Dick Clement (screenplay) and
Ian La Frenais (screenplay) ...
(more)
17 August 1979 (USA) more
Anthony Hope's classic tale gets a decidedly 'un-classic' treatment at the hands of Peter Sellers. Following the story somewhat... more | add synopsis
an unknown treasure more (8 total)
| Peter Sellers | ... | Rudolf IV / Rudolf V / Syd Frewin | |
| Lynne Frederick | ... | Princess Flavia | |
| Lionel Jeffries | ... | General Sapt | |
| Elke Sommer | ... | The Countess | |
| Gregory Sierra | ... | The Count | |
| Jeremy Kemp | ... | Duke Michael | |
| Catherine Schell | ... | Antoinette | |
| Simon Williams | ... | Fritz | |
| Stuart Wilson | ... | Rupert of Hentzau | |
| Norman Rossington | ... | Bruno | |
| John Laurie | ... | Archbishop | |
| Graham Stark | ... | Erik | |
| Michael Balfour | ... | Luger | |
| Arthur Howard | ... | Deacon | |
| Ian Abercrombie | ... | Johann | |
| Michael Segal | ... | Conductor | |
| rest of cast listed alphabetically: | |||
| Harry Wüstenhagen | |||
| Erik Cord | ... | (uncredited) | |
| Joe Dunne | ... | (uncredited) | |
| Dick Geary | ... | (uncredited) | |
| Mickey Gilbert | ... | (uncredited) | |
| Larry Holt | ... | (uncredited) | |
| John Hudkins | ... | (uncredited) | |
| John Moio | ... | (uncredited) | |
| Victor Paul | ... | (uncredited) | |
| Gil Perkins | ... | (uncredited) | |
| George Robotham | ... | (uncredited) | |
| Joe Yrigoyen | ... | (uncredited) | |
Directed by | |||
| Richard Quine | |||
Writing credits | ||
| Dick Clement | (screenplay) and | |
| Ian La Frenais | (screenplay) | |
| Anthony Hope | (novel "The Prisoner of Zenda") | |
| Edward E. Rose | (dramatisation) (as Edward Rose) | |
Produced by | |||
| Peter Macgregor-Scott | .... | associate producer | |
| Walter Mirisch | .... | producer | |
Original Music by | |||
| Henry Mancini | |||
Cinematography by | |||
| Arthur Ibbetson | (director of photography) | ||
Film Editing by | |||
| Byron 'Buzz' Brandt | |||
Casting by | |||
| Lesley De Pettit | |||
Production Design by | |||
| John J. Lloyd | |||
Art Direction by | |||
| Herwig Libowitzky | |||
Set Decoration by | |||
| Joe Chevalier | |||
| Marc E. Meyer Jr. | (as Marc Meyer) | ||
Costume Design by | |||
| Sue Yelland | (as Susan Yelland) | ||
Makeup Department | |||
| Dick Dawson | .... | makeup artist | |
| Dorothy Fix | .... | hair stylist | |
| Harry Frampton | .... | makeup artist | |
| Bobbie Smith | .... | hair stylist | |
Production Management | |||
| Peter Naguschewski | .... | second unit manager | |
| Laci von Ronay | .... | production manager | |
Art Department | |||
| Art Hanson | .... | property master | |
| Jack Towns | .... | property master | |
Sound Department | |||
| Lowell Harris | .... | sound | |
| Robert L. Hoyt | .... | sound re-recordist | |
| Brian Marshall | .... | sound | |
| Vince Melandri | .... | dialogue loop editor | |
| James Troutman | .... | sound effects editor (as Jim Troutman) | |
| Roger Sword | .... | sound editor (uncredited) | |
Special Effects by | |||
| A. Paul Pollard | .... | special effects | |
Visual Effects by | |||
| Dennis Glouner | .... | matte photography | |
| Bill Taylor | .... | matte photography | |
| Albert Whitlock | .... | special visual effects | |
| Henry Schoessler | .... | matte crew (uncredited) | |
Stunts | |||
| Erik Cord | .... | stunts (as Eric Cord) | |
| Joe Dunne | .... | stunts | |
| Dick Geary | .... | stunts | |
| Mickey Gilbert | .... | stunts | |
| Larry Holt | .... | stunts | |
| John Hudkins | .... | stunts | |
| John Moio | .... | stunts | |
| Victor Paul | .... | stunts | |
| Gil Perkins | .... | stunts | |
| George Robotham | .... | stunt coordinator | |
| George Robotham | .... | stunts | |
| Joe Yrigoyen | .... | stunts | |
| Orwin C. Harvey | .... | stunts (uncredited) | |
| Jaysen Hayes | .... | stunts (uncredited) | |
| Pete Kellett | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Peter Biddle | .... | assistant camera | |
| Howard Block | .... | camera operator | |
| David Cadwallader | .... | key grip | |
| Al Chapman | .... | assistant camera | |
| Steve Claydon | .... | assistant camera | |
| Joe Cole | .... | gaffer | |
| Freddie Cooper | .... | camera operator | |
| Bob Feller | .... | assistant camera | |
| Erich Kristufek | .... | gaffer | |
| Joe Riggio | .... | key grip | |
| Bob Thompson | .... | camera operator: second unit | |
| Frank Watts | .... | camera operator: second unit | |
| Harry L. Wolf | .... | additional photographer | |
| Maurice Gillett | .... | gaffer (uncredited) | |
| Chris Warren | .... | video operator (uncredited) | |
Costume and Wardrobe Department | |||
| Izzy Berne | .... | wardrobe supervisor | |
| James Smith | .... | wardrobe supervisor (as Jimmy Smith) | |
Editorial Department | |||
| Bill Theobald | .... | assistant film editor | |
Music Department | |||
| Stephen A. Hope | .... | music editor | |
Transportation Department | |||
| Gerhard Rupp | .... | driver: Richard Quine (uncredited) | |
Other crew | |||
| Bob Forrest | .... | script supervisor | |
| Carl Lawrence Ludwig | .... | stand-in (uncredited) | |
108 min | Canada:93 min (Ontario)
Color (Technicolor)
1.85 : 1 more
Mono (Westrex Recording System)
Canada:PG (Ontario) | Finland:K-12 | USA:PG
Universal Studios Theme Park, Universal Studios - 100 Universal City Plaza, Universal City, California, USA more
Final film of Lynne Frederick. more
Spoofs The Prisoner of Zenda (1937) more
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| The Prisoner of Zenda | The Prisoner of Zenda | The Prisoner of Zenda | The Prisoner of Swing | The Princess Bride |
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The new king is a fop, and a London cabbie, who is a gem, looks just like him (the old king used to come to London for recreation) so the cabbie is hired to stand in for the king. While assassins try to kill him, the pretty lady sees him for what he is - and falls in love with him. I cannot give away the ending, it's too amazing.
This movie is full of jokes of all kinds, from subtle funny looks, to hilarious switcheroos; I think Peter Seller's very best movie. He's very funny, from the slapstick to the dumb looks in strange situations, etc. He was abused in the Pink Panther movies - having to do the same jokes over and over. Here we see some different ones, and quite good too. "She did an owl!!!" "He did a chicken!!" "What are you doing?" "That's my secret chicken signal." "You can't do that; that's my secret chicken!!!" "Whooo whooo!!!" "Bok bok bok!!!" The principle actors do their parts very well. I find myself cheering for the valiant cabbie, what a dude! and disgusted by the foppy prince - and have to stop and realize, it's the same actor! The actresses are one thing they certainly should be: gorgeous. And some of the minor parts are really nicely played, too. "Take this." "What is it?" "It's a ring, stolen from the Hapsburgs. It's priceless." Jailer squints at it trying to decide if it's worth risking his life over, and drops it in the sewer. "Ow... got anything else?" The look on his face is perfect.
And there are themes of vast import behind the story. We are all fops and gems, rolled into one; the gem part of us is a prisoner inside, and the fop is what the world has cultivated.
I haven't seen much of the other movies based on this same book, but this one does the story justice, and adds the funny element. I'd say it well improves the book, which was a little too baroque for my tastes.
This movie has the one flaw that it looks like it was made in the 40's or 50's: the special effects are cheap, like the king falling down the well - these people could have gotten those effects looking better, but they chose not to for some reason. Let's assume that it was because they loved the old time movies with those fake-looking special effects. I just think of it as quaint and relax and enjoy the show. Maybe they spent their budget on sets and costumes - a lot of them look pretty elaborate. My copy is a VHS I taped off of WKRP or somewhere one night - the music sounds like it's been thru the grinder - and I still watch it occasionally and enjoy it for its immense merit as a story, and the acting and the jokes. Actually the fights aren't all that bad. I actually like the one on top of the carriage. Pretty amusing... "We're driverless!!!" "Not while I'm here you're not!"