A bag full of symbolic folklore about werewolves, or, rather, their sexual connotation. Granny tells her granddaughter Rosaleen strange, disturbing tales about innocent maidens falling in ... See full summary »
While their mother is dying in the modern Gimli, Manitoba hospital, two young children are told an important tale by their Icelandic grandmother about Ainar the lonely, his friend Gunnar, ... See full summary »
An old Gothic cathedral, built over a mass grave, develops strange powers which trap a number of people inside with ghosts from a 12th Century massacre seeking to resurrect an ancient demon from the bowels of the Earth.
Feodor Chaliapin Jr.
This film contains four distinct, separate stories. "Black Hair": A poor samurai who divorces his true love to marry for money, but finds the marriage disastrous and returns to his old wife... See full summary »
A village in Nineteenth Century Europe is at first relieved when a circus breaks through the quarantine to take the local's minds off the plague. But their troubles are only beginning as ... See full summary »
Jonathan Harker is sent away to Count Dracula's castle to sell him a house in Varna, where Jonathan lives. But Count Dracula is a vampire, an undead ghoul living off of men's blood. Inspired by a photograph of Lucy Harker, Jonathan's wife, Dracula moves to Varna, bringing with him death and plague... An unusually contemplative version of Dracula, in which the vampire bears the curse of not being able to get old and die. Written by
Klaus Kinski had to spend approximately four hours per day in make-up. Fresh latex ear pieces had to be poured for each day of shooting because they were destroyed at removal. Kinski, notorious for his violent daily temper-tantrums, had a very good relationship to Japanese make-up artist Reiko Kruk and was exceedingly patient and well-behaved during make-up. See more »
Dialogue implies that Dracula wishes to travel by sea in order to save time on the land journey from Transylvania to Wismar. However, the route by sea is far longer, and involves sailing around most of the circumference of Europe. Even assuming Dracula has the power to influence the winds and speed up the journey (which is not stated in this version), it seems highly unlikely he could make a faster journey than by taking the land route. See more »
Time is an abyss... profound as a thousand nights... Centuries come and go... To be unable to grow old is terrible... Death is not the worst... Can you imagine enduring centuries, experiencing each day the same futilities...
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This Herzog adaptation of the Dracula story, filtered through the memory in particular of Murnau's "Nosferatu: A Symphony of Horrors", is largely a successful film. It is great in parts and in aspects, but doesn't quite amount to a whole that approaches superlative status. Klaus Kinski is rather good, but not quite spellbinding, in the much-donned cape of the old Count. He is not quite up to the vastly contrasting interpretations I have seen - Schreck and Lugosi. Isabelle Adjani? Hers is far from a terrible performance, as one commentator has said; she is, indeed, reasonable in a role often lacking embellishment in other adaptations. Of course, her striking good looks are certainly far from unwelcome. The chap playing Renfield (the madman, so amusingly and vividly portrayed by Dwight Frye in the 1931 Universal "Dracula") is effective in portraying an outright giggling madman - his laugh is one of *the* most absurd and insane sounds I have heard in film...! The use of music is wonderful, as is Herzog's visual direction - the plague scenes leave quite an impression on the mind, and most scenes are accorded impressive backdrops and appropriate visual textures. Popol Vuh's musical textures are dreamily beguiling, setting just the right tone for Herzog's imagery. The film's downside has to be in the dramatics really; the dialogue and subsequent delivery of, are far from great, perhaps owing to the fact that most of the performers' native tongues are not English, and here they have to speak just that language. There is never quite enough dramatic tension induced by the script or the acting; at times the Renfield chap and Kinski are compelling, but only fitfully.
Having said all this, it is a fine rendition on film of a rather old and, frankly, enduring story. Herzog must take the credit for its effective atmosphere, but perhaps also the blame for the lacking dramatics. Certainly an enjoyable, generally impressive film.
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