Apprentice lawyer Robin Weathers turns a civil suit into a headline grabbing charade. He must re-examine his scruples after his shenanigans win him a promotion in his firm, and he must now ... See full summary »
This is a straight version of the old fairy tale, with John Carradine as the Emperor. It was filmed in South Florida, with exteriors in Coral Gables and Miami's Vizcaya. The hero bests the ... See full summary »
Bob Clark had to do research to see if the word "fart" was in existence in 1888. It was. See more »
In the final dialogue scene between Holmes and Watson after the Whitehall interview, Holmes is depicted using his right hand to bow four notes on the free-standing upright violin on the desk. He purports to play middle B, E and D followed by treble E on open strings - but it is impossible to play a B natural on an open A string. The A string's pitch must be raised to B by a finger stop for the dubbed sound to be physically possible. The open string pitches are tenor G, middle D, middle A and treble E. See more »
We've unmasked madmen, Watson, wielding scepters. Reason run riot. Justice howling at the moon.
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This is a remarkable little movie that has never reached classic status for some reason. Aside from an incredible cast, all of whom suit the dignified proceedings admirably, there are two other stars who lift this film above the level of an excellent thriller. One is the production design. The old Hollywood style of foggy streets and dark alleys, with sinister cabs skulking along, is the stuff nightmares are made of. The East End is horrible, a hell on earth. The other unsung hero is the music. A beautiful soundtrack which ranges from chilling strings and harps to the charming end music. Christopher Plummer is fabulous as Holmes, heroic and ingenious but with a strong sympathy which no other actor in the role apart from Jeremy Brett has captured. His scenes with Mason are a joy; the pair really work together, complete with catchphrases and a mutual respect. Donald Sutherland is also captivating as Robert Lees...his eyes are those of a man living in helpless terror. The film's finest moment is the scene between Holmes and Annie Crook. Genevieve Bujould is heartbreaking in the role,a perfect piece of casting despite her accent, and Holmes' reaction to her plight is deeply moving. Make no mistake, the theory of the Ripper murders is barmy, but wonderful entertainment. It does slander Sir Charles Warren and Lord Salisbury unbelievably; Anthony Quayle puts in a gloriously over the top turn in repulsive corruption. There is an interesting subtext to the film as well, namely the fight between decency and corruption. Annie's innocence and goodness is uncorrupted even by her plight, and the decency of Mary Kelly is a ghost that hangs over the last half an hour. The end credits are beautiful, with gorgeous theatrical and old-fashioned cast and credits, such as "Frank Finlay was Inspector Lestrade." There is decency in the most unlikely of places, and Holmes and Watson are the solid rocks while around them people sink and swim in the chaos. A moving, brilliantly realised and frightening film.
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