During the 1800s, paroled Brazilian bandit Cobra Verde is sent to West Africa with a few troops to man an old Portuguese fort and to convince the local African ruler to resume the slave trade with Brazil.
In the 1950s, an adolescent Werner Herzog was transfixed by a film performance of the young Klaus Kinski. Years later, they would share an apartment where, in an unabated, forty-eight-hour ... See full summary »
The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature ... See full summary »
Jonathan Harker is sent away to Count Dracula's castle to sell him a house in Wismar where Jonathan lives. But Count Dracula is a vampire, an undead ghoul living off of men's blood. Inspired by a photograph of Lucy Harker, Jonathan's wife, Dracula moves to Wismar, bringing with him death and plague... An unusually contemplative version of Dracula, in which the vampire bears the curse of not being able to get old and die. Written by
Herzog deserves hats off, any academy award for best director. A film so beautiful should be more well known. The atmosphere is stuck with you from the beginning with the chants and the screams. The characters fit the film perfectly, besides the librarian guy. The colors were great, the shots were planned out great. The simplicity of a shadow was made so mesmerizing. I felt chills all around my body after watching this film. It had a touch with all those shadows and the shot with the vampires hand going down. Not only the best vampire movie EVER but a fantastic film, period. All I can say is Herzog did a wonderful job with this one.
23 of 31 people found this review helpful.
Was this review helpful to you?
| Report this