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The Plumber (1979) (TV) More at IMDbPro »

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9 out of 9 people found the following comment useful :-
You really oughta ALWAYS check your tradesman's ID!, 10 November 2001
Author: Noel Bailey (uds3@hotmail.com) from Baulkham Hills, New South Wales, Australia

What a straight-up quirky little gem from Peter Weir. Proof indeed that you do not need big budgets to make celluloid winners. Weir has such a great talent for drawing out the extraordinary from the most ordinary of scenarios. A bush-walk that defies explanation at HANGING ROCK, a country town with a lurid secret in THE CARS THAT ATE PARIS, oveflowing domestic storm-water in THE LAST WAVE and here, the humble PLUMBER, or maybe the stranger from Hell?

Filmed for the most part in Jill Cowper's (Judy Morris's) apartment, if not the bathroom itself, her nightmare starts when she has need to call a tradesman to fix faulty plumbing in her bathroom. Whether Max has multiple pre-emptive social issues to deal with or simply reacts later to her upper-class dismissive treatment of his blue-collar status is not made clear. In the bathroom however he rules unchallenged and Jill finds herself at the mercy of what appears to be a serially disturbed tradesman.

Less of a thriller and more a black comedy, Weir places his protaganists each in unfamilar locales. Jill, a highly educated anthropologist, married to a doctor and studying indigenous behavioural activity has absolutely no idea how to respond to this intrusive workman who stops for 10 minute tea-breaks every five minutes and composes a rock-song for which he asks her considered opinion. While the situations thrown up are critically funny at times (Kants gives his greatest performance here) an air of extreme unease pervades proceedings. By degrees, the bathroom is totally destroyed as Max works to compensate for that social-class chip on his shoulder, the size of a Redwood! The scene of the dinner party wherein an overseas guest is trapped under collapsed rubble in the bathroom is a hoot.

After Morris has hit rock-bottom and realises that fear is the key, she devises a way to get back at him. Some viewers regard the end as "soft" if not a total cop-out. What it actually shows is that just sometimes, fighting fire with fire works!

THE PLUMBER was filmed in Adelaide and originally received limited theatrical release. It was not until it was shown on television however that the "legend" of this great little movie was founded and its popularity mushroomed.

Not to be missed under any circumstances.

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6 out of 6 people found the following comment useful :-
One of My Personal Favorites, 9 August 2004
Author: schadenfreude2 from Michigan, USA

Hearing about this great little film from many people, I spent tireless hours on retail sites tracking a VHS copy down. Finally I caught a cheap copy on Half.com and it came several days later, (cut to one month later, when Weir's "Cars that Ate Paris" debuted on easily-accessible DVD format with "The Plumber" as a double feature. Go figure.) But I sat down to watch it and proceeded to laugh for quite some time.

The story is basically about this Aussie anthropologist studying Aboriginal tribes as her boring nutritionist husband is constantly talking shop. She's constantly left to her solitude and values her privacy, which makes it all the more irritating when a strange plumber invades her life. Somewhat threatening and somewhat a misunderstood doof, this plumber spends hours holed up in her bathroom doing nothing but lounging around, hammering shower tiles, writing folk songs and ripping pipes from the walls.

It's a precursor to "The Cable Guy," but don't let that discourage you, (I liked "Cable Guy" myself). It's funny as hell and has a great ending. I'll even forgive it for the nutritionist's ponderous subplot that goes nowhere. It's only 79 minutes--whaddaya got to lose?

Movie: A

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6 out of 6 people found the following comment useful :-
Peter Weir's "thriller" movie is a rare find., 27 October 1998

Author: Jason C. Atwood from Suffolk, VA. (U.S.A.)

Search for any kind of movie in the video stores and you'll discover that somebody had to accomplish something in the motion picture industry. THE PLUMBER is the perfect example, coming from a man who may win special honors for THE TRUMAN SHOW. Calling it a horror movie is an exaggeration on its own, but the plot is nerve-tingling as a plumber disrupts an Aussie woman's life through his wild behavior. It all adds to the panic of suspense. To make a political statement about this film, it shows that social and moral values decay in this global community we live and breathe by. Peter Weir must be given a big hand on his films, and this one needs not to be left behind in the abyss of forgotten movies.

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7 out of 9 people found the following comment useful :-
This Peter Weir obscurity is really worth tracking down. A wonderful low-budget, low key thriller shot through with black humour., 14 March 2003
Author: Infofreak from Perth, Australia

This obscure Peter Weir TV movie from the late 1970s is a little dated, but still very entertaining and suspenseful. The three main actors (Judy Morris, Ivor Kants and Robert Coleby) aren't exactly household names here in Australia but will be familiar to most TV viewers over the age of 30 for their roles in various soap operas and the like. All three are excellent here in what could be their best work. Morris and Coleby play married academics. Coleby is distracted and concerned about an exciting career opportunity, Morris is currently working at home engrossed in her studies of New Guinea culture, and is timid and less confident socially than her husband. One day the plumber (Kants) arrives at their flat, and from then on her life will never be the same again. Kants is charming but rough, and very odd. A Dylanesque folk singer with a "Liberals = less tax" message on the back of his jacket (Non-Australians note the Liberal Party is our equivalent of the Republicans in the US or Conservative Party in Britain), he plays mind games with Morris, who becomes increasingly uncomfortable, and ultimately terrorized. Weir keeps things quite ambiguous and we never really know whether Kants is a dangerous psychopath or just the biggest pain-in-the-arse you could ever wish not to meet. I enjoyed 'The Plumber' a lot, it's a very effective low-budget, low key thriller shot through with plenty of black humour.

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4 out of 4 people found the following comment useful :-
A Real Sleeper that's Lots of Fun, 15 July 2001

Author: richard winters (rwint) from Chicago, Illinois

Little known Australian gem that takes the old 'girl stalked by psycho' theme and gives it a fun twist with some astute social commentary. A highly intellectual, educated women suddenly finds herself being manipulated by a slovenly, low class plumber. She is an expert at primitive cultures, yet is unable to deal with her own 'civilized' culture. As he tears away at her bathroom, he also tears away at the line that seperates the classes. Playfully pokes at everything from how much control one really has on their enviroment, to how vulnerable we ALL are and how no one is really that far removed or 'above' anyone else. Also aptly displays how our social mores, customs, and status are only their as long as everyone respects them. Yet the best thing about this sleeper is how everyone, including her friends and husband, are so caught up in their own little worlds that they cannot fully fathom the extent of her fear. Bringing to light the old adage of us all having our own 'private hell'. Mono sound and a bit of a 'cop out' ending are the only detractions.

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5 out of 6 people found the following comment useful :-
The Dark Side of the Human Nature, 15 April 2007

Author: Claudio Carvalho from Rio de Janeiro, Brazil

In Adelaide, the wife of Dr. Brian Cowper (Robert Coleby), Jill Cowper (Judy Morris), is developing her thesis at home to finish her Master in Anthropology. When the plumber Max (Ivor Kants) unexpectedly arrives for a routine check and maintenance of the piping in the bathroom, Jill stays alone at home with the talkative weird stranger. Along the days, he tells that he spent some time in prison, making Jill frightened with his presence. Her friend Meg (Candy Raymond), her husband Brian and the super's wife finds Max a simple, but nice man, but Jill does not agree. When there is a problem in her bathroom and Max needs to stay with her for a longer period, the tension between them increases and Jill finds a way to get rid off the plumber.

This low budget and theatrical film is a claustrophobic and scary study of human nature, based on the relationship of two different characters of different social classes spending a period together. It is also impressive how far a stressed person with culture and education may go and how amoral can be her behavior staying alone with another disturbed and lonely person that she can not understand. The direction and performances are outstanding in this suspenseful and efficient thriller. My vote is seven.

Title (Brazil): "O Encanador" ("The Plumber")

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3 out of 4 people found the following comment useful :-
changes with every viewing, 10 March 2003
Author: Darwin Green

This is an excellent movie. On first viewing it appears simple, but upon subsequent viewings this movie takes on an interesting twist: was the woman right to do what she did, or was she overreacting? Great movie.

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1 out of 1 people found the following comment useful :-
beware of the hippie stalker!, 11 March 2007

Author: ThrownMuse from The land of the Bunyips

A married graduate student takes some time off to work on her thesis and play housewife to her doctor husband while living in a University apartment complex. One day, a plumber shows up unannounced claiming he needs to do routine maintenance but ends up making a terrible mess of her bathroom. Soon, she finds the plumber is always around, a bit snoopy, and may have ulterior motives. The Plumber is pretty good, especially considering it was apparently a TV movie, but it is a bit on the dull side. As seems to be a theme with Mr. Weir, this film explores the concept of The Other within the framework of a horror-thriller. I'd argue this is even more successful to me than Wave or Paris were, perhaps because it's main focus was on two individuals. It explores both sides and the ambiguity serves the narrative instead of causing confusion.

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2 out of 3 people found the following comment useful :-
A plumber is indispensable., 23 June 2005
Author: dbdumonteil

*** This comment may contain spoilers ***

This Peter Weir made-for-TV movie could have been as absorbing as his best works ,since it had mystery,ambiguity and madness going for it.Almost all the action takes place in the heroine's flat.It could have been a fierce attack on the privileged persons of high culture ,and the girl who is not that much nice after all could have provided a target for it.And she does, in a way,as we see her rosy world collapse .The plumber does not give a damn about anthropology (do you?) and the bathroom becomes some kind of revenge on the highbrows.(spoiler)The ending is downright embarrassing though,and it ruins all expectations cause it shows the educated people's triumph ,and they get it all by a really mediocre trick.The high and low angle shots follow suit.

One could have expected a better outcome,an open ending which Weir often uses .(Picnic at Hanging Rock,the last wave,mosquito coast)

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background music, 20 March 2009

Author: mzahra17 from Australia

Hi, My name is Mark Zara I was one of the members of a South Australia band called Static. In the 70,s we were gathering a following in Adelaide playing pubs ,clubs and large venue,s and were approached to write a few songs for the film.After putting the songs together in a short time,we went into a recording studio and laid down 3 tracks Unfortunately the songs can only be heard on the plumbers radio while he,s working, and even then it,s you can barely hear it. At lest we got a credit at the end of the film I,d didn't see the film until the mid 1980,s a didn't think it was much of a horror movie, I found it laughable in parts hope I gave some help Mark

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