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Nosferatu the Vampyre (1979)
"Nosferatu: Phantom der Nacht" (original title)

7.6
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Ratings: 7.6/10 from 18,984 users  
Reviews: 154 user | 137 critic

Jonathan and Lucy live in Wismar and the Count wants a house there. Varna is a port on the Black Sea, close to Dracula's castle.

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Title: Nosferatu the Vampyre (1979)

Nosferatu the Vampyre (1979) on IMDb 7.6/10

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Cast

Cast overview, first billed only:
...
...
...
Roland Topor ...
Walter Ladengast ...
...
Jan Groth ...
Carsten Bodinus ...
Martje Grohmann ...
Rijk de Gooyer ...
Town official (as Ryk de Gooyer)
Clemens Scheitz ...
Clerk
Lo van Hensbergen ...
Harbormaster's Assistent
John Leddy ...
Coachman
Margiet van Hartingsveld ...
Vrouw
Tim Beekman ...
Coffinbearer
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Storyline

Jonathan Harker is sent away to Count Dracula's castle to sell him a house in Varna, where Jonathan lives. But Count Dracula is a vampire, an undead ghoul living off of men's blood. Inspired by a photograph of Lucy Harker, Jonathan's wife, Dracula moves to Varna, bringing with him death and plague... An unusually contemplative version of Dracula, in which the vampire bears the curse of not being able to get old and die. Written by Yepok

Plot Summary | Plot Synopsis

Plot Keywords:

dracula | vampire | castle | blood | plague | See All (76) »

Genres:

Horror

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| |

Release Date:

17 January 1979 (France)  »

Also Known As:

Nosferatu the Vampyre  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (theatrical)

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Werner Herzog:  the person who sticks his foot into the coffin and gets his toe bitten by a rat. See more »

Goofs

Dialogue implies that Dracula wishes to travel by sea in order to save time on the land journey from Transylvania to Wismar. However, the route by sea is far longer, and involves sailing around most of the circumference of Europe. Even assuming Dracula has the power to influence the winds and speed up the journey (which is not stated in this version), it seems highly unlikely he could make a faster journey than by taking the land route. See more »

Quotes

Count Dracula: [subtitled version] Time is an abyss...
See more »

Connections

Version of Blacula (1972) See more »

Soundtracks

Sanctus
from "Messe solennelle en l'honneur de Sainte Cécile (Cäcilienmesse)"
Music by Charles Gounod
Performed by Vokal-Ensemble Gordela
Conducted by Jean-Claude Hartemann (uncredited)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Bloodsucking of the breathtakingly grand.
16 October 2007 | by (the Mad Hatter's tea party.) – See all my reviews

What artistic brilliance upon Werner Herzog's behalf, but Klaus Kiniski and Isabelle Adjani stamp their lasting marks as well. Never have I been so caught up, amazed and blown away from such profound positioning, poetically creative imagery and mesmerizing performances. I found it incredibly hard to take my eyes off the screen, even though the story has been done to death. Each vividly lush and fairy-tale engraved set piece is set-up, and I hungrily waited to analyse and soak-up this magnificent art form of symbolic and superstitious embellishment. Atmospheric, old fashion chills of the subtle, but still blood-curdling kind fill Herzog's stunningly protracted direction. The story is there, but it's the little details that sets this canvas in motion. The gloomy tone of the film is powerfully brooding from the air of growing despair, loneliness to the smothering stench of dark, lingering death. Kiniski sensationally emit's a sullen, heart-felt turn where he's shadowy exterior creeps up upon you and causes goose bumps. His make-up and body movement is simply trance-like, and stares you down. He's a scavenger, which goes after what he wants and not under any sort seductive appeal. A soulful Adjani is awe-inspiring, and gracefully evokes a versatile performance that also demands your attention. A quite dry Bruno Gaz does well, and an unforgettable Roland Topor as Dracula's loyal servant totally cackles like an on edge hyena. Picturesque cinematography with unique camera-shots, and a forlornly dreamy orchestral music score set the tone. I pretty much agree with others when they say it's a hard one to put into clear and concise words. Just see it.


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