Based on the book by Ilias Venezis "The Number 31328", the film by Nikos Koundouros unfolds through the personal tragedies of three characters, the Asia Minor Disaster and the agonizing ... See full summary »

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Cast

Cast overview, first billed only:
Antigoni Amanitou ...
Loukia
Zaharias Rohas ...
Ilias
Nikos Kapios
Vasilis Kolovos
Olga Tournaki
Betty Valassi
Eleonora Stathopoulou ...
Antigoni
Vasilis Laggos
Yorgos Charalabidis
Vasos Andronidis
Grigoris Dounis
Vasilis Tsaglos
Mihalis Giannatos
Katerina Gogou
Olia Lazaridou
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Storyline

Based on the book by Ilias Venezis "The Number 31328", the film by Nikos Koundouros unfolds through the personal tragedies of three characters, the Asia Minor Disaster and the agonizing travails of the Asia Minor Greeks who had been arrested and led to death by Kemal's troops and armed groups of Muslims. The wife of a merchant, a teacher and a seventeen-year old boy try to survive, following the column of prisoners into the depths of Asia Minor. The teacher will be murdered by a Turk, the wife of the merchant will lose her senses, and only the young boy will manage to survive. Written by Greek Film Archive

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Drama | History

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3 February 1982 (Greece)  »

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The Number  »

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1.66 : 1
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User Reviews

 
Koundouros' "1922" is an emblematic work on the Christian genocide in Anatolia
3 May 2008 | by (Scarsdale, NY) – See all my reviews

"1922" focuses on one episode of the treatment of mostly civilian Greeks captured by the forces of Kemal Ataturk; this is an emblematic event--a characteristic phase-- of the larger process, of the expulsion and genocide of the Christians of Anatolia (present day "Turkey").

The film has a painterly quality, not least because Koundouros is an artist and painter. And much like the scene in a painting, the reality this film reflects is that of the methodology used by the Kemalists to defile, humiliate and destroy-- in short to carry out the genocide of-- the Christian people of Anatolia. The murders and rapes depicted, under the scorching sun, were events not hidden, open for the world to see, yet few chose to take note of how 4-4.5 million (yes million, out of a total population of 11-12 million) Christians (Armenians, Greeks, Assyrians) in Anatolia in 1912, were reduced to less than 300,000 by 1923.

The denial of this genocide begins with the victims themselves. For years the "Catastrophe", as the Greeks called it, was discussed little, and depicted less. This film was banned from being shown in Greece for many years, for reasons that still bear investigation: it no doubt included the elements of cowardice, denial and the perceived imperative not to offend the perpetrators (sic!) in the guise of the successor Kemalist regimes in Anatolia.

Koundouros's "1922" is a profound and a psychologically very jarring work, and the feelings, questions and issues it generates still have not been faced, especially by the ruling elites of Greece itself (many of whom have taken to denial explicitly so as not to disrupt relations with the present Islamofascist "Turkish" regime).


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