| Michael York | ... | Charles Carruthers | |
| Jenny Agutter | ... | Clara Dollmann | |
| Simon MacCorkindale | ... | Arthur Davies | |
| Alan Badel | ... | Dollmann | |
| Jürgen Andersen | ... | Cmdr. von Bruening (as Jurgen Andersen) | |
| Michael Sheard | ... | Boehme | |
| Hans Meyer | ... | Grimm | |
| Wolf Kahler | ... | Kaiser Wilhelm II | |
| Olga Lowe | ... | Frau Dollmann | |
| Ronald Markham | ... | Withers |
Directed by | |||
| Tony Maylam | |||
Writing credits(in alphabetical order) | ||
| John Bailey | screenplay | |
| Erskine Childers | novel | |
| Tony Maylam | screenplay | |
Produced by | |||
| Drummond Challis | .... | producer | |
Original Music by | |||
| Howard Blake | |||
Cinematography by | |||
| Christopher Challis | |||
Film Editing by | |||
| Peter Hollywood | |||
Production Design by | |||
| Hazel Peiser | |||
Set Decoration by | |||
| Robin Peyton | |||
Costume Design by | |||
| Jane Hamilton | |||
Makeup Department | |||
| Jeanne Richmond | .... | makeup designer | |
Production Management | |||
| Aivar Kaulins | .... | production manager | |
Art Department | |||
| Keith Liddiard | .... | art director: Germany | |
| Terry Pritchard | .... | art director: Holland | |
Sound Department | |||
| Ken Barker | .... | dubbing mixer | |
| Alan Bell | .... | dubbing editor | |
| Rene Borisewitz | .... | sound mixer | |
| John Hayward | .... | sound re-recording mixer | |
Special Effects by | |||
| Harrie Wiessenhaan | .... | special effects | |
Camera and Electrical Department | |||
| Dennis Fraser | .... | grip | |
| John Palmer | .... | camera operator | |
| Arthur Wooster | .... | special scenic photography | |
Music Department | |||
| Howard Blake | .... | conductor | |
Other crew | |||
| Michael York | .... | production associate | |
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| The Riddle of the Sands | Moonraker | Shout at the Devil | Marie Galante | The Spy Who Loved Me |
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Tony Maylam (and Christopher Challis - read his autobiography, "Are they really so awful") went all-out in this film to recreate a feel for Erskine Childers's slightly jingoistic novel, and for the joy of messing about in boats. The film achieves much of what it set out to do, but some extra elements grafted on to the original plot slightly spoil it for me.
The plot features Davies, an English amateur yachtsman (brilliantly played by Simon MacCorkindale) who stumbles onto something strange while pottering around the bleak Friesian coast in northern Germany. Mystified, he summons his old friend Carruthers (Michael Yorke) to help uncover the secret.
As a detective tale or spy story viewed through the eyes of either Davies or Carruthers, the film works. The few action sequences, which are almost always seen from the viewpoint of others, tend to fall flat and spoil the overall continuity. The subtitles to scenes in which characters are speaking in German are annoying, since almost everything is also translated verbally for the benefit of Davies who does not speak the language.
That said, this is quite a tense film, and gives a very true rendering of the novel.
The scenery and props are quite superb. Davies's yacht is a joy to look at from the outside and suitable poky in the interior shots. The flat coastal scenery is very atmospherically shot and the costumes are very good.
Except for a rather wooden "Kaiser Bill", the acting is excellent, though this is no less than one would expect from such as Alan Badel and Jenny Agutter.
This film is very enjoyable, but best watched with one's thinking cap on.