Gonzo is contacted by his alien family through his breakfast cereal. But when the men in black kidnap him, it's up to Kermit and the gang to rescue Gonzo and help him reunite with his long-lost family.
Big Bird is sent to live far from Sesame Street by a pesky social worker. Unhappy, Big Bird runs away from his foster home, prompting the rest of the Sesame Street gang to go on a cross-country journey to find him.
While living the quiet life in a swamp, Kermit the Frog is approached by a Hollywood agent to audition for the chance of a lifetime. So Kermit takes this chance for his big break as he makes the journey to Hollywood. Along the way, Kermit comes across several quirky new friends including comedic Fozzie Bear, beautiful but feisty Miss Piggy and the Great Gonzo. But Kermit must also watch out for ruthless Doc Hopper, who plans to use him as his spokesman for his Frog Legs food chain. Written by
When the waiter that serves Kermit and Miss Piggy tastes the wine, he puts the half drunken glass down on the table nowhere near Kermit, but in the next shot, Kermit has a full glass as he fills Miss Piggy's glass. See more »
I'm Waldorf. We're here to heckle "The Muppet Movie".
Gentlemen, that's straight ahead. Private screening room D.
Yeah, they're afraid to show it in public.
[they laugh as their car proceeds forward]
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After the last credit, Animal is shouting,"GO HOME! GO HOME!", then he gets sleepy, "Bye-bye..." then falls asleep. See more »
Write your own ending: Existential awareness in hand puppets
In many ways, the perfect movie. The "Incredible Journey" and Horatio Alger tale come together for a positive spin on the usually depressing subject of existentialism. In essence, the travails of the muppets boil down to the finale song of the movie: "Life's like a movie, write your own ending, keep believing, keep pretending." They create their own reality, which has all the trappings of every epic tale: a lofty goal at the end of what is necessarily a obstacle-laden journey; an ever-increasing group of like-minded individuals for camaraderie; a nasty set of villians who are not beyond all redemption; and a big-budget Hollywood ending because, darn it all, they CAN.
Only Jim Henson could pull this off. He walks the line between sentimentality and philosophy without swerving too long or too hard into either. Of course it seems odd that invest such weight into a film starring puppets, but in the end perhaps they are the perfect, uh, puppet to make these points. The movie's atmosphere allows for the pure enjoyment of the Hollywood dream, the "happy" ending, unnecessary cameos, and bursting into song at the drop of a hat. Usually these aspects are anathema to quality in film, but the self-deprecating manner under which the story is delivered makes for guilt-free viewing. One of the few films that can truly be called "suitable for all ages."
The other muppet-related films (including "The Empire Strikes Back"), while palatable, do not touch the simple grace of this film. Take, for instance, the musical number "Hope that Something Better Comes Along," the duet of Kermit and Rowlf. Amusing in its vaudevillian goofiness, yet makes a bitingly crucial point about the motivations behind life choices. Brilliant.
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