When her marriage falls apart, a psychiatrist seeks out those of her former boyfriends who left the biggest impact on her life, mostly in a bad way.

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Cast

Credited cast:
...
Dianne Cruise
...
Jeff Turrin
...
Wayne Van Til
...
Eric Katz
...
Doctor Hoffman
...
Art Kopple
Nina Jordan ...
Dylan Turrin
...
...
Sandy
...
Mrs. Van Til
Joan Hotchkis ...
Pamela Shaw
...
David Brinks
...
Keyboard Player
Rest of cast listed alphabetically:
Jon Cutler
Paul Flaherty ...
Bloodshot Band Member
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Storyline

When her marriage falls apart, a psychiatrist seeks out those of her former boyfriends who left the biggest impact on her life, mostly in a bad way.

Plot Summary | Add Synopsis

Taglines:

...what happens when you see them again?

Genres:

Drama

Certificate:

R | See all certifications »
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Release Date:

13 April 1979 (USA)  »

Also Known As:

Dawni kochankowie  »

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(Technicolor)
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Did You Know?

Trivia

According to Bob Woodward's John Belushi biography "Wired", Talia Shire thoroughly enjoyed working with Belushi in this film. Knowing his drug problem, she told Belushi after the film wrapped he was a great actor when not using drugs and that she wanted to work with him again in the future. Unfortunately, with Belushi's untimely death three years later, she didn't get the opportunity. See more »

Soundtracks

Jailhouse Rock
Written by Jerry Leiber and Mike Stoller
Chappell Music Co.
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User Reviews

 
"I wish I loved myself as much as he does!"
5 December 2009 | by (las vegas, nv) – See all my reviews

Talia Shire plays a troubled psychologist with a bad marriage behind her who decides to look up three former flames from her school days. The purpose: to reconnect with the person she was in order to understand the person she's become. Leonard and Paul Schrader penned this curious, tentative, occasionally thudding but often interesting feminine odyssey, a kind of 1970s retread of a Jean Simmons vehicle from the 1960s. Shire has pretty eyes and a beguiling, girlish smile, but her pinched, benumbed manner is off-putting, and the different personalities she affects with each successive man is more perplexing than intriguing. There's a funny, feminist-revenge bit involving John Belushi that is well done, but is that this woman's plan: to be a vengeful bitch? She's brittle and mysterious with single dad Richard Jordan and Adrian-like with psych-case Keith Carradine, but which lady are we supposed to be drawn to? Director Joan Tewkesbury, making her debut behind the camera after penning the acclaimed screenplay for Robert Altman's "Nashville", is typically cautious for a first-time filmmaker; she keeps a steady pace, but her apparent insistence on being enigmatic regarding the central character (and her background) eventually backfires. The film is excruciatingly tasteful (aside from the Belushi episode) and visually washed out, but it surprisingly isn't a man-hater's movie. It does a provide a prince in the end (a prince this psychologist might not deserve), yet it stays grounded and isn't too flighty or vindictive. ** from ****


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