8.1/10
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Opening Night (1977)

PG-13 | | Drama | 17 April 1978 (Sweden)
An actress suffers an emotional uproar in her personal life after a fan dies trying to see her.

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Nominated for 2 Golden Globes. Another 2 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
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...
...
...
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David Samuels
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Dorothy Victor
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Nancy Stein
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Gus Simmons
Ray Powers ...
Jimmy
...
Bobby
Louise Lewis ...
Kelly (as Louise Fitch)
Fred Draper ...
Leo
Katherine Cassavetes ...
Vivian
Lady Rowlands ...
Melva Drake
Carol Warren ...
Carla
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Storyline

A young woman gets killed in an accident trying to meet her favorite actress Myrtle Gordon after a play. Then Myrtle Gordon felt responsible for the killing leading her down to an emotional crisis that interferes with her professional work as an actress. Written by Chemi González <chemi01@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

PG-13 | See all certifications »

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Details

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Release Date:

17 April 1978 (Sweden)  »

Also Known As:

Noche de estreno  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The ninth feature film directed by John Cassavetes. See more »

Goofs

A bus rolls by the New Haven theater with an ad for KBIG FM 104, a Los Angeles station. See more »

Quotes

Maurice Aarons: You're not a woman to me anymore. You're a professional. You don't care about anything, do you? You don't care about personal relationships, love, sex, affection.
Myrtle Gordon: Okay.
Maurice Aarons: I have a small part. It's unsympathetic. The audience doesn't like me. I can't afford to be in love with you.
Myrtle Gordon: Good night.
Maurice Aarons: Yeah, good night.
See more »

Connections

Referenced in While We're Young (2014) See more »

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User Reviews

 
Masterpiece Drama from Cassavates...
19 October 2001 | by (Paris, France) – See all my reviews

Beautiful film, pure Cassavetes style. Gena Rowland gives a stunning performance of a declining actress, dealing with success, aging, loneliness...and alcoholism. She tries to escape her own subconscious ghosts, embodied by the death spectre of a young girl. Acceptance of oneself, of human condition, though its overall difficulties, is the real purpose of the film. The parallel between the theatrical sequences and the film itself are puzzling: it's like if the stage became a way out for the Heroin. If all american movies could only be that top-quality, dealing with human relations on an adult level, not trying to infantilize and standardize feelings... One of the best dramas ever. 10/10.


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