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Nosferatu the Vampyre (1979)
"Nosferatu: Phantom der Nacht" (original title)

7.6
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Ratings: 7.6/10 from 19,237 users  
Reviews: 154 user | 136 critic

Jonathan and Lucy live in Wismar and the Count wants a house there. Varna is a port on the Black Sea, close to Dracula's castle.

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Title: Nosferatu the Vampyre (1979)

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Cast

Cast overview, first billed only:
...
...
...
Roland Topor ...
Walter Ladengast ...
...
Jan Groth ...
Carsten Bodinus ...
Martje Grohmann ...
Rijk de Gooyer ...
Town official (as Ryk de Gooyer)
Clemens Scheitz ...
Clerk
Lo van Hensbergen ...
Harbormaster's Assistent
John Leddy ...
Coachman
Margiet van Hartingsveld ...
Vrouw
Tim Beekman ...
Coffinbearer
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Storyline

Jonathan Harker is sent away to Count Dracula's castle to sell him a house in Varna, where Jonathan lives. But Count Dracula is a vampire, an undead ghoul living off of men's blood. Inspired by a photograph of Lucy Harker, Jonathan's wife, Dracula moves to Varna, bringing with him death and plague... An unusually contemplative version of Dracula, in which the vampire bears the curse of not being able to get old and die. Written by Yepok

Plot Summary | Plot Synopsis

Plot Keywords:

dracula | vampire | castle | blood | plague | See All (76) »

Genres:

Horror

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| |

Release Date:

17 January 1979 (France)  »

Also Known As:

Nosferatu the Vampyre  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (theatrical)

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The coach that picks up Harker at the Borgo pass was a real hearse that was actually still in use in Bulgaria at the time of the shoot. See more »

Goofs

When Harker rides his horse to the Count's town, his horse has a white bandage on its left front leg that appears and disappears repeatedly from one shot to the next. Although the journey to the town took 4 weeks to complete, it is highly unlikely that the horse would get injured, heal, and then get injured in the same spot again. Apparently two different horses were used. See more »

Quotes

Count Dracula: Death is not the worst. There are things more horrible than death.
See more »

Connections

Featured in My Best Fiend (1999) See more »

Soundtracks

Der Ruf der Rohrflöte
(uncredited)
(Featured in German and American film versions)
Performed by Popol Vuh
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Atmospheric, creepy and gorgeous
28 September 2005 | by (Vulcan) – See all my reviews

Another classic collaboration of Werner Herzog and Klaus Kinski, Nosferatu is not just a remake of the F. W. Murnau silent classic, but an extension of it. Herzog not only develops the Stoker story more directly than the original did, but even reintroduces the original characters - Orlok becomes Dracula, and the Hutters become the Harkers.

Like many of the films involving Herzog and Kinski, Nosferatu is a period piece and creates the context of its plot through beautiful cinematography and a relentless but unhasty pace, not through the script. ThoughKinski dominates the screen just as he always does in these collaborations, the performances of fellow greats Isabelle Adjani and Bruno Ganz are also worthy of mention. Ganz's Jonathan Harker is certainly the most sympathetic character in the film, and Adjani's Lucy is beautiful, spooky, and just odd enough to fit the role perfectly.

Nosferatu is a retelling of the Dracula tale. Unlike its generally inferior competitors, Nosferatu - both the 1922 and 1979 versions - sticks very close to Bram Stoker's text - neither elaborating the focus on bloodsucking (obsessed upon by most American interpretations of Dracula), nor revising Jonathan Harker and Dr. Van Helsing as heroic characters, nor adding erotic or romantic elements to the depravity of the original concept. If you know what Stoker was about, you will thrill to the often forgotten aspects of Stoker's novel which are redeemed here - the plague rats, the gypsies, etc.

Kinki's intensity allows him to become a perfect Dracula. He understands his role perfectly and never once slips out of 'the hunter'. This is another very important aspect of the Stoker legend which has been sadly contorted by the popularization of the Dracula legend. Nosferatu's Count Dracula is not a charming eastern European gentleman with a quirky bloodsucking habit and a lovesick soul, he is a wily, terrifying, soulless, inhuman, obsessive, predator. And he has absolutely no concern for the affairs of Homo sapiens sapiens.

The film is mostly shot in Amsterdam's old city, which fits the mood of the film well. Other locations are in Germany, and Dracula's castle, for once, is an actual castle - even the interior shots! The wonderfully eerie and disorienting Popul Vuh soundtrack compliments the typically Herzogian picture-perfect visuals.

This is a great film for those seeking an accessible introduction to film-as-art, and the legendary collaborations of Herzog and Kinski. It will likely annoy those who think of Dracula as a good looking romantic guy with a nasty habit, but is highly recommended for fans of Stoker's original work.

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