A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
Morgan and his friends are on a hunting trip on a remote Canadian island when they are attacked by a swarm of giant wasps. Looking for help, Morgan stumbles across a barn inhabited by an ... See full summary »
Bert I. Gordon
A cop chases two hippies suspected of a series of Manson family-like murders; unbeknownst to him, the real culprits are the living dead, brought to life with a thirst for human flesh by chemical pesticides being used by area farmers.
In this remake of the classic 50s SF tale, a boy tries to stop an invasion of his town by aliens who take over the the minds of his parents, his least-liked schoolteacher and other ... See full summary »
Though predominantly set in the woods of the state of Maine in the USA the picture was not filmed there with Crofton, North Cowichan in British Columbia, Canada portraying the region. See more »
When Maggie Verne is seen leaving the helicopter during the rain storm there is a wire visible holding her handkerchief in place so it doesn't get lost in in the winds when she purposely lets it fall out of her pocket See more »
There are underground tunnels beneath the frost line to store perishables.
[M'Rai talks at the old Indian village site with Dr. Verne and his wife Maggie ]
The forest provides more than a man could possibly need. Things grow big here... real big.
Dr. Robert Verne:
Well, I saw a salmon that took my breath away.
It is the garden of Eden.
I've never let anyone here, you are the first to see.
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I saw this picture on Betamax in '81 or '82 and it really got under my skin. Frankenheimer's monster movie is partly responsible for me getting into the business (along with Jaws, Alien, Raiders, Blade Runner, not that I'm really inviting such comparisons). I actually had occasion to have a smoke and chat briefly with Robert Foxworth about the making of the picture when I was grip on a made-for-TV suspense pic in Atlanta. He was approachable, friendly and enjoyed talking about that show. He said that they had lost a stunt driver, and narrowly escaped losing a cast member or two when their first construction truck/picture car (the 4wd monster truck our ensemble try to escape in) took a dive off a cliff. They had to scramble to find another one and finish the picture. RF also said that Frankenheimer was an accomplished chef and had occasionally treated the DP and Cast to gourmet meals.
Prophecy is now on DVD, presented the way it was originally shot. I think I bought my copy for less than $15. All of the criticisms of this film are true, and it does not belong in the first Frankenheimer potential box set with "The Train," "Manchurian Candidate," and "Seven Days in May." But with this marginal script and genre, bound together with a tired, preachy and inaccurate environmental message, Frankenheimer managed to put together a monster picture that has surprisingly stout legs. Remember, Paramount released this monster muppet against "Alien," arguably the best film of its kind ever made. The monster grizzly is enraged, frightening and unpredictable. It is key to the film's suspense. If the Emmerich/Devlin team gave 'Zilla the same qualities, suddenly that film is worth watching for more than the effects. Prophecy had virtually no effects by today's standards. They had to make up for this with shooting and editing; a.k.a. conventional, hand-crafted filmmaking. I may indeed be prejudiced, but I still like this movie with all of its problems.
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