Rocky struggles in family life after his bout with Apollo Creed, while the embarrassed champ insistently goads him to accept a challenge for a rematch.
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Thirty years after the ring of the first bell, Rocky Balboa comes out of retirement and dons his gloves for his final fight; against the reigning heavyweight champ Mason 'The Line' Dixon.
Director:
Sylvester Stallone
Stars:
Sylvester Stallone,
Antonio Tarver,
Milo Ventimiglia
Rocky Balboa, a small-time boxer gets a supremely rare chance to fight the heavy-weight champion, Apollo Creed, in a bout in which he strives to go the distance for his self-respect.
Director:
John G. Avildsen
Stars:
Sylvester Stallone,
Talia Shire,
Burt Young
Rocky has been holding the title as the heavyweight champion until he is defeated by a brutal challenger, and now must regain his fighting spirit through a big rematch, trained by an unlikely ally: his old nemesis Apollo Creed.
Director:
Sylvester Stallone
Stars:
Sylvester Stallone,
Talia Shire,
Burt Young
After iron man Drago, a highly intimidating 6-foot-5, 261-pound Soviet athlete, literally destroys Apollo Creed in an exhibition match, Rocky comes to the heart of Russia for 15 pile-driving boxing rounds of revenge.
Director:
Sylvester Stallone
Stars:
Sylvester Stallone,
Talia Shire,
Burt Young
Reluctantly retired from boxing and back from riches to rags, Rocky takes on a new protege who betrays him; As the champ's son must adjust to his family's new life after bankruptcy.
Director:
John G. Avildsen
Stars:
Sylvester Stallone,
Talia Shire,
Burt Young
John Rambo is released from prison by the government for a top-secret covert mission to the last place on Earth he'd want to return - the jungles of Vietnam.
Director:
George P. Cosmatos
Stars:
Sylvester Stallone,
Richard Crenna,
Charles Napier
In Thailand, John Rambo joins a group of mercenaries to venture into war-torn Burma, and rescue a group of Christian aid workers who were kidnapped by the ruthless local infantry unit.
Director:
Sylvester Stallone
Stars:
Sylvester Stallone,
Julie Benz,
Matthew Marsden
Frank Leone is nearing the end of his prison term for a relatively minor crime. Just before he is paroled, however, Warden Drumgoole takes charge. Drumgoole was assigned to a hell-hole ... See full summary »
Director:
John Flynn
Stars:
Sylvester Stallone,
Donald Sutherland,
John Amos
Rocky Balboa is a little-known boxer who was given a shot at the heavyweight champ, Apollo Creed. Having done much better than anyone expected, Creed demands a rematch, embarrassed by his inability to dominate the "amateur" Balboa. Written by
Murray Chapman <muzzle@cs.uq.oz.au>
Sylvester Stallone himself wrote the paperback novelization for this movie. The novel is mostly in first person, from Rocky's point of view, written in the same choppy English in which Rocky speaks. Scenes in which Rocky is not present (such as Apollo Creed consulting his associates, or Paulie alone with Adrian) are in standard third-person, in proper English. See more »
Goofs
"Rocky vs Apollo" poster above the crowd is back-to-front in one shot revealing the fact that the film was flipped for that particular shot. See more »
Quotes
[At a press conference for fight]
Paulie:
We're gonna punch his lungs out!
Apollo:
And who the hell is that? Al Capone?
See more »
I'm old enough to remember the thrill of seeing each of the "Rocky" films during their original, theatrical runs. The magical component that Stallone achieved was to tell nearly the exact same story, twice in a row, with the same characters... and yet, he gives us a one-two punch that hits just solidly as the first.
It's truly a remarkable feat. Differences? We've already met all the characters. Gone is the sense of discovery, the sense of learning who these people are. We already know, don't we? Yet, Stallone's characters are sufficiently interesting enough for us to want to spend more time with them, seeing them in a world most of us don't know, living a life few of us would really want. While the sense of discovery about these characters is gone, our joy of being a voyeur into their world is not.
It's a toss up which movie, "Rocky" or "Rocky II," asks us to suspend disbelief more. In "Rocky," we have to accept that a nobody, unrated, club fighter could a) get the chance to fight the world champion. B) He could possibly defy all odds and go the distance. That's a huge stretch only possible in Hollywood movies, classifying the first movie as a fairy tale along the lines of Cinderella.
Soap opera-esquire is not a bad way to characterize "Rocky II" because of the emotional ride, but I don't find it as trite as a soap opera. Rocky's actions are very believable, from his earnings feeling like a fortune to him (when they were obviously not), to his illiteracy and his unsophisticated, "punch drunk" boxer. The ramifications of his past are believable. He fritters away the money and is unable to capitalize on his 15 minutes of fame. Hey, it happens all the time. Very believable.
With a pregnant wife, no job, and no way to pay his bills, he's backed into a corner. What's a fighter to do? (And in this case, I mean "a fighter" in its most literal sense.) He's willing to risk his health and even his marriage to do what any man should do: provide for his family.
Adrian's bit of drama is the single "problem" with the movie, but it's also the heart of the movie. It's not a movie about losing it all and coming back again, it's much more than that. It's about a simple man who's trying to do the best he can with the only tools he has. And when Adrian is first to go down for the count, it puts it all in jeopardy.
It's not until his wife is ready to accept him as he is, for what he is, that he can continue his quest, one more fight, for his family, for himself.
The story arc feels so similar to the first movie that this one is often tossed to the side, yet it truly is amazing how Stallone managed to re-imagine all the magic of the first movie and, better still, give us a second helping of it that's just as sweet. Enjoy!
34 of 40 people found this review helpful.
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I'm old enough to remember the thrill of seeing each of the "Rocky" films during their original, theatrical runs. The magical component that Stallone achieved was to tell nearly the exact same story, twice in a row, with the same characters... and yet, he gives us a one-two punch that hits just solidly as the first.
It's truly a remarkable feat. Differences? We've already met all the characters. Gone is the sense of discovery, the sense of learning who these people are. We already know, don't we? Yet, Stallone's characters are sufficiently interesting enough for us to want to spend more time with them, seeing them in a world most of us don't know, living a life few of us would really want. While the sense of discovery about these characters is gone, our joy of being a voyeur into their world is not.
It's a toss up which movie, "Rocky" or "Rocky II," asks us to suspend disbelief more. In "Rocky," we have to accept that a nobody, unrated, club fighter could a) get the chance to fight the world champion. B) He could possibly defy all odds and go the distance. That's a huge stretch only possible in Hollywood movies, classifying the first movie as a fairy tale along the lines of Cinderella.
Soap opera-esquire is not a bad way to characterize "Rocky II" because of the emotional ride, but I don't find it as trite as a soap opera. Rocky's actions are very believable, from his earnings feeling like a fortune to him (when they were obviously not), to his illiteracy and his unsophisticated, "punch drunk" boxer. The ramifications of his past are believable. He fritters away the money and is unable to capitalize on his 15 minutes of fame. Hey, it happens all the time. Very believable.
With a pregnant wife, no job, and no way to pay his bills, he's backed into a corner. What's a fighter to do? (And in this case, I mean "a fighter" in its most literal sense.) He's willing to risk his health and even his marriage to do what any man should do: provide for his family.
Adrian's bit of drama is the single "problem" with the movie, but it's also the heart of the movie. It's not a movie about losing it all and coming back again, it's much more than that. It's about a simple man who's trying to do the best he can with the only tools he has. And when Adrian is first to go down for the count, it puts it all in jeopardy.
It's not until his wife is ready to accept him as he is, for what he is, that he can continue his quest, one more fight, for his family, for himself.
The story arc feels so similar to the first movie that this one is often tossed to the side, yet it truly is amazing how Stallone managed to re-imagine all the magic of the first movie and, better still, give us a second helping of it that's just as sweet. Enjoy!