Emma is a divorced woman with a teen aged boy who moves into a small town and tries to make a go of a horse ranch. Murphy is the town druggist who steers business her way. Things are going ... See full summary »
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
The story of Karen Silkwood, a metallurgy worker at a plutonium processing plant who was purposefully contaminated, psychologically tortured and possibly murdered to prevent her from exposing blatant worker safety violations at the plant.
Norma Rae is a southern textile worker employed in a factory with intolerable working conditions. This concern about the situation gives her the gumption to be the key associate to a visiting labor union organizer. Together, they undertake the difficult, and possibly dangerous, struggle to unionize her factory. Written by
Kenneth Chisholm <email@example.com>
At one point in the film, a line of dialogue states, "We're gonna hit the back roads!". Sally Field would star in a movie called Back Roads (1981) a couple of years later. See more »
When Norma's father suffers a heart attack on the job, we see him as the first symptoms start until he collapses onto the textile mills floor. The problem here is that as he enters the first stages of his coronary, he grasps his RIGHT arm rather than his left. Anatomically, the nerve conduction with regards to a cardiac event, target the left arm - except in cases of extremely rare congenital abnormality (i.e. dextrocardia). See more »
Typical under-dog story that is so well-made that its success makes for a very memorable cinematic experience. The titled character (Sally Field in a super Oscar-winning part) tries to get her fellow textile workers to unionize in her small town, but there are consequences abound. A good supporting cast which includes Ron Leibman, Pat Hingle and Beau Bridges all add to Field's show-stopping performance. Field proved that she could handle delicate material and carry a film to cinematic history. 4.5 out of 5 stars.
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