The intertwined lives and loves of three highly-ranked athletes striving for the national team; Chris bounces between the beds of male coach Terry and her female friend, competitor, and role model Tory.
Scientists Tony Newman and Doug Phillips are the young heads of Project Tic-Toc, a multi-billion dollar government installation buried beneath the desert. They have invented a Time Tunnel, ... See full summary »
Monterey, California in the 1940's. Cannery Row - the section of town where the now closed fish canneries are located - is inhabited primarily by the down and out, although many would not ... See full summary »
A single father balances his work as an attorney with the care of his five year old son and his work as a high school basketball coach in rural Kansas, where he moved after his wife ... See full summary »
Since long hair was the fad in the late 1970's, extras were recruited from the California Maritime Academy in Vallejo, due to their required short haircuts, and their campus was close to the Marin and the Fremont Raceway filming locations. See more »
When Ole and Eva are talking amongst them, they are not talking Norwegian as we are told they are, but in fact Danish. See more »
Give me your signature, champ.
[thinks it over for a moment]
Well, I'll tell you what. I'm not gonna sign it, but why don't you light it on fire and stick it up your ass?
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The final frames of the original "American Graffiti" provide one-line summaries of the fates of the film's four central male characters. While somewhat sexist in omitting the female characters, the ending of the original film provided all the information about those people that even the most ardent fan of the movie would want. However, someone felt that mega-bucks could be made by detailing the dreary lives of these characters after the original film ended. Bad move. Making an insurance salesman and his wife, a nerdy private in Vietnam, a drag race driver, and a overgrown hippie into interesting characters in interesting situations was far beyond the talents of those who wrote this nearly unwatchable movie. While most of the original cast is back, with only Richard Dreyfuss having the good sense to stay away, "More American Graffiti" is a mess of silly situations that involve protests, car races, country singers, and the Vietnam war. The use of split screens, once thought innovative and daring, is overused here to the point of distraction and adds confusion to the already confused goings one. This is a sequel that demonstrates nearly everything that can go wrong with a sequel. Perhaps it should be screened in film schools as a lesson. Even the use of period music, which was a delight in the original, is poorly done here. If you want more "American Graffiti," see the original twice.
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