The adventures of Gianna, a sexy police woman (E Fenech) who wants to help a child in the search of his mother, who has ended up in trouble. She has become a prostitute and is kept prisoner...
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Savino La Gastra discovers his wife Celeste has a liaison with an architect: Andrea. Even if also Savino has a story with Elvira, a judge's wife, he decides anyway to ask to a mobster to ... See full summary »
Gianna Amicucci works in the house of the head of her hometown police force and enters the academy with a kickback from him. She is a beautiful woman (she generously sheds clothes during ... See full summary »
Michele Massimo Tarantini
Edwige Fenech and Lino Banfi stars in this Italian sex-comedy from Sergio Martino. Mariana (Fenech) and Domenico (Banfi) are on the run from her jealous boyfriend who just happens to be an over-jealous professional football player.
Trainer Oronzo Canà is called to manage Longobarda, the team of a small town of Northern Italy, when it's promoted to the First Division. His only task is not to go back to the Second ... See full summary »
Three episodes. First Valerio is mistaken for a notorious criminal. Very beautiful journalists succeed to bring him to her house for an exclusive interview. She tries to seduce him. Second.... See full summary »
Edwige Fenech stars in this Italian sex-comedy as the new teacher in all-boys Catholic school. All of the boys desire for the chance to "learn" more about their new teacher, but only 1 student gets the opportunity.
The adventures of Gianna, a sexy police woman (E Fenech) who wants to help a child in the search of his mother, who has ended up in trouble. She has become a prostitute and is kept prisoner. Gianna will succeed and be honoured for her "skills" shown (...) in duty. Written by
Pretty dreadful - see "A Policewoman In New York" instead
When you sit down to watch an Edwige Fenech film, you can be pretty sure about one thing: she will get naked at least once or twice. And although it's always a pleasure to see Edwige naked (or dressed, for that matter), what really makes one of her films worth watching or not is the context in which she gets naked. Her "Policewoman" films can be a nice break from her terrified-potential-victim (in her gialli) and her mindless-sex-object (in her other sex comedies) roles; she can be in charge for once. But this particular film is largely dominated by painfully buffoonish slapstick. Of course, if you consider a lot of stuttering, mugging, cross-dressing and falling-down to be the apex of hilarity, you'll have a field day. Others will be better off tracking down the next chapter in the series, "A Policewoman In New York": the gags there are funnier, the fights are better (Edwige actually gets the chance to defend herself and throw punches), and the locations (N.Y seen through Italian eyes) are more interesting. (*)
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