St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming of his childhood on his parents' ...
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Tamara and Sasha were separated during the war. Now (1957) Sasha is visiting Moscow for five days and by chance recognizes the house where Tamara used to live. She is still living there with her nephew Slava.
Olga Voznesenskaya is a silent screen star whose pictures are so popular that underground revolutionaries risk capture to see them. She's in southern Russia filming a tear-jerker as the ... See full summary »
Early in the 20th century, family and friends gather at the country estate of a general's widow, Anna Petrovna. Sofia, the new wife of Anna's step-son, recognizes Misha, the brother-in-law ... See full summary »
The shepherd Gombo lives with his wife, three children and grandmother in a tent on the Mongolian steppe. They are pleased with their rustic conditions, until a Russian truck driver, ... See full summary »
Russia, 1936: revolutionary hero Colonel Kotov is spending an idyllic summer in his village with his young wife and six-year-old daughter Nadia and other assorted family and friends. Things... See full summary »
Aboard a ship early in the 20th-century, a middle-aged Italian tells his story of love to a Russian. In a series of flashbacks filmed almost entirely in creams, whites, and ochers, the ... See full summary »
Douglas is a foreign entrepreneur, who ventures to Russia in 1885 with dreams of selling a new, experimental steam-driven timber harvester in the wilds of Siberia. Jane is his assistant, ... See full summary »
Ilya Semenovich Melnikov is a history teacher in an ordinary Soviet high school. He is a very good teacher and his students and colleagues treat him with a great deal of respect. However, ... See full summary »
Cinematographic adaptation of classical Russian play "Dowry-less" by A. Ostrovsky. Noble but poor widow seeks to arrange marriage for her three daughters. She maintains "open house" or ... See full summary »
St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming of his childhood on his parents' estate. His boyhood companion, Stoltz, now an energetic and successful businessman, adds Oblomov to his circle whenever he's in the city, and Oblomov's life changes when Stoltz introduces him to Olga, lovely and cultured. When Stoltz leaves for several months, Oblomov takes a country house near Olga's, and she determines to change him: to turn him into a man of society, action, and culture. Soon, Olga and Oblomov are in love; but where, in the triangle, does that leave Stoltz? Written by
not a surprise. the novel by Goncharov is perfect choice for Mikhalkov style. Oleg Tabakov translate on screen the entire soft and fragile universe of his character. the atmosphere, the dialogs, the profound drama - pieces of a seductive film. and little more because, like in many same adaptations, the movie is a trip in the space between lines. Oblomov has new nuances. his struggle for happiness has new points who gives to the portrait from novel special significance. not a victim, not a symbol. but the good man who has a single challenge - himself. the portrait becomes seductive. and clear in new light. Tabakov explores the limits and the isles of illusion. and Mikhalkov has the courage and art and subtle science to transform the world of XIX century in shadow of a new Idiot. Oblomov becomes more realistic. and more easy to define it in a large measure. a film from a special art of seduction.
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