Greg Powell is a disturbed ex-con who recruits Jimmy Smith (aka Jimmy Youngblood), a petty thief, as his partner in crime. Powell panics one night when the two of them are pulled over by a ... See full summary »
Lenny Brown moves to California to find his fortune in tax shelter investments. When the federal government changes the tax laws, poor Lenny finds himself $700,000 in hock with nowhere to ... See full summary »
Hit man Cleve approaches writer/cop Dennis about a story for his next book: How Cleve made a living, working for one of the most powerful politicians in the country. To get the story right,... See full summary »
An idealistic rookie cop joins the LAPD to make ends meet while finishing law school, and is indoctrinated by a seasoned veteran. As time goes on, he loses his ambitions and family as police work becomes his entire life.
George C. Scott,
A cheese warehouse worker with wife and two kids hates his dull life. He reminisces about the time he met the late love of his life and the days they spent riding around on his motorbike and her horse committing petty thievery.
Greg Powell is a disturbed ex-con who recruits Jimmy Smith (aka Jimmy Youngblood), a petty thief, as his partner in crime. Powell panics one night when the two of them are pulled over by a pair of cops for broken brake-lights. Powell decides to kidnap the cops and Smith, as always, reluctantly goes along with Powell's crazy scheme. The group drives out to a deserted onion field in Bakersfield, California and one officer is shot while the other escapes. The remainder of the film explores the nature of the American justice system, as well as the devastating psychological effects of this event and the trial on the surviving officer. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Writer Joseph Wambaugh was a Californian policeman for fourteen years before at the age of 30 he began to write novels about the police force. See more »
When Karl Hettinger is talking into the patrol car microphone, the microphone is turned around and he is actually talking into the back of it. See more »
Det. Sgt. Pierce R. Brooks:
Has your conscience ever bothered you? Like feeling - guilty?
Mr. Brooks... I believe... I think that is something that rich white guys dreamed up to keep guys like me down. I honestly don't believe there is such a thing... such a feeling. Guilty? That's just something the Man says in court when your luck runs out.
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Watching the Onion Field is like being in the trial it portrays. Overlong, boring and ultimately unsatisfying the film drags on until its uninteresting ending which resolves nothing and leaves you wishing you hadn't wasted the last two hours of your life. The opening of the film has some promise. The characters seem to have some potential but after the plotless first half hour you begin to care less and less. Then, after the first 45 minutes almost an entirely new cast of characters is introduced badly and for the rest of the film we really have no reason to care about them. The characters who were introduced early on suddenly disappear into the background and resurface occasionally in scenes that have little or no impact. The film is filled with unnecessary scenes which neither advance the plot or the characters and simply make the film drag moreso. The only character we are really introduced to and care about is Ted Danson and when he's gone the rest of the characters are strangers to us. Overall the film doesn't go anywhere and in the end you know little of what happened after the shooting and in the end you really don't care.
7 of 11 people found this review helpful.
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