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Directed by | |||
| James Frawley | |||
Writing credits | ||
| Jack Burns | (written by) & | |
| Jerry Juhl | (written by) | |
Produced by | |||
| Lew Grade | .... | executive producer (as Sir Lew Grade) | |
| Jim Henson | .... | producer | |
| David Lazer | .... | co-producer | |
| Martin Starger | .... | executive producer | |
Original Music by | |||
| Paul Williams | |||
Cinematography by | |||
| Isidore Mankofsky | |||
Film Editing by | |||
| Christopher Greenbury | (as Chris Greenbury) | ||
Casting by | |||
| Gus Schirmer | |||
Production Design by | |||
| Joel Schiller | |||
Art Direction by | |||
| Les Gobruegge | |||
Set Decoration by | |||
| Richard B. Goddard | (as Richard Goddard) | ||
Costume Design by | |||
| Gwen Capetanos | |||
Makeup Department | |||
| Ben Nye Jr. | .... | makeup artist (as Ben Nye II) | |
Production Management | |||
| Kurt Neumann | .... | production manager | |
| Richard L. O'Connor | .... | executive in charge of production | |
| James Potter | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Penny Adams | .... | second assistant director (as Penny Adams Flowers) | |
| Ron Wright | .... | first assistant director | |
Art Department | |||
| Horst Grandt | .... | property master | |
| Julia Harmount | .... | set designer | |
| Hank Kentop | .... | construction foreman (as Henry Kentop) | |
| Julius King | .... | set designer | |
| Roy Kirkpatrick | .... | construction coordinator | |
| Eric Orbom | .... | assistant art director | |
| Ken Richey | .... | greensman (as Kenneth Richey) | |
| Tom Southwell | .... | illustrator | |
| Tommy Tomlinson | .... | assistant property master | |
| Sal Denaro | .... | foam technician (uncredited) | |
| Bruce Wayne Mecchi | .... | set dresser (uncredited) | |
| Frank White | .... | labor foreman (uncredited) | |
Sound Department | |||
| Ralph Babcock | .... | boom operator | |
| David Dockendorf | .... | sound re-recording mixer | |
| Charles Lewis | .... | sound mixer | |
| Paul Nelson | .... | playback operator | |
| Bill Wistrom | .... | sound effects editor | |
| Michael Perricone | .... | assistant sound engineer (uncredited) | |
Special Effects by | |||
| Robbie Knott | .... | special effects | |
| Scott Forbes | .... | special effects technician (uncredited) | |
Stunts | |||
| Gilbert B. Combs | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Sidney Ray Baldwin | .... | still photographer (as Sidney Baldwin) | |
| Joe Collins | .... | key grip (as Joseph Collins) | |
| Richard J. Edesa | .... | camera operator (as Richard Edesa) | |
| Lee Heckler | .... | gaffer | |
| Bruce Hill | .... | camera operator: video | |
| Lindsay P. Hill | .... | video operator (as Lindsay Hill) | |
| Robert Lowry | .... | video operator (as Bob Lowry) | |
| Marcia Reed | .... | still photographer | |
| John R. Shannon | .... | still photographer (as John Shannon) | |
| Pat Campea Jr. | .... | best boy grip (uncredited) | |
| George A. Clark | .... | grip (uncredited) | |
Costume and Wardrobe Department | |||
| Sharon Day | .... | costumer | |
| Calista Hendrickson | .... | muppet costume designer | |
| Charles E. James | .... | costume supervisor (as Charles James) | |
| Marta McElroy | .... | assistant to costume designer (uncredited) | |
Editorial Department | |||
| Robin Forman | .... | post-production assistant | |
| Steve Polivka | .... | assistant film editor | |
Music Department | |||
| Kenny Ascher | .... | songs: music and lyrics by | |
| John Caper Jr. | .... | music editor | |
| Ian Freebairn-Smith | .... | conductor | |
| Ian Freebairn-Smith | .... | music arranger | |
| Garry Ulmer | .... | music mixer | |
| Garry Ulmer | .... | music recordist | |
| Paul Williams | .... | music adaptor | |
| George A. Martin | .... | assistant music editor (uncredited) | |
Transportation Department | |||
| Donald R. Casella | .... | transportation captain (as Don Casella) | |
Other crew | |||
| Ellen Adolph | .... | associate auditor | |
| Sherry Amott | .... | muppet designer | |
| Martin G. Baker | .... | muppet technical coordinator (as Martin Baker) | |
| Bill Beaumont | .... | craft service (as William Beaumont) | |
| Ulla Bourne | .... | script supervisor | |
| Edward G. Christie | .... | muppet designer (as Ed Christie) | |
| Buck Edwards | .... | location manager | |
| Bonnie Erickson | .... | muppet designer | |
| Faz Fazakas | .... | muppet designer | |
| Fred Fisher | .... | production assistant | |
| Wayne Fitzgerald | .... | titles | |
| Michael Flynn | .... | production assistant | |
| Michael K. Frith | .... | muppet design consultant (as Michael Frith) | |
| Dave Goelz | .... | muppet designer | |
| Lew Grade | .... | presenter (as Sir Lew Grade) | |
| Richard Holloway | .... | muppet technical coordinator | |
| Larry Jameson | .... | muppet designer | |
| Mari Kaestle | .... | muppet designer | |
| Saul Kahan | .... | unit publicist | |
| Lynn Klugman | .... | muppet production coordinator (as Lynn M. Klugman) | |
| Janet Lerman-Graff | .... | muppet designer | |
| Kermit Love | .... | muppet designer | |
| John Lovelady | .... | muppet workshop coordinator | |
| Mireille Machu | .... | secretary to director | |
| Leigh Malone | .... | muppet visual consultant | |
| Robert McCormack | .... | muppet workshop supervisor: New York | |
| Wendy Midener | .... | muppet designer | |
| Kathryn Mullen | .... | muppet designer | |
| Frank Oz | .... | creative consultant | |
| Lee Rose | .... | production associate | |
| Don Sahlin | .... | muppet designer | |
| Shirley Snyder | .... | production coordinator | |
| Martin Starger | .... | presenter | |
| Teresa Stokovic | .... | production coordinator | |
| Amy Van Gilder | .... | muppet designer | |
| Amy Van Gilder | .... | muppet workshop coordinator | |
| Pamela Varney | .... | secretary to producer | |
| Rusty Warren | .... | production auditor | |
| Caroly Wilcox | .... | muppet designer | |
| Tim Burton | .... | additional puppeteer (uncredited) | |
| Jeffrey A. Humphreys | .... | studio utility (uncredited) | |
| John Landis | .... | additional puppeteer: "Grover" (uncredited) | |
| Bill McCamey | .... | set nurse (uncredited) | |
| Lee Solters | .... | publicist (uncredited) | |
| Curt Vig | .... | puppeteer: "Pigs in Space D & E" (uncredited) | |
| Rik Vig | .... | puppeteer: "J. P. Gross" (uncredited) | |
Thanks | |||
| David Odell | .... | special thanks | |
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| The Muppets Take Manhattan | Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan | Muppets from Space | Around the World in Eighty Days | The Adventures of Rocky & Bullwinkle |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb UK section |
In many ways, the perfect movie. The "Incredible Journey" and Horatio Alger tale come together for a positive spin on the usually depressing subject of existentialism. In essence, the travails of the muppets boil down to the finale song of the movie: "Life's like a movie, write your own ending, keep believing, keep pretending." They create their own reality, which has all the trappings of every epic tale: a lofty goal at the end of what is necessarily a obstacle-laden journey; an ever-increasing group of like-minded individuals for camaraderie; a nasty set of villians who are not beyond all redemption; and a big-budget Hollywood ending because, darn it all, they CAN.
Only Jim Henson could pull this off. He walks the line between sentimentality and philosophy without swerving too long or too hard into either. Of course it seems odd that invest such weight into a film starring puppets, but in the end perhaps they are the perfect, uh, puppet to make these points. The movie's atmosphere allows for the pure enjoyment of the Hollywood dream, the "happy" ending, unnecessary cameos, and bursting into song at the drop of a hat. Usually these aspects are anathema to quality in film, but the self-deprecating manner under which the story is delivered makes for guilt-free viewing. One of the few films that can truly be called "suitable for all ages."
The other muppet-related films (including "The Empire Strikes Back"), while palatable, do not touch the simple grace of this film. Take, for instance, the musical number "Hope that Something Better Comes Along," the duet of Kermit and Rowlf. Amusing in its vaudevillian goofiness, yet makes a bitingly crucial point about the motivations behind life choices. Brilliant.