London, 1965: Like many other youths, Jimmy hates the philistine life, especially his parents and his job in a company's mailing division. Only when he's together with his friends, a 'Mod' ...
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This is the hard and shocking story of life in a British borstal for young offenders. Luckily the regime has changed since this TV film was made. The brutal regime made no attempt to reform... See full summary »
'John McVicar' was a London Bad Boy. he graduated to armed bank robbery and was Britain's "Public Enemy No. 1". He was captured and put into a high security prison. Will even the highest ... See full summary »
The family of Raymond, his wife Val and her brother Billy live in working-class London district. Also in their family is Val and Billy's mother Janet and grandmother Kath. Billy is a drug ... See full summary »
Trevor is a 16 year old, sometimes-violent skinhead with no regard for authority, and would rather spend his time stealing cars than sitting in the detention centre to which he is sent. His... See full summary »
London, 1965: Like many other youths, Jimmy hates the philistine life, especially his parents and his job in a company's mailing division. Only when he's together with his friends, a 'Mod' clique, cruising London on his motor-scooter and hearing music such as that of 'The Who' and 'The High Numbers', does he feel free and accepted. However, it's a flight into an illusionary world. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
When Jimmy and his gang leave the Goldhawk club to go after a gang of rockers, John goes with them. However in the next shot, he is back dancing inside the club. See more »
[on Kev's leather jacket]
'Ere, I never realized.
Never realized what?
You's a rocker.
What, am I black or something?
Well you ain't exactly white in that sort of get up, are you?
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One of the main criticisms at the time "Quadrophenia" came out was that it was noisy and violent rubbish. Quite how this opinion was ever formed is puzzling because the film I saw was a brilliant realistic portrayal of a mod in the 60's. The film has directorial flair, an excellent soundtrack and some underrated scripting and performances. It perfectly captures the angst and disillusionment of its protaganist to a level that has never been seen on film before or since.
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