Greg Powell is a disturbed ex-con who recruits Jimmy Smith (aka Jimmy Youngblood), a petty thief, as his partner in crime. Powell panics one night when the two of them are pulled over by a ... See full summary »
Charlie and his troublesome cousin Paulie decide to steal $150000 in order to back a "sure thing" race horse that Paulie has inside information on. The aftermath of the robbery gets them ... See full summary »
An American missionary and his wife travel to the exotic island kingdom of Hawaii, intent on converting the natives. But the clash between the two cultures is too great and instead of understanding there comes tragedy.
George Roy Hill
Max von Sydow,
After a group of young revolutionaries break into a corporation's headquarters and steal $5,000,000 worth of heroin to keep it off the street, they call on San Francisco Police Lieutenant ... See full summary »
Gerald S. O'Loughlin
San Francisco Police Lieutenant Virgil Tibbs is called in to investigate when a liberal street preacher and political candidate is accused of murdering a prostitute. Tibbs is also battling ... See full summary »
A tale about a happily married couple who would like to have children. Tracy teaches art, Andy's a college dean. Things are never the same after she is taken to hospital and operated upon by Jed, a "know all" doctor.
Greg Powell is a disturbed ex-con who recruits Jimmy Smith (aka Jimmy Youngblood), a petty thief, as his partner in crime. Powell panics one night when the two of them are pulled over by a pair of cops for broken brake-lights. Powell decides to kidnap the cops and Smith, as always, reluctantly goes along with Powell's crazy scheme. The group drives out to a deserted onion field in Bakersfield, California and one officer is shot while the other escapes. The remainder of the film explores the nature of the American justice system, as well as the devastating psychological effects of this event and the trial on the surviving officer. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Two aspects separate this film from movie obscurity. Without doubt, James Woods manages the most frightening criminal psychotic since Richard Widmark's giggling nut-case in Kiss of Death (1947). In fact, the film fairly crackles with unbalanced energy once Woods appears. His idea of "family values" is patting you on the back one minute and sticking a gun in your face the next. At the same time, the onion field sequence is superbly staged, the suddenness of the gunshots truly unnerving. Plus, Franklyn Seales' unscripted screams are chillingly appropriate, adding greatly to the raw impact.
This gripping first half, however, gives way to a more pedestrian-- though well-meaning-- second half that could use faster pacing and narrower focus. For example, what's the point of showing us Hettinger placing plants in his pick-up and then driving off. The scene consumes about 30 seconds of pointless screen time since we already know that gardening is returning him to mental health. At the same time, the screenplay pursues a number of diverse threads that tend to divide audience interest instead of concentrating it.
The film is ex-cop Wambaugh's personal project, and it's clear he uses the case to illustrate certain aspects of the criminal justice system. Not surprisingly, the appeals process comes in for special scorn. Shrewd cop-killer Powell is able to manipulate both court proceedings and the appeals process in seemingly endless fashion for his own advantage. Wambaugh is also in sympathy with the unlucky Hettinger who's been scapegoated for his partner's death. That scene where the beat cop exposes the unreality of a departmental rule is a little gem and also, I suspect, Wambaugh speaking through the actor.
Anyway, that first half amounts to a minor masterpiece of criminal derangement brought to life by Woods' unforgettable performance.
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