London, 1965: Like many other youths, Jimmy hates the philistine life, especially his parents and his job in a company's mailing division. Only when he's together with his friends, a 'Mod' ...
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This is the hard and shocking story of life in a British borstal for young offenders. Luckily the regime has changed since this TV film was made. The brutal regime made no attempt to reform... See full summary »
Trevor is a 16 year old, sometimes-violent skinhead with no regard for authority, and would rather spend his time stealing cars than sitting in the detention centre to which he is sent. His... See full summary »
The family of Raymond, his wife Val and her brother Billy live in working-class London district. Also in their family is Val and Billy's mother Janet and grandmother Kath. Billy is a drug ... See full summary »
'John McVicar' was a London Bad Boy. he graduated to armed bank robbery and was Britain's "Public Enemy No. 1". He was captured and put into a high security prison. Will even the highest ... See full summary »
Originally filmed in December 1968, "The Rock and Roll Circus" was originally intended to be released as a television special. The special was filmed over two nights and featured not only ... See full summary »
London, 1965: Like many other youths, Jimmy hates the philistine life, especially his parents and his job in a company's mailing division. Only when he's together with his friends, a 'Mod' clique, cruising London on his motor-scooter and hearing music such as that of 'The Who' and 'The High Numbers', does he feel free and accepted. However, it's a flight into an illusionary world. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
The scene in the pie shop where Jimmy goes for a bite of "pie, mash and liquor" was shot inside A. Cooke's Pie & Mash shop at 48 Goldhawk Road, Shepherd's Bush, London. The Who began their career in Shepherd's Bush, performing their early gigs at the Goldhawk Social Club (205 Goldhawk Rd). See more »
When Jimmy is giving Steph a ride home, his scooter comes to a halt. Then the scooter accelerates away while Jimmy's left hand is still squeezing the clutch lever. He releases the clutch lever only after the scooter has picked up speed, indicating that it is on a trailer being towed by a camera car. See more »
life's core brutally and artfully revealed - 10+++
What a wonderful film. If you ever thought you were safe, or that your world was impregnable, then you must see this film. Watch as every important elements of a young man's (Jimmy's) life is stripped away, piece by piece, until he has no anchor, no magnet, and no direction in life.
Without his familiar crutches (hooliganism, drugs, girlfriends, Mod clansmen, job, parents, home and 'scooter'), Jimmy is faced with a terrifying realization that he - alone - must completely rebuild and reinvent himself.
In a way that is hard to describe in words, director Franc Roddam exposes the raw core of life, unadorned by all the temporal things by which we measure success, worth and happiness. Better still, he forces the viewer to examine the very definition of 'a life'.
The movie generates ever increasing momentum, culminating in one of the most intensely disturbing realizations ever captured on film, with the white cliffs of Dover as the foreground, and the The Who's equally monumental and haunting "Love Reign O'er Me" in the background.
With the possible exception of Bill Murray's version of "The Razor's Edge", this is about as perfect a chance as we are ever afforded to examine the foundations of our own lives (...what more can you ask of a film?). Though this is not an uncommon cinematic theme, it has never been so brilliantly achieved.
An emotional and spiritual tour de force, and simply one of the best films ever made.
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