In first century Rome, two student friends, Encolpio and Ascilto, argue about ownership of the boy Gitone, divide their belongings and split up. The boy, allowed to choose who he goes with,... See full summary »
Aging small-time con man Augusto, who swindles peasants, works with two younger men: Roberto, who wants to become the Italian Johnny Ray, and Bruno, nicknamed Picasso, who has a wife and ... See full summary »
Cinecitta, the huge movie studio outside Rome, is 50 years old and Fellini is interviewed by a Japanese TV crew about the films he has made there over the years as he begins production on ... See full summary »
Early in the 19th century, Edward and Carlotta, in love 20 years ago, find each other and marry. After a year's bliss at his Tuscan villa, Edward begs to invite Otto, an architect and ... See full summary »
Political activist Salvatore returns to his native Sicily and stirs up trouble among the peasants, urging them to confront the Mafia and demand the right to plough their own fields. The ... See full summary »
In a Medieval Roman chapel, now an oratorio, an elderly factotum sets up for rehearsal. The musicians arrive, joking and teasing. A union shop steward explains that a TV crew is there, talking to them is optional, and there will be no extra compensation. Musicians talk about their instruments. The German conductor arrives and puts them through their paces. He yells, he insults. The shop steward calls a 20 minute break. The conductor retreats to his dressing room and talks about how the world of music has changed, moving away from respect for the conductor. He returns to the rehearsal to find the orchestra in full revolt. What can bring them back to the music? Written by
Great depiction of power struggle with excellent music
This movie is one of my all-time favourites: through the "metaphor" of music, a universal picture of a power struggle is shown. Although this may appear 'thin', many layers of this struggle are peeled off. The German (looking) conductor appears to portray an easy comparison to Adolf Hitler, but another could be to Herbert von Karajan, the dictatorial conductor of the Berliner Philharmoniker. And then there is the great music score, that still lingers in my head, although I have not been able to find a recording of it (CD/LP?)(after almost 30 years!). I saw this movie again some years ago and it does not look dated. While I am not a Fellini adept and this movie was seen as one of his minor ones, this is a real classic to me.
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