Anthony Hope's classic tale gets a decidedly 'un-classic' treatment at the hands of Peter Sellers. Following the story somewhat, friends of the new King Rudolph of Ruritania fear for his ... See full summary »
Anthony Hope's classic tale gets a decidedly 'un-classic' treatment at the hands of Peter Sellers. Following the story somewhat, friends of the new King Rudolph of Ruritania fear for his life, and switch him with a look-a-like London cabby. Throw in two(!) lovely blondes, treachery, and a battle for life and honour, and enjoy life at its zaniest. Written by
Derek Picken <email@example.com>
Looks good and has a great score, but overall a step too far
I really wanted to like this. How could it go wrong with Peter Sellers and Lionel Jeffries on board as well as composer Henry Mancini and script-writers Dick Clement and Ian La Frenais? Sadly, something did go wrong, and I am still puzzled as what the biggest problem was with this film. Not all is bad though, the film has gorgeous sets and costumes and is beautifully shot, and Henry Mancini's score is great as you would expect from the composer of the Pink Panther movies, Great Mouse Detective and Breakfast at Tiffanys. However, the writing had all the ingredients to be funny but instead came across as forced(which is bad news for a spoof remake, which considering the source material was something I felt wasn't going to work in the first place), while the story as well as being sluggishly paced just lacks wit and thrills and the characters are rather cartoony(especially George Sierra). The acting fares little better, with Peter Sellers, who I consider a comic genius, coming across as both exaggerated and uninterested, while George Sierra even with bulging eyes makes little of his admittedly cartoony character and everyone else, especially John Laurie, have little to do and are dull as a result. In conclusion, not a complete disaster but just didn't work for me. 3/10 Bethany Cox
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