London, 1965: Like many other youths, Jimmy hates the philistine life, especially his parents and his job in a company's mailing division. Only when he's together with his friends, a 'Mod' ... See full summary »
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This is the hard and shocking story of life in a British Borstal for young offenders. Luckily the regime has changed since this film was made. The brutal regime made no attempt to reform or... See full summary »
This is the hard and shocking story of life in a British borstal for young offenders. Luckily the regime has changed since this TV film was made. The brutal regime made no attempt to reform... See full summary »
Director:
Alan Clarke
Stars:
Ray Winstone,
David Threlfall,
Martin Phillips
From the early black and white days to their colourful hedonistic era, you will Rock! See them at their most creative, and destructive, and experience The Who: Here!
Trevor is a 16 year old, sometimes-violent skinhead with no regard for authority, and would rather spend his time stealing cars than sitting in the detention centre to which he is sent. His... See full summary »
Early Errol Morris documentary intersplices random chatter he captured on film of the genuinely eccentric residents of Vernon, Florida. A few examples? The preacher giving a sermon on the ... See full summary »
Director:
Errol Morris
Stars:
Albert Bitterling,
Roscoe Collins,
George Harris
The family of Raymond, his wife Val and her brother Billy live in working-class London district. Also in their family is Val and Billy's mother Janet and grandmother Kath. Billy is a drug ... See full summary »
Director:
Gary Oldman
Stars:
Ray Winstone,
Kathy Burke,
Charlie Creed-Miles
In Montreal, a police inspector slowly discovers a plot to kidnap a nuclear physicist, American mobsters, foreign spies, and a blonde seductress, are all involved.
Director:
Lewis Allen
Stars:
Edward G. Robinson,
George Raft,
Audrey Totter
Aristocrat Julian Markham keeps his disfigured brother, Sir Edward, locked in a tower of his house. Occasionaly Sir Edward escapes and causes havoc around the town.
Director:
Gordon Hessler
Stars:
Vincent Price,
Christopher Lee,
Rupert Davies
An arrogant medical man discovers there's more to his new patient than he imagined in this drama from Polish filmmaker Feliks Falk. Dr. Konstanty Grot (Borys Szyc) is an ambitious young ... See full summary »
Director:
Feliks Falk
Stars:
Borys Szyc,
Grzegorz Wolf,
Magdalena Walach
London, 1965: Like many other youths, Jimmy hates the philistine life, especially his parents and his job in a company's mailing division. Only when he's together with his friends, a 'Mod' clique, cruises London on his motor-scooter and hears music such as that of 'The Who' and 'The High Numbers', he feels free and accepted. However, it's a flight into an illusionary world. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
The scene where Jimmy & his mates are on their bikes overlooking the sea & pier & says 'That is Brighton', is actually Eastbourne. That's why beachy head is on their right, when it should be on their left if they were in Brighton. See more »
Goofs
When Jimmy enters the scrap yard to see Peter Fenton, an 'NF' (National Front, a British white supremacist political party) graffiti is seen scrawled on the gates. The National Front was not officially formed until 1966, and its 'NF' symbol was not commonly seen in graffiti until the mid 1970's. See more »
Quotes
Peter:
If you don't work, you don't get paid no money. And I like money.
See more »
This is a fabulous movie that goes far beyond the usual one-dimensional teenager- struggles-with-society's-conformity tale. In it, the main character, Jimmy, has got a good job but which seems pointless to him. He's a member of a posse of "Mods," a mid-sixties image- group that included quasi-Beatles-style clothes and haircuts, the use of Vespa scooters, and of course sex, drugs and rock 'n' roll.
Jimmy hates the conformity as symbolized by his TV-watching, emotionally-detached parents and dreads the prospect of becoming an ice-cold working stiff. Bus as time passes he begins to squirm in the conformity imposed by being a Mod, a conformity so ruthless it costs him a friendship.
Everything that seems to be a key to happiness, whether it's romance with Steph, a beautiful member of his posse, or taking part in a kind of "Mod Woodstock," or adoring the "King of the Mods" (played perfectly by Sting), or even just trying to escape it all aboard his trusty Vespa, becomes a dead end of conformity.
Throughout the movie, his frustration is building, and he can't figure out why. In the end, he finally realizes the source of his anguish, and, without giving anything away, addresses the heart of the matter.
Excellent performances in this movie (though the accents will be downright impenetrable for some viewers), great directing, strong writing, and of course it marvelously portrays the Mod lifestyle. All the groups shown in the movie can be taken as symbols for just about any community you could think of.
Best of all, the soundtrack is superb. Unfortunately, you can't really get the sense of it just watching the movie, so pick up the CD if you like The Who; it's one of their very best.
Overall, a must-see.
14 of 20 people found this review helpful.
Was this review helpful to you?
This is a fabulous movie that goes far beyond the usual one-dimensional teenager- struggles-with-society's-conformity tale. In it, the main character, Jimmy, has got a good job but which seems pointless to him. He's a member of a posse of "Mods," a mid-sixties image- group that included quasi-Beatles-style clothes and haircuts, the use of Vespa scooters, and of course sex, drugs and rock 'n' roll.
Jimmy hates the conformity as symbolized by his TV-watching, emotionally-detached parents and dreads the prospect of becoming an ice-cold working stiff. Bus as time passes he begins to squirm in the conformity imposed by being a Mod, a conformity so ruthless it costs him a friendship.
Everything that seems to be a key to happiness, whether it's romance with Steph, a beautiful member of his posse, or taking part in a kind of "Mod Woodstock," or adoring the "King of the Mods" (played perfectly by Sting), or even just trying to escape it all aboard his trusty Vespa, becomes a dead end of conformity.
Throughout the movie, his frustration is building, and he can't figure out why. In the end, he finally realizes the source of his anguish, and, without giving anything away, addresses the heart of the matter.
Excellent performances in this movie (though the accents will be downright impenetrable for some viewers), great directing, strong writing, and of course it marvelously portrays the Mod lifestyle. All the groups shown in the movie can be taken as symbols for just about any community you could think of.
Best of all, the soundtrack is superb. Unfortunately, you can't really get the sense of it just watching the movie, so pick up the CD if you like The Who; it's one of their very best.
Overall, a must-see.