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Real Life (1979)

PG  |   |  Comedy  |  23 March 1979 (USA)
7.2
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Ratings: 7.2/10 from 1,599 users  
Reviews: 19 user | 16 critic

A pushy, narcissistic filmmaker persuades a Phoenix family to let him and his crew film their everyday lives, in the manner of the ground-breaking PBS series "An American Family". However, ... See full summary »

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Cast

Cast overview, first billed only:
Dick Haynes ...
Councilman Harris
...
Matthew Tobin ...
Dr. Howard Hill
...
Dr. Ted Cleary
Joseph Schaffler ...
Paul Lowell
Phyllis Quinn ...
Donna Stanley
James Ritz ...
Jack from Cincinnati
Clifford Einstein ...
Role Reversal Family Member
Harry Einstein ...
Role Reversal Family Member
Mandy Einstein ...
Role Reversal Family Member
Karen Einstein ...
Role Reversal Family Member
...
Driving Evaluator
Zeke Manners ...
Driver
...
Warren Yeager
...
Jeannette Yeager
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Storyline

A pushy, narcissistic filmmaker persuades a Phoenix family to let him and his crew film their everyday lives, in the manner of the ground-breaking PBS series "An American Family". However, instead of remaining unobtrusive and letting the family be themselves, he can't keep himself from trying to control every facet of their lives "for the good of the show". Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

23 March 1979 (USA)  »

Also Known As:

Aus dem Leben gegriffen  »

Filming Locations:


Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

One of the reasons Albert Brooks wanted to cast Charles Grodin as the father was because of Grodin's work on Candid Camera (1972). Brooks felt that Grodin would look like he wasn't acting, because on the TV show he had to fool ordinary people into believing that he wasn't acting. See more »

Quotes

Martin Brand: [after one of Albert's rants] Albert, what the hell are you talking about? Look, let's not argue - say the family's fine, say the family's perfect. Let's talk about YOU for a minute. Look what YOU'VE done. You FAILED - that's what you did, you shmuck, you failed. You started out with this artsy-craftsy reality crap and what did you end up with? The NEWS, the goddamned NEWS! People get that for free! You think somebody's gonna hire a babysitter, take a taxicab, go all the way the hell downtown, ...
See more »

Connections

References Star Wars: Episode IV - A New Hope (1977) See more »

Soundtracks

Jump Into The Fire
Written by Harry Nilsson
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User Reviews

Albert Brooks is the ultimate farceur.
4 September 1999 | by (Sault Ste. Marie, Ont.) – See all my reviews

'Real life' is the perfect send-up of the worst scenario possible for a film maker shooting a documentary, i.e., what happens when your subject matter loses interest in the project before completion? Albert Brooks, as the seemingly besieged director of this 'loaf of reality' year long vigil with a typical American family, walks a fine line between egomania and neuroticism and scores with broad belly laughs both ways. Charles Grodin as the head of the suburban clan from which this film within a film emanates exudes his special brand of bland exuberance at the beginning of this captive camera stakeout inside his home(and everywhere else he may go) provided his life is depicted as letter perfect from day to day. When such is not the case and the obtrusive lenses are interfering with his job as a veterinarian, (in a sequence that has to be seen rather than described) then Grodin regards the camera presence as nothing more than an albatross and mentally switches himself off. Albert Brooks, meanwhile, never says quit. Every so-called hair in the eye of the lense is still a perfect scene regardless of the participation or lack of it, thereof, from his celluloid family. For Brooks regards this film as 'paramount'(oops) over the desires of his cast of characters. Brooks facile mind works methodically from beginning to end. From his perspective, nothing can go wrong, everything is in its place with a place for everything. So when his documentary and the human equation around it blow up in his face , his conferences with colleagues are hilarious as he tries various remedies to salvage not only his project but his self-image. Brooks is a comic delight as a man who cannot take criticism regarding his methods and his interaction with project staff are decidedly one-sided, but in the capable hands of this farceur, his myopic viewpoint is always good for guffaws galore. Real life should be this funny.


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