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The Prisoner of Zenda (1979)

4.9
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Ratings: 4.9/10 from 713 users  
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Anthony Hope's classic tale gets a decidedly 'un-classic' treatment at the hands of Peter Sellers. Following the story somewhat, friends of the new King Rudolph of Ruritania fear for his ... See full summary »

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(screenplay), (screenplay), 2 more credits »
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Title: The Prisoner of Zenda (1979)

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Cast

Cast overview, first billed only:
...
...
...
General Sapt
...
The Countess
...
The Count
...
...
Antoinette
...
Fritz
...
...
Bruno
...
Archbishop
Graham Stark ...
Erik
Michael Balfour ...
Luger
Arthur Howard ...
Deacon
...
Johann
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Storyline

Anthony Hope's classic tale gets a decidedly 'un-classic' treatment at the hands of Peter Sellers. Following the story somewhat, friends of the new King Rudolph of Ruritania fear for his life, and switch him with a look-a-like London cabby. Throw in two(!) lovely blondes, treachery, and a battle for life and honour, and enjoy life at its zaniest. Written by Derek Picken <dpicken@email.msn.com>

Plot Summary | Add Synopsis

Genres:

Adventure | Comedy

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

17 August 1979 (USA)  »

Also Known As:

O Prisioneiro de Zenda  »

Box Office

Budget:

$12,500,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (Ontario)

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The film's storyline was not just based on Anthony Hope's "The Prisoner of Zenda" but also featured story elements taken from Alexandre Dumas père's "The Man in the Iron Mask". See more »

Quotes

Rudolf IV: Michael, why do you hate me so?
Duke Michael: Because you are conceited, arrogant, spineless, selfish, shallow, pity, pompous and pitiful!
Rudolf IV: But apart from that?
See more »

Connections

Version of The Prisoner of Zenda (1913) See more »

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User Reviews

Simply unfunny
5 August 2000 | by (Finland) – See all my reviews

Prisoner of Zenda should have much to be proud of: nice music by Henry Mancini, good dual performance by Peter Sellers and gorgeous-looking cinematography and impressive sets and locations.

Unfortunately, all this adds to nothing. The film is as if it were written seriously with the screenwriters assuming that it could be turned into a comedy simply by having Gregory Sierra overact and bulge his eyeballs every now and then and the rest of the cast move about in a humorous way. But it doesn't work that way, even Sellers cannot inject enough comedy into this film(in fact, much unlike Sierra, he is slightly underplaying his roles, which is good).

In the end, one gets the impression that the team had a large amount of money and a good cast, but didn't know what to do with them.


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