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Norma Rae (1979)

PG | | Drama | 2 March 1979 (USA)
A young single mother and textile worker agrees to help unionize her mill despite the problems and dangers involved.

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(screenplay), (screenplay)
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Won 2 Oscars. Another 10 wins & 6 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
Sonny
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...
...
Leona
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Bonnie Mae
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Wayne Billings
Robert Broyles ...
Sam Bolen
John Calvin ...
Ellis Harper
Booth Colman ...
Dr. Watson
...
Lujan (as Lee DeBroux)
James Luisi ...
George Benson
Vernon Weddle ...
Reverend Hubbard
Gilbert Green ...
Al Landon
...
Lucius White
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Storyline

Norma Rae is a southern textile worker employed in a factory with intolerable working conditions. This concern about the situation gives her the gumption to be the key associate to a visiting labor union organizer. Together, they undertake the difficult, and possibly dangerous, struggle to unionize her factory. Written by Kenneth Chisholm <kchishol@execulink.com>

Plot Summary | Add Synopsis

Taglines:

The story of a woman with the courage to risk everything for what she believes is right. See more »

Genres:

Drama

Certificate:

PG | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

2 March 1979 (USA)  »

Also Known As:

Norma Rae - Eine Frau steht ihren Mann  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

| (TCM print)

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Director Martin Ritt first conceptualized this movie when he saw an article in The New York Times by Henry P. Leifermann, author of the book "Crystal Lee, a Woman of Inheritance". The book was about Crystal Lee Sutton's quest to form a union at the J.P. Stevens Company textile mill in Roanoke Rapids, North Carolina. See more »

Goofs

In Reuben's hotel room, after Norma Rae has been hit, she takes an ice pack away from her nose. When the shot changes she takes it away a second time. See more »

Quotes

Reuben Warshowsky: On October 4, 1970, my grandfather, Isaac Abraham Warshowsky, aged eighty-seven, died in his sleep in New York City. On the following Friday morning, his funeral was held. My mother and father attended, my two uncles from Brooklyn attended, my Aunt Minnie came up from Florida. Also present were eight hundred and sixty-two members of the Amalgamated Clothing Workers and Cloth, Hat and Cap Makers' Union. Also members of his family. In death as in life, they stood at his side. They had fought ...
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Connections

Referenced in 18 to Life: In Sickness and in Health (2010) See more »

Soundtracks

It Goes Like It Goes
Music by David Shire
Lyrics by Norman Gimbel
Sung by Jennifer Warnes
Courtesy Arista Records
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User Reviews

 
The Film Stereotyped an Industry, But Broke the Stereotype of an Actress
19 May 2005 | by (Alexandria, VA) – See all my reviews

Although based on real events and a real person, "Norma Rae's" tale of corporate greed versus oppressed workers has been fictionalized for reasons of privacy. However, fictionalized or not, "Norma Rae's" power and influence continue since the U.S. textile industry has forever been branded in the minds of Americans as an outmoded industrial complex, whose windowless mills are filled with the deafening noise of hand-tended machines that are layered with cotton fibers and whose workers breathe in and permanently damage their lungs with stale air that is filled with cotton dust. Although those conditions certainly did exist, they no longer occur in that industry today. However, despite the modernization of textile manufacturing in the U.S. over the past couple decades, the image of the noisy, dusty mill that is depicted in the film remains as the general perception of a textile operation. Unfortunately, while modern textile mills are free of cotton dust and the noise levels have been reduced to the low hum of computers, textile workers like Norma Rae and the others portrayed in this film have also been replaced with robotics, lasers, and a few highly skilled technicians to monitor the computerized operations. While the unionization depicted in the film successfully raised wages and increased benefits, eventually those higher costs led to efforts to cut expenses through mechanization.

However, despite the demonizing of an industry, the film retains its power, and the story of Norma Rae's personal growth as a woman is probably even more memorable than the efforts to unionize one Southern textile mill. Sally Field inhabits the role of an unwed Southern mill worker with two children, and, as the film progresses, she slowly evolves from an aimless girl, who is used and abused by men, whether they be lovers or employers, into a mature woman who finds a depth and strength that helps her take control of her life and find the confidence to lead. Television viewers who only knew Field as the Flying Nun were surprised at her range and depth, although those who had taken the time to watch the television movie "Sybil" already suspected the breadth of her talent.

While Sally Field finally shed her Gidget and Flying Nun image with this film and certainly is the emotional core of the movie, she is well supported by a cast of pros, especially the two most important men in her life. Unfortunately, because Field is so outstanding, viewers will likely need a second viewing to appreciate just how good both Ron Leibman and Beau Bridges are in "Norma Rae." Ron Leibman as the assertive union organizer from New York is the man who awakens Norma's intellect and propels her into uncharted territory as a woman. Meanwhile, Beau Bridges as Norma Rae's gentle, understanding husband stands by his woman despite his not completely comprehending or appreciating the changes that are underway in his wife's character.

"Norma Rae" is an outstanding film, well directed by Martin Ritt, beautifully written by Frank and Ravetch, and performed with heart by Field, Leibman, and Bridges. Although the movie has probably stained the image of the U.S. textile industry for good, "Norma Rae" also established Sally Field as an actress of the first order and remains an engrossing human story of a woman's growth into maturity and her discovery of previously unrealized potential within herself.


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Sally Field's beauty was underrated runawaytrain-79
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UNION!!! thinkofthealternativ-1
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