Directed by | |||
| Bob Clark | |||
Writing credits(in alphabetical order) | ||
| Arthur Conan Doyle | characters | |
| John Hopkins | screenplay | |
| Elwyn Jones | co-author (book "The Ripper File") | |
| John Lloyd | co-author (book "The Ripper File") | |
Produced by | |||
| Bob Clark | .... | producer | |
| René Dupont | .... | producer | |
| Robert A. Goldston | .... | producer | |
| Len Herberman | .... | executive producer | |
Original Music by | |||
| Paul Zaza | |||
| Carl Zittrer | |||
Cinematography by | |||
| Reginald H. Morris | |||
Film Editing by | |||
| Stan Cole | |||
Casting by | |||
| Karen Hazzard | |||
Production Design by | |||
| Harry Pottle | |||
Art Direction by | |||
| Peter Childs | |||
Set Decoration by | |||
| Denise Exshaw | |||
Costume Design by | |||
| Judy Moorcroft | |||
Makeup Department | |||
| Peter Robb-King | .... | makeup artist | |
Production Management | |||
| Peter Davis | .... | production manager: UK | |
| Ted Rouse | .... | production manager: Canada | |
Art Department | |||
| Percy Godbold | .... | production buyer | |
| Jock Kay | .... | scenic artist | |
| Adrian Start | .... | art stand-by | |
Sound Department | |||
| David Appleby | .... | sound re-recording mixer (as Dave Appleby) | |
| Dennis Drummond | .... | sound editor | |
| Patrick Drummond | .... | sound editor | |
| Wayne Griffin | .... | sound editor | |
| Joe Grimaldi | .... | sound re-recording mixer | |
| Kenneth Heeley-Ray | .... | supervising sound editor (as Ken Heeley Ray) | |
| John W. Mitchell | .... | sound recordist (as John Mitchell) | |
| Don White | .... | foley recording mixer | |
Special Effects by | |||
| Michael Albrechtsen | .... | special effects | |
Visual Effects by | |||
| Cliff Culley | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Richard Blanshard | .... | still photographer | |
| Maurice Gillett | .... | gaffer | |
| Jimmy Turrell | .... | camera operator (as James Turrell) | |
| David Wynn-Jones | .... | focus puller (uncredited) | |
Costume and Wardrobe Department | |||
| Ron Beck | .... | wardrobe supervisor | |
Editorial Department | |||
| Ian McBride | .... | assistant editor | |
| David Block | .... | colorist (uncredited) | |
Music Department | |||
| Frank Morrone | .... | music engineer | |
Transportation Department | |||
| Howard Pugh | .... | driver: cast | |
Other crew | |||
| Andy Birmingham | .... | production accountant | |
| Marilyn Clarke | .... | production coordinator | |
| S.C. Dacy | .... | publicist | |
| Robert A. Goldston | .... | presenter | |
| Bob Halliday | .... | police liaison | |
| Marjorie Lavelly | .... | continuity | |
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| From Hell | A Study in Terror | Sherlock Holmes | The Phantom of the Opera | The Woman in Green |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
This isn't the first time Holmes has met Jack the Ripper in the movies, but this particular encounter leaves all others for dead. Handsomely photographed and produced, this notable addition to the Holmes cycle not only presents a credible yet intriguing Sherlock in Christopher Plummer, but just as importantly a Doctor Watson more akin to Conan Doyle's creation than the silly ass usually presented on the screen by Nigel Bruce and his successors. Full marks to James Mason.
The support cast is also top-notch, though some false beards were a trifle obvious. Another minor complaint lies in the poorly conceived, tacked-on ending in which Holmes is examined by John Gielgud's unyielding Prime Minister.
Otherwise this is a remarkably handsome film that transports the viewer right back to a teemingly authentic Sherlock Holmes London.