| Claude F. Powell | .... | construction coordinator (as Claude Powell) | |
| Lambert Powell | .... | construction foreman | |
| Peter R. Romero | .... | assistant art director (as Peter Romero) | |
| Vernon Yeager | .... | stand-by painter | |
| Fred Lucky | .... | storyboard illustrator (uncredited) | |
| Eugene J. Reed | .... | set dresser (uncredited) | |
Sound Department | |||
| John S. Coffey | .... | cable person (as John Coffey) | |
| Gordon Davidson | .... | sound effects editorial staff | |
| Rebecca Einfeld | .... | sound effects editorial staff | |
| Gary S. Gerlich | .... | sound effects editorial staff (as Gary Gerlich) | |
| Rick Kline | .... | sound re-recording mixer (as Richard Kline) | |
| Bobbe Kurtz | .... | loop editor | |
| Jimmy Ling | .... | sound effects editorial staff (as James B. Ling) | |
| Victoria Martin | .... | sound effects editorial staff | |
| Bob Minkler | .... | sound re-recording mixer (as Robert Minkler) | |
| Donald O. Mitchell | .... | sound re-recording mixer | |
| Robert A. Reich | .... | sound effects editorial staff (as Robert Arnold Reich) | |
| William A. Sawyer | .... | sound effects editorial staff (as William Sawyer) | |
| Kenneth Schwarz | .... | boom operator (as Ken Schwarz) | |
| Frank E. Warner | .... | supervising sound effects editor (as Frank Warner) | |
| Charles M. Wilborn | .... | sound mixer (as Chuck Wilborn) | |
| Ken Dufva | .... | foley artist (uncredited) | |
Stunts | |||
| Jimmy Nickerson | .... | stunt coordinator | |
| Freddie Hice | .... | stunts (uncredited) | |
| Bennie Moore | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Martin G. Beazell | .... | second assistant camera (as G. Martin Beazell) | |
| Garrett Brown | .... | Steadicam operator | |
| Jim Brown | .... | camera operator | |
| Colin J. Campbell | .... | gaffer (as Colin Campbell) | |
| Earl L. Clark | .... | first assistant camera (as Earl Lynn Clark) | |
| William Coleman | .... | first assistant camera (as Bill Coleman) | |
| James R. Connell | .... | camera operator (as Jim Connell) | |
| Bob Greene | .... | still photographer | |
| Randy Hart | .... | best boy | |
| George Hill | .... | key grip | |
| Christine M. Loss | .... | still photographer (as Christine Loss) | |
| Barry Oiffer | .... | second assistant camera | |
| James M. Sheppherd | .... | dolly grip (as Jim Shepherd) | |
| George Staubs | .... | second grip | |
| Orlando Suero | .... | still photographer | |
| Mike Chevalier | .... | camera operator (uncredited) | |
Casting Department | |||
| Joy Todd | .... | casting: Philadelphia | |
| Cash Oshman | .... | crowd casting (uncredited) | |
Costume and Wardrobe Department | |||
| Sandy Berke Jordan | .... | costumes: women (as Sandra Berke) | |
| Tom Bronson | .... | costumes: men (as Thomas Bronson) | |
Editorial Department | |||
| Ross Albert | .... | assistant editor | |
| Donah Bassett | .... | negative cutter | |
| James D. Brubaker | .... | post-production coordinator (as James Brubaker) | |
| Gregory M. Gerlich | .... | assistant editor (as Greg Gerlich) | |
| Danford B. Greene | .... | supervising editor | |
| Jerelyn J. Harding | .... | assistant editor (as Jerelyn Golding) | |
| Christopher Holmes | .... | editor: fight scenes (as Christopher V. Holmes) | |
| James Mitchell | .... | editor: fight scenes (as James D. Mitchell) | |
| Janice Parker | .... | assistant editor | |
| Nancy Sales | .... | assistant editor | |
| James R. Symons | .... | editor: fight and training montages | |
| Jan Wesley | .... | assistant editor | |
Music Department | |||
| Allison Caine | .... | vocal effects advisor | |
| Dennis S. Sands | .... | scoring mixer (as Dennis Sands) | |
| Joe Tuley | .... | music editor | |
| Denise Bradley | .... | singer: theme music (uncredited) | |
| Bill Conti | .... | conductor (uncredited) | |
| Bill Conti | .... | orchestrator (uncredited) | |
| Peter T. Myers | .... | orchestrator (uncredited) | |
| Gloria O'Brien | .... | singer: theme music (uncredited) | |
| Dan Wallin | .... | music scoring mixer (uncredited) | |
Transportation Department | |||
| Russell McEntyre | .... | transportation coordinator | |
| Dan Riportella | .... | transportation co-captain (as Daniel Riportella) | |
Other crew | |||
| Dale Benson | .... | location manager | |
| Stanley Brossette | .... | publicist | |
| Louis Chirco | .... | craft service | |
| Janet Crosby | .... | assistant to producers | |
| Pen Densham | .... | supervisor: fight and training montages | |
| Chip Fowler | .... | production office coordinator | |
| Michael S. Glick | .... | production executive | |
| Vince Heileson | .... | paymaster | |
| Bruce Hoffman | .... | additional photographic credit | |
| Linda Horner | .... | assistant: Mr. Stallone | |
| Lori Imbler | .... | assistant to producers | |
| Patrice J. Klinger | .... | production assistant (as Patrice Klinger) | |
| Larry Kramer | .... | production assistant | |
| Joseph Letizia | .... | company representative (as Joe Letizia) | |
| Chris Raphael | .... | promotional appearances | |
| Marge Rowland | .... | production accountant | |
| Ellen Shire | .... | location coordinator | |
| Al Silvani | .... | technical advisor | |
| Marie Sorell | .... | nurse | |
| Sylvester Stallone | .... | boxing choreographer | |
| John Watson | .... | supervisor: fight and training montages | |
| Marshall J. Wolins | .... | script supervisor (as Marshall Wolins) | |
| Raechel Donahue | .... | voice talent (uncredited) | |
| Donna Smith | .... | production coordinator (uncredited) | |
| Michael E. Uslan | .... | production attorney (uncredited) | |
Thanks | |||
| Jane Oliver | .... | dedicatee | |
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| Rocky | Rocky III | Rocky Balboa | Rocky IV | Cinderella Man |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I'm old enough to remember the thrill of seeing each of the "Rocky" films during their original, theatrical runs. The magical component that Stallone achieved was to tell nearly the exact same story, twice in a row, with the same characters... and yet, he gives us a one-two punch that hits just solidly as the first.
It's truly a remarkable feat. Differences? We've already met all the characters. Gone is the sense of discovery, the sense of learning who these people are. We already know, don't we? Yet, Stallone's characters are sufficiently interesting enough for us to want to spend more time with them, seeing them in a world most of us don't know, living a life few of us would really want. While the sense of discovery about these characters is gone, our joy of being a voyeur into their world is not.
It's a toss up which movie, "Rocky" or "Rocky II," asks us to suspend disbelief more. In "Rocky," we have to accept that a nobody, unrated, club fighter could a) get the chance to fight the world champion. B) He could possibly defy all odds and go the distance. That's a huge stretch only possible in Hollywood movies, classifying the first movie as a fairy tale along the lines of Cinderella.
Soap opera-esquire is not a bad way to characterize "Rocky II" because of the emotional ride, but I don't find it as trite as a soap opera. Rocky's actions are very believable, from his earnings feeling like a fortune to him (when they were obviously not), to his illiteracy and his unsophisticated, "punch drunk" boxer. The ramifications of his past are believable. He fritters away the money and is unable to capitalize on his 15 minutes of fame. Hey, it happens all the time. Very believable.
With a pregnant wife, no job, and no way to pay his bills, he's backed into a corner. What's a fighter to do? (And in this case, I mean "a fighter" in its most literal sense.) He's willing to risk his health and even his marriage to do what any man should do: provide for his family.
Adrian's bit of drama is the single "problem" with the movie, but it's also the heart of the movie. It's not a movie about losing it all and coming back again, it's much more than that. It's about a simple man who's trying to do the best he can with the only tools he has. And when Adrian is first to go down for the count, it puts it all in jeopardy.
It's not until his wife is ready to accept him as he is, for what he is, that he can continue his quest, one more fight, for his family, for himself.
The story arc feels so similar to the first movie that this one is often tossed to the side, yet it truly is amazing how Stallone managed to re-imagine all the magic of the first movie and, better still, give us a second helping of it that's just as sweet. Enjoy!