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Reviews & Ratings for
Moonraker More at IMDbPro »

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1 out of 1 people found the following review useful:

My second favourite

Author: Rrrobert from Australia
31 July 1999

Well after the quite serious "On Her Majesty's Secret Service", "Moonraker" is possibly my favourite Bond film. What I love about Moonraker is it fast paced style; jumping quickly from one dramatic stunt (and location) to the next. There are lots of good fight scenes and well-executed stunts throughout the film. I love the way in each location Bond spies a glamorous lovely eyeing him off and then when he finally arrives at Drax's Head Quarters, all those lovely girls assemble and we realise (well, we sorta already guessed) that they are all baddies who have been following Bond through the entire movie. The film is light-hearted with a comic-book style throughout, but that said I find many of its sequences quite dramatic and suspenseful. I also think the general plot is quite good; its all very suspenseful and mysterious and at each dazzling location we find another clue to the puzzle, but the truth is not revealed until the end. The musical score is great too.

Why do people go on about this film copying from "Star Wars" when in fact everything in the film is pure Bond. The closing battle is pure Bond. And it is not the first Bond film to feature space sequences... what about "You Only Live Twice" and "Diamonds Are Forever"? What is so wrong with outer space anyway?! I really can't understand why people don't like this film!!

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1 out of 1 people found the following review useful:

"Look after Mr. Bond. See that some harm comes to him."

Author: Josh Barker ( from Chicago, Illinois
12 February 1999

Moonraker is one of the best Bonds. The memorable Jaws is back and still killing. The lovely Dr. Goodhead comes to Bond's aid and the evil Drax will try to take over the world. Gee, I wonder what happens?

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1 out of 1 people found the following review useful:

James Bond perfectly at home in outer space!

Author: David ESPESSET from Marseille, France
11 September 1998

Usually considered as a low point in the series of Bond movies, MOONRAKER is to me one of the best. There are a few minor flaws but on the whole MOONRAKER is tremendously beautiful (I easily give it a 9 out of 10 ).

Many people have compared MOONRAKER with Star Wars, but both movies have almost nothing in common. Almost everything in MOONRAKER was designed to create realism and believability, especially the wonderful special effects in space. Of course, the bigger-than-life dimension is present, as in every Bond movie, making MOONRAKER an excellent experience.

As usual Roger Moore is an excellent James Bond, surrounded by a very fine cast, among which the icy-cold Michael Lonsdale and two beautiful ladies, Corinne Cléry and Lois Chiles. Lewis Gilbert's direction is nice, the production design by Ken Adam is very impressive and John Barry's music is exquisite.

There are lots of breathtaking scenes in Moonraker: the precredits sequence, the death of Corinne, the boat chase in Venice, the fight with Chang, the second boat chase, and most of the final space sequence.

About flaws: a little too much humour at times, maybe a little too much technology; the space battle in the end looks artificial and the destruction of the spheres looks like a video game...

The space theme had been introduced and developed very early in Bond movies (Dr. No, You Only Live Twice, Diamonds are Forever) and it thus appears logical that one day Bond would have to go to space himself; and there he seems perfectly at home!

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2 out of 3 people found the following review useful:

The ultimate Moore formula Bond and my joint favourite

Author: Joxerlives from United Kingdom
4 April 2014

*** This review may contain spoilers ***

Moonraker is hugely divisive amongst Bond fans, loved and hated in equal measure. I absolutely love it and proudly had the Moonraker shuttle, laser gun (which unfortunately only fired caps) and Drax corporation helicopter in my toy collection (oddly the shuttle has a satellite in its' cargo bay which doesn't feature in the film, I'd have preferred some tiny space marines. The helicopter fires missiles which also doesn't feature in the film but that's because it's Naomi's gunship from 'The Spy who Love Me' repainted).

Speaking of which the parallels between 'Moonraker' and 'The Spy who Loved Me' are striking but the later film takes its' themes and style to the most extreme degree imaginable. Considering it was the late 70s the special effects really stand up, especially when you think that at the time the real space shuttle had yet to fly. The end space battle and shooting down of the nerve gas filled globes are still thrilling over 30 years later as is the scene in the G-force simulator.

Brilliant Bond girl in Lois Chiles as Holly Goodhead. Anya in the last film was good but she still ended up being rescued by Bond from Jaws on the train and in the finale is tied to a chair in a sexy outfit being lustfully molested by the villain. Holly is a different kettle of fish altogether, from Bond being surprised by her in their meeting she never needs rescued once and is more than a match for him, not least that she can fly a space shuttle and he can't.

Michael Lonsdale is an excellent villain as Drax and gets most of the best lines, I'm especially fond of 'Look after Mr Bond, see that some harm comes to him'.

All told, I think this may just pip it's illustrious predecessor, the only downside being from this point there was no way they could top it in terms of sheer spectacle. 10/10

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2 out of 3 people found the following review useful:

Highly enjoyable entertainment

Author: sean-devitt from South Korea
5 December 2012

*** This review may contain spoilers ***

Moonraker is the movie critics like to attack. I am not going to disagree with them about the ludicrous plot and the descent into childishness.

To me it's obvious that Moonraker has just one purpose. To entertain its audience and give them a memorable spectacle. This movie delivers that.

There are many silly things in Moonraker but it knows it. Some of the scenes are too silly but after the appalling slide whistle sound that almost ruined a wonderful car stunt in 'The Man With the Golden Gun' I think we grew accustomed to Roger Moore movies being taken as a joke.

Even the 'serious one' For Your Eyes Only had a Margaret Thatcher impersonator talking to a parrot and Blofeld being dropped down a chimney stack.

Roger Moore and Michel Lonsdale are great in Moonraker. Drax saying to Bond "Can I press you to a cucumber sandwich" is worth the budget alone.

Moonraker was the movie I wanted to see as a child but was never taken. Instead I was taken to see For Your Eyes Only. If I were a movie critic I would have been pleased but as a kid excited by the previous 2 Bond movies I was disappointed. I wanted an epic story with a big battle at the end. Moonraker did that.

The sets and special effects were amazing, Jaws got a girlfriend, the final line by Q remains the funniest line ever uttered in a Bond Movie and above all it's memorable.

To say it jumped the shark misses the point in my opinion. It was supposed to. Every scene in the movie was played to the max with the intention of entertainment. Not all of it works of course but at least you could see they were trying.

Also I don't see how Moonraker is all that more ludicrous than You Only Live Twice (Connery trying to look Japanese!), Goldfinger or 3 out of 4 of the Brosnan movies.

Die Another Day is jumping the shark. Windsurfing a Tsunami, a Korean guy turning into a billionaire white Englishman being knighted by the Queen in 14 months, invisible car and Halle Berry trying to act! Roger Moore in a Space Shuttle looked like a trip to Walmart in comparison.

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2 out of 3 people found the following review useful:


Author: watsongirl from United States
12 March 2012

It's interesting that some of the most beloved Bond films are also some of the worst (Thunderball, Diamonds Are Forever, For Your Eyes Only), and some of the most reviled are among the best (On Her Majesty's Secret Service, Moonraker, The Living Daylights).

This movie set a new high in entertainment value when it was released in 1979. It was the necessary upgrade of the franchise in the new era ushered in by Star Wars a couple of years earlier. It preserved the best of the genre (espionage intrigue, plot twists, Bond mystique, beautiful women, gadgets, humor, haunting cinematography, and mesmerizing music), but brought them out of the gloomy and cynical Cold War atmosphere and into a more futuristic and optimistic format. It kept the Bond franchise fun at a time when the standards for fun had taken a quantum leap.

Roger Moore does a nice job in his last credible portrayal of 007. Alas, his age became increasingly distracting starting with the next outing.

A lot of fun. Deserves much more credit than it is usually given.

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2 out of 3 people found the following review useful:

It's not even a bad film.

Author: Sirus_the_Virus from United States
9 September 2009

*** This review may contain spoilers ***

I think that Moonraker is a lot of fun that is really underrated. Everyone gives it such a low rating. I actually sat back and enjoyed the film quite a bit. Bond travels quite a bit in this film, to some places even I have been to. Like there is one scene where is kicking some Chinese guy's ass in Venice. I have been to Venice and thought it was the best place I went to on the Europe trip. Moonraker is just trying to entertain and it succeeds. I didn't think it was as good as The spy who loved me but I still thought it was a great film. The only problem I have with it is the scene where they are in a lazer fight in space. I just found that a little silly. But other than that I was pretty happy with Moonraker. Moonraker is a fun film that I appreciate but nobody else does. I was happy to see that Jaws(Richard Kiel) returned again. I think that Moonraker is actually better than some of Sean Connery's. I am not going to give my rating out of 4, because like with Live and let die, if I give my rating out of 4 there will probably be an angry mob. I had fun with Moonraker and I think that you should see it.

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2 out of 3 people found the following review useful:

An underrated film

Author: skinr54 from United States
20 July 2009

*** This review may contain spoilers ***

This was the first Bond movie I ever saw, and it's still one of my favorites. It's the only one that really took a few steps into science fiction territory, and Richard Kiel as Jaws does an excellent job. Even though I don't feel this is Roger Moore's best movie as Bond (my vote goes to A View to a Kill), he does good nonetheless.

As a side note, the laser guns used by the Marines in the film's denouement were later featured in the Goldeneye video game. I remember them there for being fast, powerful, and with unlimited ammo.

Well, this movie has girls, gadgets, and guns; what else could you ask for in a 007 film? Watch it.

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2 out of 3 people found the following review useful:

Truly Epic, one of my favorite Bond films

Author: Dragonsouls from New York, NY
19 March 2009

Back in the late 70s, we were fresh out of the Star Wars phase. We saw Star Trek's first movie. We saw BattleStar Galactica. And they were all big hits in the box office, or in the case of BSG, cult favorites. In comes Moonraker, Taking the success of Star Wars and using it in the Bondfranchise. The plot here is simple. There is one very rich bad guy. And Bond must take him down, no questions asked.

We don't really know the villain's plot until the very end. We don't know why there is a space station up there until the very end. This film was loaded with extras, great costumes, set design and very good stunts. Most of the film is a collaboration of scenes involving Bond and his quirky humorous way of fighting. The acting wasn't very serious, it felt very comic bookish, but its OK, because the movie doesn't try to be serious really.

In the end, we are given the motives for the villain's actions. He doesn't say much, but he doesn't have to. The audience is given enough information, just sit back, enjoy the space battles in this, because they are superb. The CGI was fantastic, the models of the Space Shuttles were incredible, as well as the eerie Space Station that makes you think of our ISS and how prophetic this film really is! Good PopCorn film, 8/10

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2 out of 3 people found the following review useful:

The Pitfalls of Eugenics (and hurrah for Jaws and Dolly!)

Author: theowinthrop from United States
16 January 2009

*** This review may contain spoilers ***

I have to admit that I never became the full fledged fanatical follower (there's some alliteration for you) of James Bond that many others are. I saw DR. NO and FROM Russia WITH LOVE when they came out, then I missed all the Bond films until YOU ONLY LIVE TWICE. I did not see GOLDFINGER until about 2000. I still have not seen THUNDERBALL, DIAMONDS ARE FOREVER, or NEVER SAY NEVER AGAIN. As for Roger Moore's films, or George Lazenby's one film, or Pierce Brosnan's, or...well I have not seen most of them.

But I did get a chance to see MOONRAKER. The plot of the novel, about a mysterious industrialist who is working on a private project for the British people, always drew my curiosity. It reminded me of other billionaires (Howard Hughes, for instance) who did projects that the Americans got the benefits from (his underwater spy machine that helped retrieve a Russian nuclear device comes to mind). But Sir Hugo Drax is a villain, and he is first raising curiosity when "M" mentions casually to Bond that ("Horror of Horrors") Drax cheats at cards. Shades of the Tranby Croft Scandal.

Actually he is not the only Bond villain who cheats. Goldfinger always plays golf for large sums using golfing equipment that gives him an unfair advantage, and also cheats at card games. But Auric Goldfinger is not a British subject.

As it turns out in the novel Drax is actually not developing nuclear power to help Britain, but a pair of powerful nuclear weapons to unleash on London. Bond, of course, stops him.

That is not the plot here - but then movies have been known to jettison the story line of a plot and create a new one. With the success of the space shuttles, Drax project is to create an outer space station for the Earth's exploration of the solar system. In reality it is being changed for the egomaniac's plan to kill off all life on Earth, and only he and his followers will be the survivors.

Moore gave a reasonable performance as Bond (I'm sorry, I like Moore's "Simon Templar" on television, but the sturdiest Bond remains Sean Connery for me). Michael Lonsdale was threatening as Drax, but I actually found him too quiet. Give me a more inviting villain, like Gert Frobe as Goldfinger or Joseph Wiseman as Dr. No. Lois Chiles was properly beautiful and reasonably good as an actress as Holly Goodhead (after Pussy Galore my favorite Bond female name).

But my favorites were none of these three. It was Richard Kiel (repeating his villain as "Jaws") and Blanche Ravelac (repeating her role as "Dolly", Jaws girlfriend). Jaws was never in the original Bond novels (the name was invented due to the Stephen Spielberg film) nor was Dolly, but in the second film appearance the screenwriters gave Kiel a bit more for his role than threatening to use his steel teeth to kill Moore. He is forced to flee for his life, and is found barely alive by Dolly, who helps him. A sweet romance develops between the giant and the short sized woman. This was continued in MOONRAKER, but with an ironic twist.

Except for this film and Kiel's Jaws (and Ravelac's Dolly) none of the villains or villainesses in the Bond films ever switched sides. The reason here was simple. Up to the last twenty minutes of the film, Jaws is loyally helping Drax as his henchman. He and Dolly are in the space center that is supposed to protect Drax and his followers (and where Bond and Goodhead are hiding). But Drax gives a pompous speech to his followers (all of whom look "aryan" in features and proportions) about eugenics and breeding a proper race. Now Kiel rarely had dialog, but he is never shown to be stupid. As he and Ravelac listen they both become dismayed about what they hear. It's obvious that once Drax has put his plans to kill off the population of earth into effect, he will also weed out those who don't fully match his eugenics views (which includes poor tall Jaws and short Dolly). They keep looking at each other as they realize they have backed the wrong horse here. As a result, for the only time in a Bond film, a villain and his girlfriend end up allied with Bond and his girlfriend. It helps tip the balance against Drax. And in the end both pairs of "heroes" scoot out on their own space shuttles while Drax's plans literally explode.

I really ended up liking that ending. It is improved also by the end of Drax - who is forced to take one giant step for mankind.

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