Nosferatu the Vampyre (1979)
"Nosferatu: Phantom der Nacht" (original title)

Jonathan and Lucy live in Wismar and the Count wants a house there. Varna is a port on the Black Sea, close to Dracula's castle.

Director:

Werner Herzog

Writer:

Werner Herzog

Stars:

Klaus Kinski, Isabelle Adjani, Bruno Ganz

5 wins & 3 nominations.

Cast

Cast overview, first billed only:
Klaus Kinski	...	Count Dracula
Isabelle Adjani	...	Lucy Harker
Bruno Ganz	...	Jonathan Harker
Roland Topor	...	Renfield
Walter Ladengast	...	Dr. Van Helsing
Dan van Husen	...	Warden
Jan Groth	...	Harbormaster
Carsten Bodinus	...	Schrader
Martje Grohmann	...	Mina
Rijk de Gooyer	...	Town official (as Ryk de Gooyer)
Clemens Scheitz	...	Clerk
Lo van Hensbergen	...	Harbormaster's Assistent
John Leddy	...	Coachman
Margiet van Hartingsveld	...	Vrouw
Tim Beekman	...	Coffinbearer

Storyline

Jonathan Harker is sent away to Count Dracula's castle to sell him a house in Varna, where Jonathan lives. But Count Dracula is a vampire, an undead ghoul living off of men's blood. Inspired by a photograph of Lucy Harker, Jonathan's wife, Dracula moves to Varna, bringing with him death and plague... An unusually contemplative version of Dracula, in which the vampire bears the curse of not being able to get old and die.

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Plot Keywords:

dracula | vampire | castle | plague | blood | 

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Genres:

Horror

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Certificate:

PG

Details

Country:

West Germany France

Language:

English German Romany

Release Date:

17 January 1979 (France)

Also Known As:

Nosferatu the Vampyre

Filming Locations:

Bavaria, Germany

Company Credits

Production Co:

Werner Herzog Filmproduktion, Gaumont, Zweites Deutsches Fernsehen (ZDF)

Technical Specs

Runtime:

107 min 96 min (theatrical)

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Klaus Kinski had to spend approximately four hours per day in make-up. Fresh latex ear pieces had to be poured for each day of shooting because they were destroyed at removal. Kinski, notorious for his violent daily temper-tantrums, had a very good relationship to Japanese make-up artist Reiko Kruk and was exceedingly patient and well-behaved during make-up.

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Goofs

Dialogue implies that Dracula wishes to travel by sea in order to save time on the land journey from Transylvania to Wismar. However, the route by sea is far longer, and involves sailing around most of the circumference of Europe. Even assuming Dracula has the power to influence the winds and speed up the journey (which is not stated in this version), it seems highly unlikely he could make a faster journey than by taking the land route.

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Quotes

Count Dracula: [subtitled version] Time is an abyss... profound as a thousand nights... Centuries come and go... To be unable to grow old is terrible... Death is not the worst... Can you imagine enduring centuries, experiencing each day the same futilities...

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Connections

Version of Blacula (1972)

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Soundtracks

"Das Rheingold"
(Prelude)
Music by Richard Wagner
Performed by Wiener Philharmoniker
Conducted by Georg Solti (as Sir Georg Solti)
Decca LC 0174

User Reviews

A pretty fine go at "Dracula"

This Herzog adaptation of the Dracula story, filtered through the memory in particular of Murnau's "Nosferatu: A Symphony of Horrors", is largely a successful film. It is great in parts and in aspects, but doesn't quite amount to a whole that approaches superlative status. Klaus Kinski is rather good, but not quite spellbinding, in the much-donned cape of the old Count. He is not quite up to the vastly contrasting interpretations I have seen - Schreck and Lugosi. Isabelle Adjani? Hers is far from a terrible performance, as one commentator has said; she is, indeed, reasonable in a role often lacking embellishment in other adaptations. Of course, her striking good looks are certainly far from unwelcome. The chap playing Renfield (the madman, so amusingly and vividly portrayed by Dwight Frye in the 1931 Universal "Dracula") is effective in portraying an outright giggling madman - his laugh is one of *the* most absurd and insane sounds I have heard in film...! The use of music is wonderful, as is Herzog's visual direction - the plague scenes leave quite an impression on the mind, and most scenes are accorded impressive backdrops and appropriate visual textures. Popol Vuh's musical textures are dreamily beguiling, setting just the right tone for Herzog's imagery. The film's downside has to be in the dramatics really; the dialogue and subsequent delivery of, are far from great, perhaps owing to the fact that most of the performers' native tongues are not English, and here they have to speak just that language. There is never quite enough dramatic tension induced by the script or the acting; at times the Renfield chap and Kinski are compelling, but only fitfully.

Having said all this, it is a fine rendition on film of a rather old and, frankly, enduring story. Herzog must take the credit for its effective atmosphere, but perhaps also the blame for the lacking dramatics. Certainly an enjoyable, generally impressive film.

Rating:- ****/*****