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Opening Night (1977)
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Overview
User Rating:
Director:
Writer:
John Cassavetes (writer)
Release Date:
17 April 1978 (Sweden)
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Plot:
An actress suffers an emotional uproar in her personal life after a fan dies trying to see her. full summary | add synopsis
Plot Keywords:
Actress
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Theater
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Drunkenness
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Hit By Car
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New York City
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Awards:
Nominated for 2 Golden Globes.
Another 2 wins
&
1 nomination
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NewsDesk:
(67 articles)
Bww TV: Broadway Beat Sneak Peek of In The Next Room Opening Night
(From BroadwayWorld.com. 22 November 2009, 6:38 PM, PST)
Amaryllis Theatre Company Presents Waiting For Godot 11/10-11/22
(From BroadwayWorld.com. 22 November 2009, 2:00 AM, PST)
(From BroadwayWorld.com. 22 November 2009, 6:38 PM, PST)
Amaryllis Theatre Company Presents Waiting For Godot 11/10-11/22
(From BroadwayWorld.com. 22 November 2009, 2:00 AM, PST)
User Comments:
Masterpiece Drama from Cassavates...
more (21 total)
Cast
(Cast overview, first billed only)| Gena Rowlands | ... | Myrtle Gordon | |
| John Cassavetes | ... | Maurice Aarons | |
| Ben Gazzara | ... | Manny Victor | |
| Joan Blondell | ... | Sarah Goode | |
| Paul Stewart | ... | David Samuels | |
| Zohra Lampert | ... | Dorothy Victor | |
| Laura Johnson | ... | Nancy Stein | |
| John Tuell | ... | Gus Simmons | |
| Ray Powers | ... | Jimmy | |
| John Finnegan | ... | Prop man | |
| Louise Lewis | ... | Kelly (as Louise Finch) | |
| Fred Draper | ... | Leo | |
| Katherine Cassavetes | ... | Vivian | |
| Lady Rowlands | ... | Melva Drake | |
| Carol Warren | ... | Carla |
Additional Details
Parents Guide:
Runtime:
144 min
Country:
Language:
Color:
Color (Metrocolor)
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Company:
Fun Stuff
Quotes:
Maurice Aarons:
I have a small part. It's unsympathetic. The audience doesn't like me. I can't afford to be in love with you.
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Movie Connections:
Referenced in Todo sobre mi madre (1999)
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FAQ
This FAQ is empty. Add the first question.more (21 total)
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Beautiful film, pure Cassavetes style. Gena Rowland gives a stunning performance of a declining actress, dealing with success, aging, loneliness...and alcoholism. She tries to escape her own subconscious ghosts, embodied by the death spectre of a young girl. Acceptance of oneself, of human condition, though its overall difficulties, is the real purpose of the film. The parallel between the theatrical sequences and the film itself are puzzling: it's like if the stage became a way out for the Heroin. If all american movies could only be that top-quality, dealing with human relations on an adult level, not trying to infantilize and standardize feelings... One of the best dramas ever. 10/10.