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Quadrophenia (1979)

 -  Crime | Drama | Music  -  2 November 1979 (USA)
7.3
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Ratings: 7.3/10 from 11,394 users   Metascore: 79/100
Reviews: 89 user | 50 critic | 6 from Metacritic.com

London, 1965: Like many other youths, Jimmy hates the philistine life, especially his parents and his job in a company's mailing division. Only when he's together with his friends, a 'Mod' ... See full summary »

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Writers:

(screenplay), (screenplay), 2 more credits »
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Title: Quadrophenia (1979)

Quadrophenia (1979) on IMDb 7.3/10

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Cast

Cast overview, first billed only:
...
Leslie Ash ...
Steph
...
Chalky
...
Dave
...
...
Kevin (as Raymond Winstone)
Garry Cooper ...
Peter
Gary Shail ...
Spider
...
Monkey
Trevor Laird ...
Ferdy
Kate Williams ...
...
Kim Neve ...
Yvonne
...
Mr. Fulford
Daniel Peacock ...
Danny
Edit

Storyline

London, 1965: Like many other youths, Jimmy hates the philistine life, especially his parents and his job in a company's mailing division. Only when he's together with his friends, a 'Mod' clique, cruises London on his motor-scooter and hears music such as that of 'The Who' and 'The High Numbers', he feels free and accepted. However, it's a flight into an illusionary world. Written by Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>

Plot Summary | Add Synopsis

Taglines:

Hell On Wheels! See more »

Genres:

Crime | Drama | Music

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

2 November 1979 (USA)  »

Also Known As:

Er du gal mand?  »

Box Office

Gross:

SEK 1,678,408 (Sweden)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Dolby Stereo)

Color:

(Eastmancolor) (uncredited)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The Who appear not just on the edition of Ready, Steady, Go! (1963) that Jimmy watches and an album sleeve at the house party, but also a portrait of Pete Townshend is on the boy's bedroom wall. See more »

Goofs

In the scene where Jimmy and Steph are riding on Jimmy's scooter, they appear to be travelling at normal speed, but Jimmy keeps the scooter in first gear. This is because the scene was shot with the actors and the scooter on a trailer being towed by the camera car. See more »

Quotes

Ace Face: [Fined for rioting in Brighton] I'll pay now. Got a pen, judge?
See more »

Crazy Credits

Jeans By Levis See more »

Connections

Features The Avengers: The Frighteners (1961) See more »

Soundtracks

Rhythm of the Rain
Written by John Gummoe (as John C;. Gummoe)
Performed by The Cascades
Published by United Artists Records Limited
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
life's core brutally and artfully revealed - 10+++
12 August 2002 | by (Oviedo, FL) – See all my reviews

What a wonderful film. If you ever thought you were safe, or that your world was impregnable, then you must see this film. Watch as every important elements of a young man's (Jimmy's) life is stripped away, piece by piece, until he has no anchor, no magnet, and no direction in life.

Without his familiar crutches (hooliganism, drugs, girlfriends, Mod clansmen, job, parents, home and 'scooter'), Jimmy is faced with a terrifying realization that he - alone - must completely rebuild and reinvent himself.

In a way that is hard to describe in words, director Franc Roddam exposes the raw core of life, unadorned by all the temporal things by which we measure success, worth and happiness. Better still, he forces the viewer to examine the very definition of 'a life'.

The movie generates ever increasing momentum, culminating in one of the most intensely disturbing realizations ever captured on film, with the white cliffs of Dover as the foreground, and the The Who's equally monumental and haunting "Love Reign O'er Me" in the background.

With the possible exception of Bill Murray's version of "The Razor's Edge", this is about as perfect a chance as we are ever afforded to examine the foundations of our own lives (...what more can you ask of a film?). Though this is not an uncommon cinematic theme, it has never been so brilliantly achieved.

An emotional and spiritual tour de force, and simply one of the best films ever made.


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