In the distant future the world is in the grip of another ice age. A city originally built to house five million people is now in its death throes as the relentlessly advancing glacier is slowly crushing the metropolis's steel infrastructure. The relatively few surviving fur-clad inhabitants, perhaps thousands, perhaps only hundreds, drift aimlessly in their grim, drab world, awaiting their inevitable fate as they try to survive from day to day with scavenged firewood and minimal diet. Their only solaces are booza, an alcoholic drink distilled from moss, and Quintet, a seemingly innocuous board game for six players. The only other surviving mammals are roving packs of hungry mastiffs which roam the city's corridors and quickly dispose of the remains of the dead. Newly arrived from the south is Essex with his pregnant wife Vivia, seeking shelter in the doomed city only to find it populated by people middle-aged or older. They had supported themselves by hunting seals, but now that the ... Written by
One man against the world.
Did You Know?
The pavilion was to be razed after filming was complete. Director Robert Altman
had developed an affection for the silk-screened glass panels that he had used to heighten the lost-world sense of the movie's setting. He salvaged the 44 panels and for a time displayed them at his Lion's Gate studio. When he and his wife found an apartment in Manhattan in 1984, about a dozen of the panels - some as tall as 18 feet - became the dominant decorative feature. The history of the panels and the apartment, with photos, became an article in the March 1990 issue of "Architectural Digest", preserved online at www.sopot.org/altmanresidence.pdf. See more
I find you despicable. I despise your arrogance.
It is as planned.