Rocky has been holding the title as the heavyweight champion until he is defeated by a brutal challenger, and now must regain his fighting spirit through a big rematch, trained by an unlikely ally: his old nemesis Apollo Creed.
After iron man Drago, a highly intimidating 6-foot-5, 261-pound Soviet athlete, literally destroys Apollo Creed in an exhibition match, Rocky comes to the heart of Russia for 15 pile-driving boxing rounds of revenge.
Rocky Balboa is a little-known boxer who was given a shot at the heavyweight champ, Apollo Creed. Having done much better than anyone expected, Creed demands a rematch, embarrassed by his inability to dominate the "amateur" Balboa. Written by
Murray Chapman <firstname.lastname@example.org>
Sylvester Stallone himself wrote the paperback novelization for this movie. The novel is mostly in first person, from Rocky's point of view, written in the same choppy English in which Rocky speaks. Scenes in which Rocky is not present (such as Apollo Creed consulting his associates, or Paulie alone with Adrian) are in standard third-person, in proper English. See more »
When Rocky and Apollo are on the canvas at the end of the fight, Adrian and Paulie are at home standing up in front of the TV yelling for Rocky to get up for the entire count. When he finally gets up, they show them jumping up out of their chairs as if they have been sitting through the count. See more »
[Out shopping with Adrian]
Do you like having a good time? Then you need a good watch!
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Immediately after Rocky's close contest with Apollo Creed, he is drawn into fame only to find it is a temporary thing. As the money fades he finds personal crisis is never far away and is tempted into a big money rematch against Creed. Meanwhile Creed, who should fight other fighters, is plagued by suggestions that the first fight was staged to go the distance. Things build to the rematch.
Stallone proves that he has got a money making brain in his head by basically remaking Rocky. The story covers similar themes it's a soap opera with a fight at the end. Here the soapy mush is mostly about his loss of money and decline back into the gutter, while we have children and comas thrown in for good measure. This is all well and good, and Stallone doesn't let it get too mushy. The script has some good scenes and mixes in comedy my favourtie line being where Rocky is advised to invest his money in condominiums, to which Rocky replies `condominiums? But I don't use them.'
This comedy helps endear Rocky to us despite being a bit `punchy'. The fight however that's where the money is. As in the first Rocky movie, the fight is a huge thing, full of emotion and welling music. The fighting is, of course, nonsense even sillier than the first film, but with the raw emotion and use of music you can't help but get involved even if you don't want to! At times it goes a bit far and may look a bit like ego-massaging by Stallone, eg the scene where he is out on his training run and is followed by hundreds of supportive children!
Stallone is good in all his roles, the playing of Rocky as a working class bum made good is bang on. Shire doesn't have much to do but she's good beside Stallone. Young is good and Meredith easily repeats his tour-de-force as the grizzled trainer. Carl Weathers is good as Apollo Creed and this is one of his best roles.
Overall this isn't a classic but by repeating the basic formula of the first movie and taking Rocky back to the gutter, this remains an entertaining soap that is driven by mushy, if formulaic, emotion.
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