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The Prisoner of Zenda (1979)

Anthony Hope's classic tale gets a decidedly 'un-classic' treatment at the hands of Peter Sellers. Following the story somewhat, friends of the new King Rudolph of Ruritania fear for his ... See full summary »

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(screenplay), (screenplay) | 2 more credits »
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Cast

Cast overview, first billed only:
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General Sapt
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The Countess
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The Count
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Antoinette
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Fritz
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...
Bruno
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Archbishop
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Erik
Michael Balfour ...
Luger
Arthur Howard ...
Deacon
...
Johann
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Storyline

Anthony Hope's classic tale gets a decidedly 'un-classic' treatment at the hands of Peter Sellers. Following the story somewhat, friends of the new King Rudolph of Ruritania fear for his life, and switch him with a look-a-like London cabby. Throw in two(!) lovely blondes, treachery, and a battle for life and honour, and enjoy life at its zaniest. Written by Derek Picken <dpicken@email.msn.com>

Plot Summary | Add Synopsis

Genres:

Adventure | Comedy

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

17 August 1979 (USA)  »

Also Known As:

O Prisioneiro de Zenda  »

Box Office

Budget:

$12,500,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (Ontario)

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Final credited film as a director for Richard Quine. Quine did direct (uncredited) part of Seller's final film The Fiendish Plot of Dr. Fu Manchu (1980). See more »

Quotes

Rudolf IV: Michael, why do you hate me so?
Duke Michael: Because you are conceited, arrogant, spineless, selfish, shallow, pity, pompous and pitiful!
Rudolf IV: But apart from that?
See more »

Connections

Version of The Prisoner of Zenda (1922) See more »

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User Reviews

 
an unknown treasure
17 June 2007 | by (United States) – See all my reviews

The new king is a fop, and a London cabbie, who is a gem, looks just like him (the old king used to come to London for recreation) so the cabbie is hired to stand in for the king. While assassins try to kill him, the pretty lady sees him for what he is - and falls in love with him. I cannot give away the ending, it's too amazing.

This movie is full of jokes of all kinds, from subtle funny looks, to hilarious switcheroos; I think Peter Seller's very best movie. He's very funny, from the slapstick to the dumb looks in strange situations, etc. He was abused in the Pink Panther movies - having to do the same jokes over and over. Here we see some different ones, and quite good too. "She did an owl!!!" "He did a chicken!!" "What are you doing?" "That's my secret chicken signal." "You can't do that; that's my secret chicken!!!" "Whooo whooo!!!" "Bok bok bok!!!" The principle actors do their parts very well. I find myself cheering for the valiant cabbie, what a dude! and disgusted by the foppy prince - and have to stop and realize, it's the same actor! The actresses are one thing they certainly should be: gorgeous. And some of the minor parts are really nicely played, too. "Take this." "What is it?" "It's a ring, stolen from the Hapsburgs. It's priceless." Jailer squints at it trying to decide if it's worth risking his life over, and drops it in the sewer. "Ow... got anything else?" The look on his face is perfect.

And there are themes of vast import behind the story. We are all fops and gems, rolled into one; the gem part of us is a prisoner inside, and the fop is what the world has cultivated.

I haven't seen much of the other movies based on this same book, but this one does the story justice, and adds the funny element. I'd say it well improves the book, which was a little too baroque for my tastes.

This movie has the one flaw that it looks like it was made in the 40's or 50's: the special effects are cheap, like the king falling down the well - these people could have gotten those effects looking better, but they chose not to for some reason. Let's assume that it was because they loved the old time movies with those fake-looking special effects. I just think of it as quaint and relax and enjoy the show. Maybe they spent their budget on sets and costumes - a lot of them look pretty elaborate. My copy is a VHS I taped off of WKRP or somewhere one night

  • the music sounds like it's been thru the grinder - and I still watch


it occasionally and enjoy it for its immense merit as a story, and the acting and the jokes. Actually the fights aren't all that bad. I actually like the one on top of the carriage. Pretty amusing... "We're driverless!!!" "Not while I'm here you're not!"


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