| Photos (see all 8 | slideshow) |
| Nick Nolte | ... | Phillip Elliott | |
| Mac Davis | ... | Seth Maxwell | |
| Charles Durning | ... | Coach Johnson | |
| Dayle Haddon | ... | Charlotte Caulder | |
| Bo Svenson | ... | Jo Bob Priddy | |
| John Matuszak | ... | O. W. Shaddock | |
| Steve Forrest | ... | Conrad Hunter | |
| G.D. Spradlin | ... | B. A. Strothers | |
| Dabney Coleman | ... | Emmett Hunter | |
| Savannah Smith Boucher | ... | Joanne Rodney (as Savannah Smith) | |
| Marshall Colt | ... | Art Hartman | |
| Guich Koock | ... | Eddie Rand | |
| Deborah Benson | ... | Mrs. Hartman | |
| Jim Boeke | ... | Stallings (as James F. Boeke) | |
| John Bottoms | ... | Vip | |
| Walter Brooke | ... | Doctor | |
| Alan Autry | ... | Balford (as Carlos Brown) | |
| Danny J. Bunz | ... | Tony Douglas | |
| Jane Daly | ... | Ruth | |
| Rad Daly | ... | Conrad | |
| Cliff Frazier | ... | Monroe | |
| Stanley Grover | ... | March | |
| Glenn-Michael Jones | ... | Locker Boy (as Glenn Michael Jones) | |
| Frank O'Neill | ... | Assistant Trainer | |
| Tommy Reamon | ... | WR Delma Huddle | |
| Tom Reese | ... | Coach Waddy | |
| Jeffrey Severson | ... | Partridge | |
| Grant Kilpatrick | ... | Monsignor | |
| Kevin Cooney | ... | Pete Peterson | |
| Tony Frank | ... | Rindquist | |
| Doug France | ... | Alcie Weeks | |
| Garrie Kelly | ... | Party Guest | |
| Debbie Turner | ... | Party Guest | |
| Michele Turner | ... | Party Guest | |
| Jasmine Gagnier | ... | Party Guest | |
| Sharyn Lee | ... | Party Guest | |
| Joe Portaro | ... | Party Guest | |
| Lauren Jennifer Downing | ... | Party Guest | |
| Nanci Roberts | ... | Bunny Girl | |
| Kathleen Mary Larken | ... | Peggy | |
| Don J. Berberet | ... | Referee | |
| Randall Braxtan | ... | Billy Fitch | |
| Kory Olson | ... | Salesman | |
| Louie Kelcher | ... | Football Player | |
| Harold Jackson | ... | Football Player | |
| Michael Ballew | ... | Football Player (as Mike Ballew) | |
| Martin Imhof | ... | Football Player | |
| Ronnie L. Coleman | ... | Football Player | |
| Boyd Matson | ... | TV Announcer | |
| Ross Porter | ... | TV Announcer |
Directed by | |||
| Ted Kotcheff | |||
Writing credits(in alphabetical order) | ||
| Nancy Dowd | uncredited | |
| Rich Eustis | uncredited | |
| Peter Gent | novel | |
| Peter Gent | screenplay | |
| Ted Kotcheff | writer | |
| Frank Yablans | writer | |
Produced by | |||
| Frank Baur | .... | associate producer | |
| Jack B. Bernstein | .... | executive producer | |
| Frank Yablans | .... | producer | |
Original Music by | |||
| John Scott | |||
Cinematography by | |||
| Paul Lohmann | |||
Film Editing by | |||
| Jay Kamen | |||
Casting by | |||
| Lynn Stalmaster | |||
Production Design by | |||
| Alfred Sweeney | |||
Set Decoration by | |||
| Arthur Jeph Parker | (as Art Parker) | ||
Costume Design by | |||
| Dorothy Jeakins | |||
Makeup Department | |||
| Robert Dawn | .... | makeup artist (as Bob Dawn) | |
| Edouard F. Henriques | .... | makeup artist (as Eddie Henriques) | |
| Gladys Witten | .... | hair stylist | |
Production Management | |||
| Frank Baur | .... | unit production manager | |
| Lindsley Parsons Jr. | .... | executive production manager: Paramount (uncredited) | |
Second Unit Director or Assistant Director | |||
| Victor Hsu | .... | assistant director | |
| Kalai Strode | .... | second assistant director | |
Art Department | |||
| Terry E. Lewis | .... | property master (as Terry Lewis) | |
| Gunnar Mattson | .... | construction coordinator | |
Sound Department | |||
| Bub Asman | .... | sound effects editor | |
| Pierre Jalbert | .... | dialogue editor | |
| Larry Jost | .... | sound mixer | |
| Alan Robert Murray | .... | sound effects editor (as Alan Murray) | |
| Alan L. Nineberg | .... | dialogue editor (as Alan Nineberg) | |
| John Wilkinson | .... | sound re-recording mixer (as John Keene Wilkinson) | |
Special Effects by | |||
| Joseph P. Mercurio | .... | special effects (as Joe Mercurio) | |
Stunts | |||
| Debby Porter | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Michael Genne | .... | first assistant camera | |
| Wally Hice | .... | dolly grip | |
| J. Michael Marlett | .... | gaffer (as Mike Marlett) | |
| Guy Polzel | .... | key grip | |
| Timothy E. Wade | .... | camera operator (as Tim Wade) | |
Costume and Wardrobe Department | |||
| Norman A. Burza | .... | costume supervisor: men (as Norman Burza) | |
| Betsy Cox | .... | costume supervisor: women | |
| James P. Cullen | .... | costumer (uncredited) | |
Editorial Department | |||
| Christopher Koefoed | .... | apprentice editor (as Christopher Lucien Koefoed) | |
| Jack Michon | .... | assistant editor | |
| Thom Noble | .... | editorial consultant | |
Music Department | |||
| John Mick | .... | music editor | |
| John Scott | .... | conductor | |
Transportation Department | |||
| James Thornsberry | .... | transportation coordinator (as Jim Thornsberry) | |
Other crew | |||
| Bruce Bahrenburg | .... | unit publicist | |
| Tom Fears | .... | football coach | |
| Tom Fears | .... | football coordinator | |
| Wayne Fitzgerald | .... | title designer | |
| Doug Grossman | .... | technical advisor | |
| Wanda Mull | .... | secretary to unit production manager (as Wanda R. Mull) | |
| Dickey Nesenger | .... | script supervisor | |
| Frank O'Neill | .... | football coordinator | |
| Frank O'Neill | .... | football trainer | |
| Jette Sorensen | .... | location auditor | |
Thanks | |||
| Ron Chapman | .... | special thanks: Radio Station KVIL Dallas-Fort Worth | |
| Robert H. Kovoloff | .... | special thanks: Associated Film Promotions, Inc. | |
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Phillip Elliot is a wide receiver for the North Dallas Bulls. He is approaching the end of his career and ravaged with injuries, which he needs medication to cover the pain enough to play. The coaches want 100% to win games and win the season, but do the owners see the people inside the uniforms?
Written by ex-player Peter Gent this film wanders between love for the game and admiration for the players and the flip side where the players are overpaid little boys in men's bodies who are seen as disposable by club owners. This wandering happens for most of the film, mostly due to the fact that the plot seems to be wandering all over the place with little to do. When it actually focuses on the dealings of the club owners and the sacrifices the players have to make, it is pretty interesting even if it does what many other sports films have done better.
The central point about owners seeing the players as just another piece of equipment owed by the club is pretty well made, but it is confused by the plot wandering a little bit. The ending is designed to back up this central point, but the circumstances come out of nowhere and the ending doesn't really ring true and isn't as strong a conclusion as it should have been. The film also struggles to condemn either the sport or the players, seeming to be annoyed with bosses more than anything else. The players are clearly childish and irresponsible, violent men but yet the film weakens on that point after hinting at it, likewise the film condemns part of the game but then happily indulges in big game action near the end of the film.
Nolte is pretty good, but he also seems a little unsure about whether his character loves the sport or hates everything about it except the game. Support players simply play victims or childish thugs. The reason for Haddon's love interest is beyond me but Durning and Spradlin give good support as coaches.
Overall this is an interesting film, which is strongest at the start and end, the middle section lacking structure and focus. The message it is trying to get across applies much more today than it did back then, but has been made better and in more enjoyable total films than this. Still an interesting watch for the most part though.